| Story Movie 1: Overlooking View
Timeline: September 1998
Mikiya Kokuto brings over some ice cream while visiting Shiki, but Shiki is not happy to see him and adamantly refuses to eat any of it. Afterwards, Shiki and Touko discuss the recent spate of unusual suicide incidents where several high school girls fell to their death, but left no suicide note and had apparently no reason to commit suicide. Touko concludes that the girls did not intend to die. At night, Shiki visits the deserted part of town containing the Fujo buildings which have now fallen into disrepair and are about to be demolished, and while there stumbles upon the body of newest victim. She also notices several ghostly figures floating above the Fujo building.
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The next day, Shiki discusses the building with Toko, as she can feel something abnormal about it. Toko suggests that the figures are records and memories of the victims who have died so far but have for some reason not dissipated into the world. In the afternoon, Shiki is walking outside when another victim falls to her death. Deciding to take action, Shiki visits the Fujo building at sunset and battles a mysterious apparition that manages to take control of Shiki's left arm and tries to choke her to death with it. Using her mystic eyes, Shiki destroys her arm which is revealed to be a puppet arm that Toko created for her. While the arm is being repaired, Shiki eats the ice cream that Kokuto bought using her remaining arm. The next day, Shiki takes back the repaired and improved arm, returns to the Fujo building and destroys all the floating figures and the apparition, who attempts to use her power of suggestion to make Shiki fall. It has no effect on her because she never had interest in such things.
Afterwards, Kirie Fujo awakes in her physical body on her hospital bed after being killed by Shiki in her spiritual body. Touko walks in and asks why she did it, Fujo replies that she didn't intend to make them fall, she just wanted to make friends with them, and so called to them, as she was stuck in the hospital with an incurable condition ever since she could remember. After Touko leaves, Fujo decides that the moment of her death when she was killed by Shiki was the most that she has ever felt alive, and wanted to relive that feeling. She wheels herself to the roof of the Fujo building, where she commits suicide by falling from the roof. Kokuto wakes up, feeling as if he had slept for a very long period of time, and Shiki demands that he stay over at her house to finish the ice cream he bought. In the Epilogue, Touko is walking near the Fujo building with Azaka Kokuto, where Fujo's corpse has been found. Touko comments that she just probably could not fly today.
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Movie 2: Murder Speculation (Part 1)
Timeline: August 1995 - March 1996
Mikiya first meets Shiki in a white kimono during a snowing day. Later on, at the high school freshmen ceremony, Mikiya sees Shiki in the crowd and chases after her, introducing himself to her. At night, Shiki stumbles onto a fresh corpse of someone killed in a traffic accident, the blood still flowing. Kneeling, she applies the blood on her lips as lipstick and smiles. At school the next day, Mikiya discusses Shiki's choice of dress, a kimono, stating that it must be cold. Shiki replies that she will simply wear something over it when it gets colder, and Mikiya suggests a jacket. Shiki later on takes Mikiya's suggestion and buys her trademark red leather jacket. At night, a man stumbles as he runs in fear from an unseen attacker, who kills him brutally with a knife. The next day, Mikiya tells Shiki about the murder, saying he has an inside source as the murder is not on the news yet but Shiki is displeased that Mikiya is talking about something like that during lunch.
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The police discover the fourth corpse, the school reacts to the news by prohibiting all after school activities. Shiki is one of the few people left in the school by this time, but bumps into someone she does not know, who reprimands her by asking her if four times isn't too much, even if she is irritated. Shiki refuses to reply. It is raining outside, and as Shiki waits at the entrance, Mikiya comes up behind her and offers her an umbrella. Startled, Shiki refuses, saying she has someone coming to pick her up. The two wait there in silence, until Shiki can no longer stand it and suddenly asks Mikiya where he was the whole time, and he replies saying that he was in holding a farewell party for an upperclassman, Lio Shirazumi, that was dropping out of school because he found something to do. Mikiya invited Shiki as well, but Shiki did not think he was serious. At night, Shiki finds the fifth corpse, but simply remarks "the fifth one" emotionally.
