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Anime ranking: Rank 1,183/in 2,689 titles (Total 7.00/Deviation 48.14) Rank 1,182 <= => Rank 1,184
Anime average points ranking: Rank 963/in 1,399 titles (Average 0.35(Good)/Deviation 46.07) Rank 962 <= => Rank 964 (more than 10 evaluatoin)
Anime ranking of 2006: Rank 72/in 193 titles Rank 71 <= => Rank 73

Asatte no houkou(Anime)

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Comics:Asatte no houkou

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Latest Music: 2007/02/05 ():

Asatte No Houkou $99

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Audio CD:Asatte No Houkou Chara Image Album: Shoko Tag:$99 2007/01/22 ()	Audio CD:Asatte No Houkou Tag:$99 2007/02/05 ()

Information about this title

TBS Chubu-Nippon Broadcasting Co.,Ltd. BS-i, INCORPORATED MBS(Mainichi Broadcasting System)
J-ta Yamada Mag Garden Corporation COMIC BLADE MASAMUNE
Katushi Sakurabi
Seishi Minakami
Itou Ikuko
Shichiro Kobayashi
Shinkichi Mitsumune
Yota Tsuruoka
Rakuonsha
Lantis

[Detail]

Yuji Matsukura
J.C.STAFF Kaoru Okubo Suara
Yumao
Ayumi Fujimura Shizuka Ito Satoshi Hino Akeno Watanabe Ami Koshimizu

Released:2006/10/05 in Japan End:2006/12/21 in Japan

Official sites
1. http://www.tbs.co.jp/asatteno/ (Translation)
2. http://www.jcstaff.co.jp/sho-sai/asa-shokai/asa-index.htm (Translation)

Music sites
1. http://pc.j-ken.ne.jp/title_song.php?category=4&title=111090

Statics of evaluation(The statics is updated once a day)

	Average	AnimeRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(0.35)	1,183	48.14	7.00

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	Total Views	Comment	Evaluation
Inside Japan	10,976	29	20
Outside Japan	336	0	0

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Comics:Asatte no houkou

The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/07/15 Good [Original Japanese review]
by pom Provider: 14177 Host:14340 Browser: 8090
A work with the polite depiction with very sufficient touch.
が, so the portion which will be excluded further become mind.
Although it was also in certain boys' comics well that an adult becomes a schoolchild, only the body of なるって was [ the schoolchild ] somewhat interesting conversely to the adult.
However, I thought that the meaning also with a bad good meaning of there being no scene あまり which feels conflict with he being a child, and finding a work place firmly and living from the place which is not [ resume Sulla 知 ] from 姿なって of the cause which was a がしっ loan thing from the first, and an adult was also too splendid.
on the contrary, い took to such a bashful and dark person to ひろ with whether it says [ that Mr.
しょうこ is quite childlike ] and what -- without it understands well -- sushi and its contrary -- carrying out -- a loan Mr.
しょうこ took to い why to ひろ -- it does not understand well Even if it comes out as a main character further ...
Although it seems that there are some persons said in the direction of others, it is sulky about how to finish being thin, although the shortness reason or original reason of 尺 finally does not know, and it is ぇ ...
even [ the language which is in ひろ after all ] -- coming out -- all -- solution するっていう ...
Old conflict is what to have been ...
Although, as for this neighborhood, dissatisfaction is also just going to remain, one by one, since it thinks it inside-out that depiction was polite, へん about there evaluates, and that it is good takes each time.
It may be the animation cured when it gets tired.

2007/07/18 Very good [Original Japanese review]
by 新真那 Provider: 4926 Host:5055 Browser: 5292
A work which dared have made the work which was probably made though made as a drama from animation.
However, a certain work of being finished in the work which draws a line is also clear today.
Although disappointed about any hint not having the last, having wished suddenly and the stone having come out just for a moment, the other dramatic deployment was good in general.
The contents expressed well surrounding confusion, change of love feeling, etc.
which take place by what the body and 〓e〓interchange (an adult replaces a child).
The body is [ of touching the pure feeling of the children of the body and the circumference who will be agonized if the heart has not grown up even if it grows up, and drawing / of action to 〓e〓and the feeling / persons / two ] which stop fearing contact with the surroundings / gradually / very nice, although 〓e〓which regarded separation of the past as wanting to redo the past to a drawback will interchange, if it is because I wished to grow up early and to become independent of 尋 especially.
It is [ a scene which comes with Jean that it is unexpected to the heart ] and was interesting.

