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Anime ranking: Rank 163/in 2,719 titles (Total 114.20/Deviation 60.66) Rank 162 <= => Rank 164
Anime average points ranking: Rank 255/in 1,455 titles (Average 1.60(Very good)/Deviation 59.17) Rank 254 <= => Rank 256 (more than 10 evaluatoin)
Anime ranking of 2007: Rank 6/in 162 titles Rank 5 <= => Rank 7

Ef -a tale of memories.(Anime)


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Unknown Binding:Er cof am dano Ef. In memory. < Anthem. > [S. A. T. B. Tonic sol-fa notation.] Welsh...
1900
()
--Staff.
Original_Story:minori
Director:Shin Onuma
Original_Pictures:Naru Nanao 2C=Galore
Music:Tenmon
Supervision:Akiyuki Shinbo
Sound supervisor:Youta Tsuruoka
Animation_Produce:Shaft
Manufacture:"ef"Production committee

--Cast.
Miyako Miyamura:Taguti Hiroko, Kei Shindou:Junko Okada
Chihiro Shindou:Natsumi Yanase, Mizuki Hayama:Mai Gotou
Hiro Hirono:Hiro Shimono, Kyosuke Tsutsumi:Tai Yuuki
Renji Asoh:Motoki Takagi, Syuichi Kuze:Kenji Hamada
Yuuko Amamiya:Yumiko Nakajima, Yu Himura:Kouichi Tohchika
Released:2007/10/06 in Japan End:2007/12/22 in Japan
Official sites
1. http://www.ef-memo.com/ (Translation)
Music sites
1. http://j-ken.com/category/animation/title/112566/
Statics of evaluation(The statics is updated once a day)
 AverageAnimeRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanVery good(1.60)16360.66114.203

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Inside Japan24,4435947
Outside Japan29500

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Percentage36.2%27.7%19.1%6.4%0.0%8.5%2.1%
Added percentage36.2%63.9%83%89.4%89.4%97.9%100%
Summary83%6.4%10.6%
                                                                                                  

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.
2008/09/18 Best! [Original Japanese review]
by OP屋さん Provider: 22700 Host:22657 Browser: 8901
The number of OP animations is 8/10.
The number of OP music is 8/10.
A comprehensive score is 16/20 and is the highest!
.
2008/07/29 Best! [Original Japanese review]
by Takechi Provider: 2879 Host:2688 Browser: 7321
It is a talk with sufficient honto.
We recommend you to read at once!
ef-a tale of melodies of a sequel is also enjoyed, and it is !.
2008/07/29 Good [Original Japanese review]
by 新真那 Provider: 46484 Host:46381 Browser: 9538
Probably, evaluations differ very much by whether it regards as omission, or it regards as production.
That is, it says only in this work はっ and there is no motion.
it is what although there is not no motion of people -- there are many still pictures as the image ...
which was blown, out of which it comes and which is carrying out sesame from production is boiled When a way of speaking is changed, is it the drama CD with a background?
But, I think as production that evaluations a little differ a saw case to the last.
It may be the becoming thing which it is going to make a work of art, without daring show a big motion and which will be solved.
I think that there is what [ no ] Mr.
Makoto Shinkai is drawing [ what ] the background.
or [ seeing the scene of the telephone of ten talks how ] -- man order or ...
I am individually and think だ The talk after 9 and 10 talks is sight.
2008/07/27 Good [Original Japanese review]
by Taoru Provider: 4577 Host:4566 Browser: 5234
The peculiarity of production felt eva wonderful space.
Eccentricity of projecting said 留守電 on carrying of 紘 5 minutes or more only with a printing type and a sound in the 7th talk especially.
However, displeasure etc.
was not felt but was able to enjoy the atmosphere for the time being.
Was halfway [ of 紘 ] slightly useless in the eternal triangle of 紘み or こ景?
a view -- わいそ past ます Or [ that it is knocked by the 紘は Kyosuke and is natural ].
Since it yakimoki(ed) in many cases, seeing once again becomes troublesome.
蓮治 and the 1000-fathom talk were very good on the contrary.
Since nature was contained just for a moment, 1000 fathoms were dear.
蓮治 also wants to do one's best hard for 1000 fathoms which memory has only for 13 hours, and to send applause as the same man.
The last is what and is -?!.
Although it was unexpected, it was good at the happy end.
& lt;< general comment >> -- since it is a peculiar work -- hama った et al.
-- thorough -- the Hamah り -- I think that it is a work with that right illustrating -- a level is high and likes character dithering individually Evaluation is "good."
2008/07/21 Best! [Original Japanese review]
by Iuu Provider: 40689 Host:40527 Browser: 6520
It is evaluation when also knowing the original.
It was the work with which the prejudice of a manufacture side was felt.
Especially production was good.
I think that the psychology of a character was able to be expressed splendidly.
It was the music which ED is also changed for every broadcast time and suited its time of the.
Moreover, れて change is carried out as the movie of euphoric field of OP also tends toward the last talk.
Since it is unclear, those not noticing also think that they are many one.
If it says in a concretely intelligible place, the shadow of the heroes who save the heroine is drawn on OP (kana which was the portion of rust surely) of the last talk.
If OP compares, it is interesting.
Although the volume volume on みやこ and on 蓮治 met the original, the volume on みやこ received the impression which is different from an original for a while.
Or [ that the position of みやこ and a view stand somehow and positions differ ] ...
That there is a portion as which the view of animation is saying an original and these words surely although memory is somewhat ambiguous たり.
But the talk is realized and sense of incongruity did not have both.
Although the production in carrying of みやこ questioned closely was intense with the animation version, 紘 does not have housesitting 聞いて after all.
The pattern of hearing housesitting was also looked at just for a moment, and was extorted.
I think that suffering of a character could make full use of production, and was able to express the volume on 1000 fathom.
The scenario was also good.
The last was able to make it possible to be impressed.
I feel that a female receptacle seems to be good somehow for this work.
And does evaluation try to want to separate by whether simultaneous advance and production of a story are acceptable greatly?
2 terms are also pleasure.
2008/07/06 Best! [Original Japanese review]
by Fueitoo Provider: 23249 Host:23234 Browser: 5234