Shiki has a duel with her father, using real katanas, but loses. Her servant, Akitaka, remarks that Shiki is the real successor of the family, over her male brother, an unusual move as the male is the successor in traditional Japanese families. This is because only Shiki inherited the special multiple personality of the Ryogi family who in her case, is male and Shiki wraps herself in bandages to hide her femininity. During lunch break, Mikiya's friend from the judo club, Gakuto, quizzes him about the rumor that he is going out with Shiki. He admits that he does like her, but they are only friends. Later on, Mikiya finds a letter in his desk from Shiki asking him out on a date. Shiki shows up, but talks and behaves in a boyish manner, leaving Mikiya confused. Over a meal, SHIKI, the male personality, writes out two different spellings, Shiki and SHIKI, and explains that he is the rebellious impulse of Shiki, but lately they have been out of sync, whatever Shiki likes, SHIKI does not, and vice-versa.
Mikiya has dinner with his cousin, Daisuke, who is a detective and is investigating the recent murders. He reveals that they have obtained a recent clue, Mikiya's school emblem was found at the latest murder scene. After school, SHIKI has a frank talk with Mikiya, warning him that Shiki will try to kill anything that opens up her isolation with the world. The next day, Mikiya still offers to eat lunch with Shiki, leaving her perplexed. At lunch, Mikiya notices a bandaged injury on Shiki's left arm, who admits that she got it during the last killing. Mikiya doesn't believe her, but Shiki warns him again that if he doesn't back off, she will probably end up killing him. Mikiya once again has Daisuke over for dinner, who reveals that they found the killer's skin underneath the victim's fingernails, and that the killer probably has an injury around the elbow, the location that Shiki had bandaged. Panicking, Mikiya dashes out to Shiki's mansion in the bamboo grove, but Shiki is apparently not in. While walking around in the grove, Mikiya finds Shiki, drenched in blood in front of a fresh headless corpse spurting blood. As the blood splatters onto Shiki standing there in a trance, Shiki turns and smiles at Mikiya. Walking up to the terrified Mikiya, Shiki smiles and says "Be careful Kokutou-kun. A terrible premonition tends to attract a terrible reality."
After the cops find the crime scene, Mikiya pretends to not have seen anybody, but secretly goes back to keep watch on Shiki's house every night, and is easily spotted by Akitaka as he does not do a very good job of keeping hidden. This keeps up until Shiki loses her patience and has another talk with Mikiya, who still refuses to believe she is the killer, and she then asks him if he will be coming tonight. That night, Mikiya is still keeping watch, when Shiki in a blood red kimono shows up in the rain, and chases him while slashing wildly with her knife. Shiki chases Mikiya to the road just outside the bamboo grove, where Mikiya falls and Shiki straddles him, holding a knife to his throat. Tears streaming down her cheeks, Shiki asks Kokuto to say something, who can only reply with "I don't want to die.". Shiki smiles warmly and replies that she wants to kill him. Screeching tires are heard, and the scene switches to June 1998 where Mikiya has started working for Toko, and visits the comatose Shiki in the hospital with flowers, stating that he has always believed in her.
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Movie 3: Remaining Sense of Pain
Timeline: July 1998
A teenaged girl, Fujino Asagami, is being raped by a street gang in an abandoned bar. During one night, Mikiya finds a confused Fujino crouched in an alley and noticing she is suffering from pain in her abdomen. Mikiya accompanies her to his apartment where she falls asleep. In the next morning, Mikiya notices Fujino is gone and at the same time, the news report a murder scene in an abandoned underground bar where the victims' corpses were found with their limbs torn off.