2007/07/11 Very good [Original Japanese review]
by ヤンマ本史 Provider: 49951 Host:50069 Browser: 5234
[Good point] I thought "don't bring about the effect mystical [ the picture of the body in front of OP, and the sand of 〓e〓], and good." OP and ED music are pleased very much.
Feelings depiction of main kyara could be polite.
Although the composition of the talk is short, it is collected perfectly and I think that it was good.
Since 尋 grew up, he likes very much process until it accepts at last from the place in which a figure was not accepted.
The background of a busy fireworks display was also good.
[Bad point] Amino is not visible to a schoolchild.
Sense of incongruity was felt for a setup called this い年 with the body.
The play of the old couple of a pension was [ one ] now unsatisfactory.
Although it thought that it was probably the problem of 尺 of time, it was slightly unsatisfactory that the scene from which the body of the last talk and the body of 〓e〓return was contained only in the unnecessary-addition grade.
He had a feeling which has finished frankly.
[Comprehensive evaluation] The scene which is looking and is impressed very well was the work which there are and is very impressive.
[ many ] It was likable also in polite structure.

2007/06/10 Good [Original Japanese review]
by Nebusokunotaka Provider: 30646 Host:30847 Browser: 5234
It is because it wishes he wants for parents to die, to know when there is no relation of the elder brother and blood which stop and raise studying abroad, to think that he does not want to become the burden of ani, and to grow up early (it is people's name).
〓e〓which was being unconsciously wished with regret being in old life and wanting to regain the time at the time of being a child.
The human drama which begins from the age of two persons having interchanged.
Tale 1 talk 1 talk progresses calmly.
However, tempo does not think that it is bad, but characters' psychological description is told carefully, and it can understand with nature.
As for the place which makes words the place which should be made words and expressed with action, expressing with action is also good.
Probably, it is just going to be contrastive with a classmate's tetsu which interesting one tends to regard as the body and the body having gone missing, and tends to discover especially mainly expressing the inside of the heart with "action", and ひろ兄 and 〓e〓expressing the inside of the heart with "words." A child side "it is the aggressiveness of good なぁそ.
but it will be simplistic slightly make it think " -- an adult side -- "-- ねぇ with the sufficient words But if it thinks so, why is it more immovable to action?
" is made to think.
Furthermore, since it is likable in each characters or there is a place enough made to make it yakimoki, it is made to enter by the tale.
Although the bad place of あるって is natural to each a good place, when it is important, it is ながら思う now.
The last round is collected and I think that growth was looked at by each.
Since it returned to each age and the ribbon which child 〓e〓attached was returned, attaching but is also good something.
However, I cannot think that the problem which it had from the first time of the body and 〓e〓after all was solved shapely.
Cause kana which the original has not finished.

2007/05/10 Normal [Original Japanese review]
by Barnirun Provider: 32756 Host:32743 Browser: 3006(Mobile)
It is a conclusion etc.
now.
(Those with netabare) For a story, 、 which was what is changed also often and bad is [ how an original moves Kotomi of original kyara, although it is ....
which still continues and which do not spread on an end original by animation by carrying out since that is right, and ].
.
.
What or んじゃ over which it passes abruptly like this.
I want to see.
Since the life was begun as "Mr.
Sato" at the pension, the inside where it is also accidental that Kotomi & Amino comes to origin takes out by chance, how is carried out by the last round, and it is Kotomi Mr.
wish 石持ってる.
I want to see.
It is the touch which was ひっくり返(ed) last in some worse ones.
.
Even if it considers music and the merit of illustrating, final evaluation is lowered to "common." M [ -- 7 S (story) / -- 4 U (uta) / -- 7 W (world) / -- 6 (10 stage evaluations of 10-1.) ] (music) -- 8 O (otaku) -- 9 Q (quality) If the degree of otaku goes up, evaluation will fall.

2007/04/21 Bad [Original Japanese review]
by あり団子 Provider: 53558 Host:53611 Browser: 6298
It was "tedious animation" as frank comment.
Except deployment that the grown-up body replaces a child, there is no progress and there is no talk which employed efficiently deployment that the body interchanged.
し [ "my body" disappears applying to the last and also not understanding a translation ] ...
Since it is not the degree which memorizes a feeling of dislike, evaluation "is worsened."