[Good point]
Opening
[Bad point]
Nothing
[Comprehensive evaluation]
Is a song God?
し [ a story is also good ].
2008/07/01 Best! [Original Japanese review]
by ロドリゲス閣下 Provider: 27947 Host:28073 Browser: 4926

[Good point]
Is it that the love to Director Shin Onuma's beauty girl game has been transmitted?
The back, although each school love story tended to become the same impression individually, the shaft production of the surprise which takes place each time was taking out the very good taste.
It was good for Mr.
Takayama katsuhiko's scenario to also have a settlement.
It is 嬉かった also as a fan of a shaft.

[Bad point]
At the pace slowly carried out when saying by force, we recommend you to see.
(since it is getting tired only with 1 talk saw also with Yuuko, and I would like you to carry out 1 talk 1 talk concentration, and to see rather than anything)
[Comprehensive evaluation]
By the animation of a love story system, he likes individually.
Since it was a story dark on the whole, I who like the dark talk was very much satisfied.
Since he has no something to say individually, evaluation is <>.
2008/06/11 Very good [Original Japanese review]
by 真砂 Provider: 5387 Host:5349 Browser: 8090

[Good point]
- image, OP ....
Music and an image have no complaint.
Especially the production in the last round was admired.
- Story ....
The volume volume on みやこ and on 1000 fathom had the good story deployment from the second half.
a continuation is worrisome the neighborhood where the psychological description of みやこ was Hideyasu and where it carries out, and 1000 fathoms lose memory or lose the page of a diary, and does not those[ with a method ]-ま [ the neighborhood ] -- it came out and carried out - production -- animation besides ....
regards a line as it being the characteristic of this work maximum [ production / 画す ] God was cutting the scene into which especially 1000 fathoms break and throw away a diary on the roof.

[Bad point]
- production
[Comprehensive evaluation]
It was a work with production new also also well bad.
although there was also a good portion plentifully -- new = -- it carried out, and the diagram of being interesting has often looked and got tired, because [ which was not necessarily realized ] it was too new But since he liked such 意欲作 and sushi and the story itself were interesting, evaluation is "very good."
2008/05/28 Very good [Original Japanese review]
by 1252 Provider: 28340 Host:28468 Browser: 8090

[Good point]
Music.
Production.
Picture.
Animation new in.

[Bad point]
It is kana, when [ which is not regarded too ] were told, and it got down, the last of 紘 and みやこ did by force just for a moment and it was なかんじ.