Later, inside Toko's office, Mikiya rants on Toko about not having his monthly salary paid because she spent her money on a Victorian ouija board. Toko talks to Shiki about the murder scene and asks Shiki to capture a suspected perpetrator per a client's request. Shiki, confident she will recognize the suspect because of their killing intentions, leaves without reading the suspect's background information. Shiki claims they will try to kill each other the moment they meet.
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Mikiya asks his friend Gakuto to lend him money. Gakuto accepts, but in return asks Mikiya to help him find Keita Minato, a friend who was acquainted with Mikiya during his high school days. Fujino is shown dialing Keita's phone, but instead, Keita does not answer while he is cowering frightened. Later, elsewhere, Fujino is dismembering someone without actually touching him while asking for Keita's location ._ In another scene, Mikiya's sister, Azaka Kokutou, is chatting with Fujino in a cafe and Shiki approaches Azaka to tell her Mikiya will not come to see her. Shiki notices Fujino and stares at her with killing intent, but Fujino does not respond. Thus, Shiki does not recognize Fujino as the suspect during that time.
Later during one night, Fujino is dismembering another victim (In the novels, the victim was a friend of Keita who tricked Fujino to where she can find Keita but in reality he wanted to rape her). The moment Fujino kills him, Shiki appears to confront her stating that Fujino is similar to her because of her bloodthirst. As Shiki and Fujino get ready to fight, a sudden change in Fujino's character occurs that makes Shiki no longer desiring to fight and leaves. A flashback in Fujino's childhood reveals her playing with a knife along her toys, seemingly injured and bleeding. However, she continued playing as if she did not feel any pain. Back to the present, Fujino calls Keita's number saying she is finally feeling pain and therefore feeling alive. But she does not want Keita, the only survivor of the bar's crime scene, to tell she is a murderer so she can live normally and speaks of her intent to kill him.
Mikiya was with Keita listening to Fujino's phone call. Keita reveals he and his friends have gang raped Fujino for some time but she did not show any signs of pain or emotion except until recently when she was hit at the back of her neck by one of Keita's friends. Mikiya is disgusted on how Keita and his gang treated Fujino but he still helps him by bringing him back to Toko's office for protection.
Mikiya then intends to talk to Fujino to stop her quest of revenge. Toko tells him that Keita confessed that his friend stabbed Fujino in her abdomen in the night of the murders and that actually triggered her desire to kill. However, Shiki when she first met Fujino noticed she did not have any wounds. She states that her pain is still inside Fujino's body and she would resort to killing to relieve the pain. Mikiya leaves to investigate Fujino's past.
During one night, a driver is about to accidentally crash into Fujino, but he is murdered before that happened. Shiki decides she must stop Fujino. A flashback scene shows Fujino, with an injured leg, once met Mikiya years ago. As she does not felt any pain, Mikiya tells her that a pain is something that is spoken about.
Mikiya discovers that initially, Fujino was able to feel pain, but her father (revealed to be her step father in the novels) artificially sealed her ability to feel pain in order to suppress her telekinetic powers. Toko then deduces that Fujino was never stabbed in the first place, but she was indeed feeling pain the moment she was about to be stabbed. Her real pain is caused by an untreated and ruptured appendicitis and Toko concludes Fujino does not have enough time left to live.
Shiki confronts Fujino on a newly constructed bridge that is sealed off, this time both wishing to defeat one another since Fujino can feel pain and joy for killing. During the fight, Shiki's left arm is twisted and rendered useless by Fujino's power. After constantly fleeing from Fujino's attacks, Shiki is finally able to 'see' through her telekinesis and able to 'cut' them with her 'Mystic Eyes of Death Perception'. Just before being delivered the final blow, Fujino uses her acquired 'clairvoyance' to destroy the entire bridge without the need to actually see her surroundings. An injured and agonizing Fujino tries to escape, realizing her desire to live and love towards Mikiya (and in the novels, her mother). She is found by Shiki who bends down and stabs her.