2007/03/02 Bad [Original Japanese review]
by bouzzz Provider: 13093 Host:12939 Browser: 3646
All talk view better た.
Although it saw since OP-ED was good, and it cooked better, did it become bad at a stretch in the end?
Although the talk of three persons' relation was able to be enjoyed very well, along with the final stage, a somehow complicated feeling took the opening part.
Especially the last talk does not have having finished it as that ?
that ?
って touch in 納得い.
After all, there was nothing that remains in the heart at all.
evaluation is bad too -- it is alike and carries out

2007/03/02 Good [Original Japanese review]
by Sabukichi Provider: 9613 Host:9407 Browser: 6512
It finished seeing to the last talk once.
There was a place which thinks, "Convenience [ " ] is sometimes too good.
Is ねぇ?" It is that the rest was the contents which may not take a long circuit so much -- that -- it is truly the country -- leisurely -- carrying out -- てい -- long -- although he fairly liked a 閑な atmosphere the story was good once at the happy end -- suiting -- と -- it is こ -- it is Although まぁ reward たく also carries out mind which does not become --

2007/01/30 Worst [Original Japanese review]
by jinan Provider: 25099 Host:25016 Browser: 5235
Eight talks are "highest!
It was ".
However, the flow of the talk after it does not have 突拍子 and checked empathy.
Hereafter, the point which he worried is written.
- not writing a bodily thing to the airmail which 尋 took out to 〓e〓-- why An original dark setup explains the situation exactly because it is extracted.
- I think that what does not have a hint in the body and Amino meeting again in nine talks is amusing.
- Sense of incongruity is felt for going down and があるけど and the good schoolchild of such the body giving [ which Amino is struck to rain by ten talks and gives off heat ] off heat at it grade.
Since Amino is received, it is obvious to make a feeling into a love-thing and it is unpleasant.
- Although the relation between 尋, 〓e〓and 尋, and the body was solved in 12 talks, both are finished in easy language and the dodge was felt.
After the body runs away from home, 〓e〓looks at only hesitant 尋, returns 縁り well to what is not, and thinks a shelf.
......
[ not carrying out it at home, either, if the body also becomes reconciled only in the language of of "not having been moved by the burden" from 尋 ] which was [ way ] good -- I want to see until now -- it was alike and it was [ being inside of an apartment, or ] better to have come out and to carry out a psychological description carefully While this work and eight talks are the highest, I feel that they are fetters.
It expected too much in eight talks, and it arrived at the flow of the next talk and did not けま.
Evaluation is at the "worst"......
It すっごくすっごく期待(ed) with ほん.

2007/01/21 Good [Original Japanese review]
by アマンドの木 Provider: 17574 Host:17513 Browser: 3646
Is it because a year is thoroughly weak in this situation the summer vacation of 片田舎?
It can be drawn perfectly, and it becomes a high score (although the intelligible event [ say / fireworks or the sea ] was used).
They were the tone and the shadow which feel the strength of sunlight, the little of traffic, and the atmosphere which has 郷愁 invited on the whole.
I think that が and only it were required.
It is not certain whether it is even that the beginning of the tale that a child will grow up and an adult will become a child, and this were required for.
Independently, that conflict could be drawn, even if it is still an adult with a child.
It cannot be independently difficult to follow it up, though there is a point that a hero's smallness will narrow the action range.
If the conflict to its own body having changed is not drawn, I will think that such a situation did not need to be caused primarily.
That it is stronger to be still large considers the conflict to itself.
[ who continues having regret in the man into whom it was / direction / probably strong, and conflict whether the burden is applied to those who are not the elder brothers of a fruit is still small rather, and threw itself away ] Although these two heroes' exchange was probably very difficult when surely there was no inversion of an adult and a child, when this exchange of two persons did not lead the tale itself to solution, did the adult and the child need to be reversed however?
The leading player, Mr.
Amino, who led the tale to solution I think that his appearance had a little more childlike good one.
Although his unreasonable action can also be admitted just because it is a schoolchild, for a high school student っぽい reason, his own appearance is visible to "a young elder brother with the weak head" (if the act of jumping out of a house without a plan in order to look for a girl also becomes a high school student, it stops becoming like).
I consider that it was better to leave childishness to the features to a slight degree with short pants, a 麦藁 hat, and an insect collecting network although not said.
At least, if visual [ that it can be balance ], I regard "Mr.
Sato" as useless.
And say that the greatest defect of this tale does not lead to problem solution whatever a hero may do.
That is, unless hetare elder brothers with gloomy forelock change, it is saying that a situation does not change.
A problem is not solved in the place where which described a hero's conflict.
First of all, when pretending it a family's misfortune, throwing her away into a foreign country and going back to it, it is an elder brother with a considerable problem.
Probably he was made into the leading role (in and form where Mr.
Amino touches it off), and it became a tale with gentler drawing his change and growth.
The atmosphere of a work was favorite although there was also dissatisfaction appropriate as it is in the direction of a tale.
As written with the head, isn't it made to a work only in that atmosphere?
The tale of 1 summer which is not an exorbitant incident.
He likes Mr.
〓e〓of the bad surendaa form of eyes by the tare eye very individually the back at glasses.
If it is only atmosphere, with ", although it is ", an everything difference is carried out, and it pulls, and is made "good."

