[Anime]Fire Ball

Very little context is given about the setting of the show. Of that which can be discerned (explained by Gedachtnis), the characters reside in a gigantic manor surrounded by a presumably Robot-inhabited city, beyond which is a desert that humanity's forces slowly encroach across during the 144-year timeframe in which the series is set (Merkur Era 48,650-48,794).

Gedachtnis is Drossel's servant and guardian, having sworn to her late father to protect her. Drossel treats him very much after the manner of the 'spoiled princess' stereotype (no doubt to further the comedic aspect of the show, but also in-synch with her appearance and the stylised postures she assumes). A running gag in the series is that, at the beginning, Gedachtnis waits for Drossel to arrive and is called by a name Drossel chooses seemingly at random (although some, such as Sancho Panza and Rasputin, infer an unambiguously subservient status upon him). Gedachtnis then attempts (in a gentile, butler-like fashion) to remind Drossel of his name, upon which she abruptly tells him not to interrupt. Another recurring joke is Drossel claiming that she practices karate despite her moves obviously being capoeira.

[Spoiler warning! You can read below part by dragging your mouse over below part] Drossel was manufactured as having the mind of a 14-year-old girl, with Gedachtnis' being that of a 50-year-old man; neither's age is explicitly stated, although both are known to be at least 20,800 years old - Gedachtnis stated that he entered service with the von Flugel family 20,800 years ago, and that it has been his duty to remain by Drossel's side for all of that time. Both Gedachtnis and Drossel move and speak in markedly unconventional ways, for example: instantly replying to each other at inhumanly fast speeds; freezing in postures until a new one is assumed (this is especially true of Drossel, what with her many princess-stereotype poses); replying in seemingly unrelated ways (although this may be due merely to the series' nonsensical nature). They remark upon how illogical human speech seems to them and act in what could be said to be an unemotional manner (although some emotional elements are retained for the sake of comedy and dramatic convention). The characters occasionally display knowledge of elements that would normally be considered on the other side of the fourth wall - Drossel makes reference to what happened 'in the last episode', and at another time points out that she has heard something already in an anime; Gedachtnis stops a laughter track (and indeed, the episode) by punching the screen, causing it to fracture in the accustomed glass-splinter visual code and then to fall sideways to the floor. The series sometimes makes serious points in otherwise complete nonsense - the city in which Tempest Tower is built (shown during the opening title sequence) appears to be stereotypically dystopian in appearance; in the episode Butterfly, Gedachtnis discusses the nature of rules, and what it is to be 'real' in an almost philosophical fashion, and the last episode features some distinctive 'last stand' elements (it is this episode in which she recites her entire name and title and then walks to face the human forces just as the series ends).

This story has the part which was created by referencing Wikipedia, so the licence of GFDL is applied to this story.

Tokyo Metropolitan Television Broadcasting Corp. Disney Channel Fukuchi Hitoshi
Miyuki Kawasho Toru Ohkawa