Mikiya and Toko find Shiki oustide of the bridge, who tells them Fujino lost her sensitivity to pain in the end and lost the desire to kill her. Instead, Shiki cuts through Fujino's illness. Toko tells Shiki she will replace her left arm with a puppet arm capable of grasping spiritual embodiments. Mikiya calls a medical team to treat Fujino.
In the end, Mikiya confesses Shiki he is concerned about Fujino whose acts will haunt her mind and remain hurting her. Despite the terrible things she had done, she was more human than the gang who treated her. Mikiya also confesses he will stay by Shiki's side, by which Shiki also confesses she feels a 'small 'special' murderous intent towards Mikiya'.
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Movie 4: The Hollow Shrine
Timeline: March 1996- June 1998
Following the incident in the second movie, Shiki is being carried by ambulance to a hospital where she lies in coma (the cause will be revealed in the final movie). Mikiya visits her very frequently, leaving rose bouquets which garner him praises by the nurses for his commitment to visit Shiki all this time. Time passes, and Mikiya graduates from high school and then meets Toko Aozaki in a doll exhibition, who then hires him.
During Shiki's near death experiences within the Void, she encounters her male counterpart, SHIKI, who sacrifices its existence. After two years, Shiki finally wakes up and finds Mikiya's 'recover soon' note along with a bouquet of roses. However, at this moment Shiki does not recall Mikiya's name. As she looks at the bouquet, she sees cracks running through the roses and right at the moment she touches those cracks, the roses begin to whither and shatter. While being treated by the medical staff, who are unaware of Shiki's new ability, Shiki is able to see the cracks on them and on herself and visions appear where people and even herself are being sliced through those cracks. Confused and frightened, she injures her own eyes.
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Mikiya is told Shiki has regained consciousness but visitors other than family members will not be allowed to see her. Toko, disguised as a therapist, visits Shiki, who has both of her eyes bandaged due to her self-inflicted injury. Toko introduces herself as a sorcerer and points out that Shiki's feelings of loneliness and hollowed heart can only be cured by the care of other people. Toko tells Mikiya that Shiki is okay, but he should not visit her yet.
During nighttime in the hospital, Shiki is being haunted by spirits who try to possess her body. During the day, Toko visits Shiki every day and discuss about Shiki's dual personality. Toko states that Shiki's condition is special because both Shiki and SHIKI integrated a combined personality and realizes that as SHIKI is gone, Shiki's memory created a lapse and therefore will not be able to conclude Shiki's involvement in the murders two years ago. Toko also points out that SHIKI sacrificed itself for Shiki to survive.
Shiki, still having her eyes bandaged, is told by the medical staff she has recovered and can go back home, but she refuses as she is deeply frightened by the world full of cracks she sees with her eyes. Later in the night she tries to stab her eyes with her fingers but is stopped by Toko, who speaks with Shiki about the 'Mystic Eyes of Death Perception'. Toko tells Shiki she can teach her more about her new ability, which allows Shiki to 'perceive' and also 'touch' the 'death' of things. Shiki feels that is unnecessary as she does not feel the desire to live. Toko points out that although Shiki does not want to live, she is also scared to die and under that condition, Shiki would be easily targeted by the spirits in the hospital and Toko's magical protection would be voided. Disappointed, Toko leaves asking Shiki if SHIKI's sacrifice was for nothing.
Later in the night, Toko's protection shatters and a possessed corpse assaults Shiki. Back with Mikiya, Toko describes Shiki's heart as being hollow and only through present and future experiences she will be able to build her new personality and 'shrine' in her heart. Mikiya starts singing softly 'Singing in the Rain'. As Shiki realizes how truly lonesome and frightful death is, she fights back the possessed corpse and both fall through the hospital room's windows. Toko finds Shiki and tries to stop the corpse with her ignition sorcery but her attempt is unsuccessful. Shiki removes her bandages and battles the corpse using her newly acquired 'Mystic Eyes of Death Perception skill. Toko hurls a knife for Shiki to use. Shiki cuts her hair and uses the knife along with her 'Mystic Eyes of Death Perception' to slice the corpse. After rendering the corpse unable to stand up, the spirits possessing the corpse possess Shiki's body, but she fights back by stabbing her own body to reach the spiritual being's "existence" and cuts through them. Shiki erases the spirits and Toko offers to teach Shiki how to use her mystic eyes. In exchange, Toko asks Shiki to work for her.