2007/01/20 Bad [Original Japanese review]
by Anibaka Provider: 32650 Host:32620 Browser: 5237
An original is evaluation in the state where it is not looking.
Although viewed and listened only to five talks, between, ゆう, or tame of having felt first is past [ merit ] for every scene.
being such -- のたん -- time -- working -- coming out -- ?
and every week -- かんじ better た that the two heroines become a child or a story grows up たり -- comrades -- since it was looking sleeping by the half although it was かんじ -- massage -- there is no 思い出せ Since it is not viewing and listening to all, evaluation is a bad stop.

2007/01/17 Very good [Original Japanese review]
by 逆神降臨 Provider: 32886 Host:32710 Browser: 4184
桜美 and "the reviving empty" currently seen before were good.
You carry out, and is [ other animation ] this supervisor's work of carrying out structure adhering to the drama of kyara which has drawn a line interesting [ a supervisor's work ]?
But the last climax is although seemingly the place made to finish quietly is this supervisor although mind wanted to rise to a slight degree is also carried out.

2007/01/10 Normal [Original Japanese review]
by NarIsa Provider: 1985 Host:1913 Browser: 4925
It passes forcibly.
the production of OP -- although it is strangely and cousin 突いてくる, and time and a quality thing are good feels -- the final stage -- ねぇ It finishes [ while not having been demonstrated at all by it / the talk ] merit and is wasteful.