[Comprehensive evaluation]
蓮治 and the 1000-fathom route were good, and since they also enjoyed 紘 and the みやこ route as it is, they think that they were good on the whole.
2008/05/22 Best! [Original Japanese review]
by 竜巻回転 Provider: 28462 Host:28454 Browser: 6342
With it being individual, an old shaft work is uncongenial, and although this work was not carrying out evaluation high to there at the time of the beginning, either, it becomes interesting rapidly from the middle stage to the second half, there is also a cry or a place carried out involuntarily, and I think that it was a quite attractive work.
The bold composition that scenario composition carries out simultaneous advance of the part from whom 〓 serves as a hero unlike other works, and the two different scenarios from which 〓治 serves as the leading role is constructed.
る but a style with the place truly appropriate for [ although there will be no it and these two scenarios will progress in a separate direction to the last, if these two scenarios become in the second half and it is said whether they overlap / style ] a shaft which takes in such experimental elements positively -- I can think kana Well, although the voice of the pros and cons will take out such experimental trials also often and bad, is what this work can still esteem the power of expression which is proud of an overwhelming sense, whatever it may say?
々, such as how to use the beauty of scenery depiction of this neighborhood, and a silhouette, and how to express feelings depiction of a character to it, the numerousness of the amount of information of this work transmitted from the whole image to all scenes -- being uncanny -- it -- only -- passing -- 見で -- viewing and listening with the work with which a taste like the dried cuttlefish which is not allowed, and which is made to stare is seen And kana which it is not in the work which the fun and dreadfulness of this work understand anew when [ which he broke up and understood the ば れた intention ] described by this work.
the thing with which power of expression is uncanny with a thing and it is anyhow fascinated on nature and a screen -- it is -- things -- about art, I think that it was an overwhelming quality also in the work in recent years However, as for this work also having a fault, of course and thinking that it is individual, the work of a shaft system will have quite much strong production of peculiarity, and since two stories of this work are separate and it is developed, a first hard one will be felt, and in such meaning, if there is no last information, the place of a few which chooses those who are easy to be cut at the beginning may be one of a few faults of this work.
2008/05/12 Very good [Original Japanese review]
by Konsuru Provider: 12661 Host:12695 Browser: 2852(Mobile)
I think that production and illustrating are wonderful.
New.
OP-ED also regards music as, of course BGM having been very good.
みやこ and the view it was thought in story that were not great contents so much -- the part also remains in the impression strongly by the above-mentioned reason -- it carried out and the 1000-fathom part was impressed obediently How many is also the scene of a goose-bumps thing?
However, if it thinks very, a movie, a drama, animation, comics, etc.
should be seen severely [ 々 ] from 話って昔 of such systems "in which memory disappears." He is also it cheap human being that it can still be impressed by such talk....
2008/04/29 Good [Original Japanese review]
by Tansuman Provider: 23253 Host:23501 Browser: 7952
I think that it could be peculiar that two talks carried out simultaneous advance.
the story came out very much and carried out After the paragraph made to be considered variously also having even a 1000-fathom talk and finishing seeing it, it was the work which remains in the heart.
Although it was a short work called 12 talks, the contents are very deep, and I think that it was good.
2008/04/01 Normal [Original Japanese review]
by 如月 柚子 Provider: 1778 Host:1755 Browser: 5234
For this animation, OP is the highest whatever it may call it!
Illustrating is also beautiful and a character setup is also rather attractive.
However, a story may be unclear....
2008/03/21 Comment(good) [Original Japanese review]
by LILY Review history[Good:2(100%) Normal:0(0%) Bad:0(0%)] / Provider: 14425 Host:14576 Browser: 6034
In me, it is the work of the highest rank at saw animation until now.
However, those who see are whether to choose.
Expression and production are interesting first.
Although it thinks that drawing is stopped and it is a taboo by animation, it is well and it is used for condition, and it is guigui 引き込 rare た.
A tangle of various persons came loose exactly and the talk also became a form.
Since he likes a group play from the first.
Especially as for the scene in the 1000-fathom roof, goose bumps left.
Game 買おう kana
2008/03/17 Best! [Original Japanese review]
by 水月奏 Provider: 42312 Host:42304 Browser: 5879
Touch called beautiful animation when it says at a word anyhow.
Production had some shining.
And a character may be very painful.
Moreover, the view of the world was also good and the background was also very beautiful.