Back in the hospital, Mikiya visits Shiki for the first time after her awakening. At the same time Shiki finally recalls Mikiya's name, saying that his (last) name sounds as a French poet's.
After the end credits, three people from the previous film are visited by a mysterious man with dark trench coat. He is shown with Kirie Fujo granting her with a body that she can move, later with Fujino Asagami healing her back wound and meets a down, blood-stained Lio Shirazumi. When all three ask who he is, he responds, "A magus, Soren Araya."
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Movie 5: Paradox Spiral
Timeline: November 1998
Shiki's Arc
In the middle of the night, Tomoe Enjou stabs his parents to death in a fit of rage, before escaping his apartment in a panic. Not long after, a homeless burglar finds their bodies, but when he returns with the police, to his surprise, he finds them being greeted by the residents in perfect health.
Sometime later, Shiki helps fend off some school bullies that were attacking Tomoe. Seemingly taken by Shiki's presence, he quickly asks her to help hide him, ecstatically claiming that he is a murderer. Shiki agrees, and simply cites she is the same as him when he is surprised by her easy acceptance of his status.
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For the next month, Tomoe stays at Shiki's place, their life punctuated with Shiki's nightly sojourns, and Tomoe waiting for the news report of his parents' murder. During this time, Tomoe notices a strange man in a red hat and coat following Shiki. Tomoe warns her of this fact, which she idly dismisses. When they get into an argument over this, Tomoe claims he loves her, and as he lacks any worth, he'd be willing to die for her. Shiki refuses the offer, and asks him to consider where he feels his real home is. Tomoe feels then that he cannot hide any longer with Shiki, and leaves.
Not long after, Tomoe is shocked to see his mother still alive. Confused, he returns to Shiki. To confirm Tomoe's murder, Shiki accompanies him in returning to his residence at Ogawa apartment: an ominous, circular complex colored red, which was completed recently.
When they enter the elevator, Shiki notices they are ascending in a spiral. Reaching the 4th floor, Shiki insists on not ringing the doorbell, and simply entering Tomoe's home. Inside, they are met with Tomoe's abusive family, even another Tomoe, and watch the family's final moments as Tomoe's mother succumbs to murder-suicide. Shiki explains that these are simply imitation puppets that are revived in the morning and are forced to relive their final day alive repeatedly. Because Tomoe did not ring the doorbell, they continued to act as if they had no visitor.
Shiki then brings Tomoe to the opposite side of the apartment, his real home. She explains that when elevator began operating, due to the construction of the complex, none of the residents realized the rotating elevator made them exit 180 degrees, into another set of flats. When they enter Tomoe's original residence, they find the rotted corpses of the parents. This side of the apartment is used to store corpses. However, this intrusion also causes the undead puppets of the other deceased apartment residents to attack them when they exit. Shiki easily cuts them down, but afterwards she is confronted by Souren Araya. It is revealed in a short flashback that sometime during the second movie, Shiki had previously fought Souren.
Souren explains that he controls the apartment, as part of an experiment that uses the building to simulate a miniature world that concludes in a day. After driving all the occupants to kill one another, he has been making them repeat their deaths over the past half year, hoping for a deviation in their deaths. He also reveals that he was the one who manipulated Kirie and Fujino in the previous movies to attack Shiki, as antithesis to her, in hopes he can force her to recognize her own Origin. As they are meeting early, Souren decides to capture her now.