2007/01/07 Very good [Original Japanese review]
by スペ9 Provider: 3926 Host:4005 Browser: 5623
Although pathos was peculiar and it was pleased very much, dissatisfaction remains in how to attach a punch line as deployment of the final stage.
Keep in mind that netabare is included below.
Originally, the play of the character of animation does not turn to a realistic drama.
It is because a labor and skill are required of illustrating fine performance of 目線, expression, etc.
therefore, the drama of animation -- being exaggerated (exaggerated) -- there is much character knowledge of intense stage setup (for example, robot animation etc.) which is easy to become intelligible play and expression, or a violent emotion type being also alike -- 桜美 which it was not concerned, but the play of "the reviving empty", 本作, and a character is modest, continued challenging the work near it of real human being, and was successful -- and it carries out and 氏 is a supervisor rare today A pure thought, conflict.
The trouble and passing each other of characters by it.
The children who play outside until it grows [ fantasy, the country scenery which can be said, the sultriness of summer, and ] dark by the end of today "when it does not change with ancient times" (by Kotomi) Stage setup of 〓e〓which will put ろ and 郷愁 to which even those who see were made to return by the child is exquisite.
〓e〓which held regret and has got used to the irony and the sophism of an adult no one but.
It is because he wants to feel ashamed of the burden to 尋 and to escape from the now which is a child immediately now.
The appearance to which these two persons respond to reality obediently, and conquer vexations is shown through the whole volume.
It is because it becomes perverse and may be taken only in about a jito eye especially the opening part with な〓e〓and the hypocrisy with which it is saddled when he is altogether bad ( which 〓e〓became perverse and maintains ぶり and balance since the body is a child and "that is not right" is an adult but visually!).
Invigorating deployment is rather hot few by favor.
But the style which shows characters' feelings including these two persons as conte carefully by BGM and the monologue is Hideyasu.
illustrating -- there is no power -- と -- it is a good example proving the ability to do It will be unclear and it will be Mr.
Amino's intelligible freshness the to have compensated the heroine with few bright fields.
His good 奴っぷり was the refreshment of 本作.
Although except is likely to be seemed, it is the character which 〓e〓likes.
her irony っぽさ and hine (appearance is child) て -- a feeling of a near relation was memorized for precocious behavior Since there was a jito eye of the opening part, the gentle eye of the second half was also useful.
naturally, my body is a good child - This karami of two persons was purely agreeable, and good (toko which goes to clothes 買い, and cake 作る toko).
Moreover, the performance division of adult and child of Ms.
Ayumi Fujimura and Ms.
Shizuka Ito which played the two leading roles is also 巧かった.
It was both natural, and the direction according to an adult and child did at first, and I thought らっしゃる.
They are the whole circumstances of a drama which also merely worry a fault.
There is also no hint suddenly (there was nothing .).
It is the place which was brought about by Kotomi and from which it wishes and two persons return to the original body with the fragment of a stone.
An epilogue-[ あまつ ] scene is also thin (only in case of the conversation of a fathom and 〓e〓 and two cuts by ED).
To be sure, the drama of 本作 has finished it as the conversation scene of 尋 in an observatory, and the body.
It is as "having finished the tale of my summer" (faint memory).
[ of the body ] To be sure, the shown trouble is solved.
But it is necessary to provide a televiewer with a climax as a tale.
Nils smashed the magic of a fairy with the friendship from the bottom of heart to moruten.
After losing topo and transformation capability and dancing grew up, the thought was driven to that time (continuous chorus of cicadas).
I wanted sapuraizu which marks a spectator's end of a tale.
When there were they, one rank evaluation went up.
However, a mood and dramaturgy are liking as said to the beginning.
Those who see since there is no showy deployment of an intelligible animation no one but are works to choose.
The staff's 次回作 is counted on very much.
Although it is large 甘, it takes into consideration that it is a cut different from today's works of other, and that the evaluation in the direction of others is a little lower, and suppose "It is very good."

2006/12/31 Good [Original Japanese review]
by Eiji Provider: 25339 Host:25286 Browser: 7464
the feeling of a character -- animation ---like -- it is not -- man -- although it may be stinking and some men may feel a first hard one, I felt charm there moreover, 桜美 of "the reviving empty" -- and -- carrying out -- a supervisor -- it is -- 心像 depiction -- fine -- very much -- impressiveness -- it is -- a title passage -- "the direction of on the day after tomorrow" -- even if it was deployment, there was persuasive power to the extent that it is convinced thanks to the 心像 depiction Moreover, it is the portion by which the scene by which the heart comes suddenly heaped [ portion ] up a certain 本作 in a inflammatory way plentifully, and was made to reconfirm musical importance anew, so that not only the talk but music sometimes consumes even the talk very wonderfully.
since it was called free 12 talk composition, reason is too straight and, on the whole, was settled too much in a small way with hardness -- x -- since it may fail if an upper setup of free 12 talk composition etc.
is considered, although depth was born to the talk with a spread and evaluation must also have gone up further, when there was various play to a slight degree, although it is a difficult place

2006/12/29 Comment(good) [Original Japanese review]
by Barnirun Provider: 32756 Host:32733 Browser: 2864(Mobile)
It views and listens to five talks.
A work of the previous month has painful netabare in the evaluation board here too.
Would not neta tag mounting be carried out early?
It is OP and Mr.
光宗 Shinkichi's music which Mr.
Suara sings [ impressive one ] first.
OP -- the dream song of "what is sung", and you -- the charm different from gatame again -- coming out -- てい -- a good impression Although Mr.
光宗's music is a usual piano taste, the music power (?) carries out the degree impression of 毎 until it results [ from the ancient times of a sugar ] in Rosen recently.
Next, although it is the story in question, when seeing only one talk, it is a stake in drama みたい of どこぞ first.
Although a televiewer should have many males, it is the deployment which carries out empathy to 尋 of a hero (?) position purposely.
although whereabouts is not found by making "with no delicacy of what or ねんこ" think at the beginning as a まぁ scenario, either, a televiewer is likely to escape -- と -- do you do with 8s ちゃう to こ, and call it 過ぎ?
The process is attractive, although it becomes reconciled somehow by four talk after that (understanding) or original kyara has appeared in five talks.
Although it is what, it is somewhere rough も見えます.
(it is not related -- it is -- although -- the body of the grown-up body did not need to be made into such fake comb - if -- original author Mr.
??) Only J.C.
Staff of illustrating is and is beautiful.
Although there is also a coarse portion in some places, since it has not said until it collapses, is it the place I want you to give this quality to to the last round?
for the time being -- provisional evaluation -- "....
which is likely to be considerably changed by how a story is carried in the second half although it is per [ good" ] M [ -- 8 S (story) --.
] (music) -- 9 O (otaku) -- 8 Q (quality) U (uta) -- 8 W (world) -- 6 (10 stage evaluations.) If Otaku goes up, evaluation will fall.