The tempo of deployment was pleased by exactly good touch.
A certain place also regards H scene as an original not having only eroge.
surely -- a supervisor -- although a thing is regarded as it having been the supervisor who made -- good -- so far -- somethings from production -- up to [ what ] -- a route -- a frog -- things are made and it is surprised with a shelf After all, since the original was not completed, although the last round was not good, since it still connected to the church perfectly, it had been collected comparatively well.
I think that it was quite the Ryosaku animation as 鬱っぽい animation.
2008/03/11 Best! [Original Japanese review]
by とーや2000 Provider: 54331 Host:54202 Browser: 4984
It trembled from eye the first talk.
Isn't such a masterpiece rare?
It is a best-work article in the 2007 fiscal year.
By the simple reason a character design is good at first If it begins to see, it will be impressed by the cut rate and production of drawing.
eva -> haruhi and kanon (capital ani) -> shaft It was one work which feels the flow of the new animation to say.
As for a high quality and production, a complaint has no design.
Inside [ as for a school system, a story also has many thing works in being alike or depending ] It was very good by the new story.
It was one work to attach the "highest" evaluation to after a long time.
2008/03/06 Good [Original Japanese review]
by 金龍 Provider: 45932 Host:45882 Browser: 8445
Since the reason extolled had nice production.
the contents itself were settled to there -- as -- I was not able to consider this work is divided into two, a 蓮冶 part and a 紘 part.
What has been converged without these two tales being hardly each other interwoven with is the reason it thought "it is not collected", and I think that it is the fatal wound of this work simultaneously.
While adopting the innovative way of showing of advancing two parts by simultaneous advance, the question what effect there was really continues appearing.
Two talks are connected gradually, and since deployment of having converged finely at the end and finishing was expected, the dissatisfaction which received the dodge a little will come out in such a place.
A hint did not come out, characters were not necessarily connected and みやこ and 蓮冶 of 紘 have settled individually with 1000 fathoms evenly.
Now, it becomes only feeling that the movie of two love story things which are completely different is shown simultaneously.
When both this part was distribution of equal power in まぁ and this, the problem did not become large to there.
I hear that that it is the first problem does not maintain balance by the 蓮冶 part and the 紘 part.
To be sure, 蓮冶 and the 1000-fathom love story were uncanny.
The keyword of a mystery which wins over people strongly though a new setup about memory, a novel, etc.
are heterogeneous a few.
The production on which the chain in the last talk cracks was brilliant, and through an image, 1000-fathom feeling has been transmitted, so that it is painful.
You also think that you are raising evaluation, thanks to the part here.
It comes out and a question is asked here.
Then, a 紘 part is how.
Another tale which could not remain in an impression awfully easily although it must never be a 蓮冶 part's addition something.
Although it will not know [ some ] whether it is yandere if individual comment are said, after making the "fighting scene" which prevails now appear and making it dorodoro, ワkaranai thinks somehow that it has pulled impression forcibly from the production of a telephone card.
although it was a thing to the extent that evaluation falls when it thought that that production was new and there was that [ no ], if it thinks calmly -- that situation itself -- it does not come [ mind that it can be impressed to there and whether they are contents ] to carry out Although the stock in its inside crashed thanks to the bedroom scene of the provocative attitude concerning [ みやこ ] a view, the attitude which treated people with contempt, and a mystery, it does not come it thin to feel connection of her and 紘 as for extracting such a thing.
It is visible as [ that is related with its internal problem / my ] one-sided.
[ of since he did not want to disappear to the last when it was said why whether みやこ asked for 紘 ] moreover, the direction of 紘 -- the direction of 紘 -- why -- みや -- since there was no intelligible episode whether this took to it, the scene suddenly confessed to みやこ was not unnaturally visible somehow Although it wrote first that it was the result [ as / cover / these faults / a production side / in which ], undoubtedly the production of this work has released conspicuous color compared with common animation.
Although he did not like a new fringe supervisor's production itself to there, it was impressed on the level like a telephone card, the scene from which a crack goes into the chain of memory and 1000 fathoms are released, expression which connected 1000 fathoms to the novel looking at this animation, and making it think that it was really good.
For [ which wants to see not the animation of the kind that it is uncanny and is interesting but the beautiful animation which the point / comprehensive evaluation "it is good" / worries, and the animation as graphics ] men.