Shiki's mystic eyes are unable to perceive lines on Souren's body, due to his great age (his Origin being Stillness) and mystical artifacts he grafted onto his left arm in preparation. She attacks, regardless, even able to cut through his defenses, but in the end, she is defeated by Souren, and absorbed into the building.
Tomoe, the lone witness of all this, grabs Shiki's knife and escapes back to her home.
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Movie 6: Oblivion Recorder
Timeline: January 1999
The movie starts off with a introduction from Kokuto Azaka on who she is and how she plans to win Mikiya over as her lover despite the presence of a dangerous woman named Ryougi Shiki. Afterwards, Shiki is sent to Azaka's school, the Reien Academy during winter break in order to help investigate a series of reports of fairies stealing the student's memories, and a suspicious suicide. The two immediately clash as Azaka is in love with her brother (Mikiya) and considers Shiki a love rival. While walking around the school, Shiki notices a fairy, and chases after it. Azaka who cannot see the fairies, is left alone and is attacked by an unknown person and has her memory stolen, only waking up in the evening with no memory of what has occurred. They discover the magus using the fairies is trying to erase everyone's memories of the event, but the school has a written record of the investigation. Azaka goes alone to check out the suicide site in the old building, as Shiki does not want to wake up this early. While there, Ouji finds her and requests that Azaka pray with her in the chapel, after praying, she reveal she is the one using the fairies to erase everyone's memories, and tries to erase Azaka's memory, and that she killed Hideo Hayama(the teacher who went missing) and used his body to create the fairies(as you need a corpse of some kind to create a familiar). Azaka is knocked unconscious from behind by one of the fairies, but she retains her memory and is found by Satsuki Kurogiri, the teacher replacing Hideo Hayama.
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Shiki arrives and tells Azaka that the students of Kaori's class have all disappeared. Azaka says she is going to check out the suicide site, but Kurogiri strangely tells her that there is nothing there...and when reaching there, she finds that a large section of the building has mysteriously disappeared without a trace. Unable to find a trace of Ouji, Azaka falls asleep, and is woken up some time later by the dog left by her room mate. Shiki tells her that she has a message from Mikiya, who informs her of Kurogiri's real identity, that of a magus known as God's Word and a counter measure to his ability, as well as the cause of Hideo Hayama's death. Taking Shiki's walkman and earphones, Azaka runs past Kurogiri without being affected by his ability, and heads to the suicide site to discover all the students there in a trance, with lighted matches and open canisters of fuel, Ougi intending for them to commit suicide in the same manner as Kaori. Azaka and Ougi face off in the chapel, while Shiki faces off with Kurogiri. Azaka tries to convince Ougi to stop, revealing that Hayama died from a heart attack due to his drug abuse, and that the information she gained from the fairies was just a rumour circulated by the students and Kurogiri had stolen her memory first to make her come to the wrong conclusion. Ougi refuses to stop, and tries to kill her with the fairies, but eventually they rebel against her and Azaka destroys them and the source of the magic. Kurogiri reveals that Araya Souren requested he return to Japan in order to restore Shiki's memory, and Shiki tries to kill him, but Kurogiri simply says "You'll lose sight of me" and Shiki becomes unable to see him. After everything is settled, Mikiya tells Azaka that Kaori regained consciousness in the hospital. The bus arrives, but instead of getting on, Azaka pulls Mikiya away and insists on a date in order to make up for him going out with Shiki the other day(Movie 3, Mikiya is supposed to meet Azaka but sends Shiki to tell her he cant make it). At night, Azaka remembers a dream from her childhood, and remembers why and how she fell in love with Mikiya.
The restoration of Shiki's memory via God's Word as well as what happened to him after the events of the movie are left unexplained, though in the original novel much more about him is touched upon and he is killed by one of his students in a considerably karmic fashion.
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This story has the part which was created by referencing Wikipedia, so the licence of GFDL is applied to this story. |