2006/12/28 Normal [Original Japanese review]
by 捲追911 Provider: 33432 Host:33277 Browser: 4184
Since viewing and listening was made to complete to the last talk, I want to go into the conclusion of all talks.
Individually, in this term, although the kana by which the unexpected find came was able to be thought, it did not go up to the place which is like [ which he expected as a result ].
Although it expected that it went to a quite good line since the production which regards as the sound side including OP-ED of the place where 惹かれた所 made the country of 1 summer this work individually first of all on the stage, or a theme song having been good, and is brought in in the atmosphere of the whole work was really attractive, I was able to regard the flow of the story in the final stage as very individual so that it might be imaichi.
〓e〓which will separate although affection was felt for 尋 which is a "bodily" elder brother as the girl "the body" who wishes the highlight of this work wants to grow up, and repented of its past wishes, and the "body" grows up according to the wonderful power of a stone.
Moreover, although it thought that the story of 〓e〓centering on three persons to whom it becomes a child contrary to the "body", and 尋 twines round the two persons was main, it is regrettable that the above composition which he considered somehow has collapsed henceforth [ 9 talks ].
There are many portions as which the deployment after 9 talks was too felt a few abruptly individually.
And think whether moving the story of this neighborhood has that they are Mr.
Amino who thought was completely a supporting player, and Kotomi by a role being different for a while, and conflict of the portion which surely hesitates 尋 and cannot move -- not understanding -- unless 尋 moves a little more positively if it is original too although there is nothing, 尋 cannot wipe away hetare touch to the last If it is original, the treatment of 〓e〓of the position of the same main kyara as the "body" of it and another fault is not good, either.
Also very often and bad, "bodily" depiction takes the lead too much, activity of 〓e〓is not relatively conspicuous, and an impression is thin.
Although the portion of the feeling of 〓e〓is still drawn for the time being in the last talk, I can somewhat regard 尺 as a thing with the bad timing which was wanted to draw the portion of the feeling of 〓e〓from an early stage more individually, and is drawn if attached to the portion of depiction of 〓e〓so that it may be insufficient.
overall -- the last talk -- somehow -- forming -- quite individually delicate, when it is said whether it was the form where satisfaction fully went, although it thinks that it was able to do The portion which thinks is delicate thinks the kana I wanted how to stand kyara of 〓e〓and 尋 too to carry out somehow to a slight degree.
the place kana which endured the points lost of a portion somehow with the savings by the middle stage in the second half, and came out of with a grinding sound and which was called 至らず by the unfavorable criticism system although there was feeling like "being bad" when only the second half was seen this work -- production and に惹 -- him -- although there was る部分, I think that the direction of a scenario was imaichi individually Evaluation is "common."

2006/12/28 Good [Original Japanese review]
by Naooki Provider: 33146 Host:32904 Browser: 4928
Although it was also つ which resigns seeing on the way, when having continued seeing somehow, I thought that it was interesting from 6 話位.
From nine talks which the boy of purplish red hair pursued for the body, feel 青春, think that it was good and a omase girl needs to hand the last to 〓e〓a stone.
The body and 〓e〓became the original physique, loved and closed, came out, come out, and think that they were good.
Although I did not wish to see repeatedly, the midst currently seen was very cured in why.