Since the contents side was a setup which does not have the talk of 1000 fathoms and 蓮冶 in other animation, the interested direction recommends you viewing and listening.
2008/02/25 Very good [Original Japanese review]
by herba Provider: 46000 Host:45813 Browser: 7300
A peculiarity is strong and could not enter easily at first just for a moment.
Although a peculiar sense and peculiar composition are also so, it is fairly hard, before performance also calls the heroine's voice (direction of an eyepatch) how also as animation of this sort and it gets used.
Very musical.
What is first attached to an eye is a place where a synchronization of a change and others of words and a fine cut is perfect.
Music and the image itself are beautiful and a synchronization on an image, a situation, and the existing image production on which it goes berserk is brilliant (for example, the reverberation after the index using the character of a thing -- telephone card takes out a steps 減っていく fellow and the feeling of strain of -- time restrictions, immediately after a telephone dies is made).
The lump of a sense.
At such a reason, there are many words unusually, and gatsun and the ups and downs of the whole story for every talk which rises are comfortable like music in spite of being moreover fairly serious and heavy contents at the rhythmical place in short supan, and the key point in long supan.
When immersed there, え ー っ and what are なったんだっけ how unawares.
Also what is said.
けど which the problem of hobby liking probably has about a story -- I thought that it had improved very Although an emotional expression also increases as the point progresses, an intention is transmitted firmly.
One side of two talks which carry out simultaneous advance is the one heroine's true love route, and another side is an eternal triangle route.
a certain meaning [ say / that the former heroine can maintain memory only for 13 hours ] -- although it is a fantasy setup, in order to set forward the time of the heart, the seriousness and the solitary depth of the situation that it must continue cutting fine to memory repeatedly are drawn vividly (kana which does not sympathize deeply very well if it is the direction which has an obstacle person close) Love egoism is intensely drawn by latter one by realistic setup.
Such a negative portion has produced the forcibleness of the portion of Ming to which the depth finds out light.
Two talks do not necessarily become entangled, and although balance is maintained in the form made to contrast, the impressiveness as a simple substance is felt by both.
Former one understands the thing with many opinions of a good impression.
although it is a place to make into the highest, it is alike, and will carry out and evaluation will be solved, if it sees once again and is really interesting
2008/02/24 Very good [Original Japanese review]
by Peraperayomena Provider: 1587 Host:1626 Browser: 5979
The image expression is peculiar the place to which this animation and two talks are parallel and go.
First, though a relation walks it up and down, 1000 fathoms which had given up seeing 蓮治 which has not found the future dream, and a future dream meeting, and the talk of 1000 fathoms and 蓮治 influencing each other, process in which it progresses little by little considers often having been drawn by it.
Endurance (probably, it had given up, if it was probably 蓮治 at the time of the beginning.) of 蓮治 towards the unexpected deployment and the unexpected last in front of the last was brilliant.
Is it the "highest" if it is only here?
It did not care for the character of another talk and "hetare" and typical "irresolute" な紘 unsatisfactorily.
The sad past (a family's bonds are lost) It loaded and the view of 惹かれている and a gymnastics meeting system shut itself in what of 紘 with which やこ separates with a family and lives, and in the talk of favorite one and the past, where of 紘 of feeling has not been understood that the direction of 1000 fathoms matches well, because it was visible.
Compared with 紘, Kyosukes could be clearly seen.
Also for the last, the pair of みやこと紘 is ".
Although it was ", the view and Kyosuke who were released from the spell of 紘 were comparatively good.
It is "very bad" if it is only here.
Image expression of this animation can be considered to have adhered to the "scene which he wants to photograph" which a Kyosuke says.
Mind [ like ] which passing does for a while, such as a black shadow, was also made character だらけ や赤地.
The device was looked at the back by OP (the last changed a lot) which changes little by little, ED united with the talk.
Comprehensive evaluation presupposes "It is very good."
2008/02/22 Comment(good) [Original Japanese review]
by nimo Provider: 3135 Host:3315 Browser: 8090
It has not game played.
No, I say a normal and think that it is a work.
How to fasten an atmosphere peculiar to a shaft, the music of opening, and three routes ...
But I am a scene in the station of the w last which is only in the volume on 1000 fathom and was regarded as enough to put it bluntly...
It was the highest.
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