2006/12/28 Good [Original Japanese review]
by に〜ぷ〜 Provider: 474 Host:4 Browser: 5234
An original is non-読.
I thought that it was one of the works the story excels [ つ ] in the animation of the autumn of 2006.
If it says simply, it will be the talk that the adult is gradually influenced by children's gentle way of life.
尋 and 〓e〓which are an adult in the work are kyara which cannot become gentle when important two persons.
Such two persons grow under the influence of the body, the Amino brothers and sisters, and Kotomi.
I think that the flow and the contents of the talk may be very much interesting.
尋 and two persons' growth which are touched off by the straight of 〓e〓which touches on easy [ bodily ] and Kotomi's action and becomes gentle, and 徹允, and backer of 透子, and appear in action should hear visibly -- る点 thinks that it is good The view of the world of the stage is also beautiful.
Does he like it?
Vast nature can understand well from a screen.
Moreover, I also regard musical merit as raising the view of the world further conjointly.
OP and ED are very high levels.
Especially the image of ED is wonderful.
"of the body of the last direction -- the link of an image and words of the portion of " is a good impression now OP (insertion song) is Mr.
Suara who became famous ?
suddenly by "what is sung." There is あじ different from a dream song also here, and it was pleased.
About a problem, 尋 of the opening part and the character of 〓e〓are not so good.
I regard two persons as drawing too much useless as Mr.
raruku has stated.
In other words, that growth is felt large has also completely said [ even it ] that it is from だった.
With it, since it must be a hero, it also worried not playing an active part in except but.
The Amino brothers and sisters and Kotomi mainly play an active part especially the final stage.
Three persons will leave this kyara of other and will look attractive.
し [ this activity of three persons actually had many good things ].
the growth by the side of one more and a child is not known -- or understanding ずらい -- they are things Finally the body is called growth or is close to reconciliation.
When there was an "it is not going to be necessary to grow up in a hurry individually"-talk, I felt that growth was similarly differed from only by being made to decide by 透子 also for satisfactory 徹允 (I thought that it was such a work).
まぁ -- a basis -- since it is strong kyara, although it may be unavoidable -- A quality is also good, and although it was the work with which a story is also proud of quite [ that it is attractive and ] completeness, since it thinks that there was also room of improvement, evaluation presupposes "It is good." It was the work which fights for the being individual top with a work in autumn.

2006/12/21 Worst [Original Japanese review]
by raruku Provider: 16054 Host:16068 Browser: 4876
Although the trigger of a ringleader which became a child is 〓e〓 he stays at home by victim zura.
Is it a いう thinking circuit?
and karada running away from home to 尋 is responsible -- rubbing -- a telephone -- sermon って -- how -- are of one talk did not know a situation yet (it is incomprehensible with what it carried out and 尋 did not tell [ which still is not a grown-up remark ] the situation primarily.) I did not want to use for an excuse -- although it is restudying from ?
spinach, after knowing this time, originally karada goes away, and tetsu or 尋 must not go search to the very first, either, and it is you -- ろ ....
it is not completely growing up from one talk .
if it hears that 尋も tetsu is searching, it udauda and I will search at last ....
obtaining -- what -- these people Is it the moving [ someone ]-ゃ自分 which is not in 動 worst?
Because this work and two adults look at two child (?) which began from みたいな soul and became it precocious children and set it as けど and the useless adult who will be my thing [ wanting to re/ try / shake ] too much, I feel that karada and tetsu which are a child have become it precocious beyond necessity.
although he is pleasant even if the adult is doing perfectly and the direction drawn more on ワgamama is still looking at the child -- this -- an adult and a child -- " -- it is -- " -- there is nothing -- the portion with which both sides can therefore sympathize is looking few, and is unpleasant Was [ までは / before the account of karada wandering starts ] comparatively interesting..
It is an uncanny regrettable work.
Although it is drawn as it collects finely and 〓e〓and 尋 grew, since initial setting was too useless as written above, because the last became "honest" at last, it will be visible.
one period of treatment of honesty -- even when -- it was the thinness of the contents to the extent that it thinks that it is long Since it was the level which is also neither a home situation complicated if it wishes and I do not have a stone cause a miracle, like it is independently unrestorable, nor relation nature, and can be solved by talks.
まぁ -- although it was the people which cannot do it ..
Since an adult's work って feeling which is not functioning as an adult is bad too, it is made the "worst." However, if it hears that the original talk is chira っ and it is seen, an original can come, and it is following touch...
It is whether supposing it carries out or, the direction of animation is the often done way ..

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