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Anime ranking: Rank 405/in 2,717 titles (Total 46.98/Deviation 52.81) Rank 404 <= => Rank 406
Anime average points ranking: Rank 186/in 1,454 titles (Average 1.74(Very good)/Deviation 60.63) Rank 185 <= => Rank 187 (more than 10 evaluatoin)
Anime ranking of 2007: Rank 20/in 162 titles Rank 19 <= => Rank 21

SEIREI NO MORIBITO(Anime)

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Comics:Seirei no Moribito / Novel:Seirei no Moribito

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Latest DVD: 2008/11/04 ():

Moribito: Guardian of The Spirit Two Pack $99

DVD(7hit) Sales/Latest							Music(3hit) Sales/Latest
Rank:24312 Moribito: Guardian of The Spirit Two Pack Tag:$99 2008/11/04 () Eval.:***** 1.A gorgeous, complex epic fantasy	Seirei No Moribito 6 Tag:$99 2007/11/27 ()	Seirei No Moribito 7 Tag:$99 2007/12/25 ()	Seirei No Moribito 7 Tag:$99 2007/12/25 ()	Seirei No Moribito 8 Tag:$99 2008/01/29 ()	Seirei No Moribito 9 Tag:$99 2008/02/26 ()	Seirei No Moribito 13 Tag:$99 2008/07/01 ()	Rank:123853 Audio CD:Trinity Blood Tag:$99 2005/10/03 () Eval.:***** 1.Brilliant Soundtrack	Rank:470692 Audio CD:Seirei No Moribito Ongakuhen V.1 Tag:$49 2007/07/02 ()	Rank:760828 Audio CD:Seirei No Moribito V.2 Tag:$49 2007/10/01 ()

Information about this title

NHK-BS2
Nahoko Uehashi KAISEISHA
Kenji Kamiyama
Production I.G
L'Arc��en��Ciel
Sachi Tainaka
Mabuki Ando
Koji Tsujitani Ako Mayama Mayumi Asano Ryo Hirohashi Takko Ishimori Nojima Hirofumi
Hiroshi Naka Atsushi Ono Emi Shinohara Rintarou Nishi

Released:2007/04/07 in Japan

Official sites
1. http://www.moribito.com/ (Translation)
2. http://www3.nhk.or.jp/anime/moribito/ (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	AnimeRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Very good(1.74)	405	52.81	46.98

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	10,825	33	27
Outside Japan	276	0	0

How others evaluated in Japan

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Good

Normal

Bad

Very Bad

Worst

People

Percentage

25.9%

48.1%

11.1%

3.7%

11.1%

0.0%

Added percentage

25.9%

74%

85.1%

88.8%

99.9%

100%

Summary

85.1%

3.7%

11.1%

Views for recent 8 days
Total 10 9 8 7 6 5 4 3
18 3 4 3 0 1 2 2 3

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Comics:Seirei no Moribito / Novel:Seirei no Moribito

The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/10/05 Best! [Original Japanese review]
by herba Provider: 7567 Host:7709 Browser: 6701
(Original non-読) It is fresh to tell a view of the world and an idea by a
[point]
and a good image, and good action.
The meaning as animation is felt.
- The made useless view of the world which is not.
A moderate fantasy.
- illustrating in recent years -- the image as which the benefit of improvement is felt - the flow of the tale which progresses steadily calmly was balanced -- stoic BGM.

[Bad point]
The end of -.
(1) which the place whose action of a pursuer side solution of confrontation carries out too much frankly, and comes out, and is visible to schedule harmony attaches to an eye - Use of a foreign word (about 3 times but).
In the world unrelated to Western culture, it is not suitable.
A gap is felt for the way and view of the world that the same is said of OP music, and truly modern to sing (merely peculiar to this band).
Neither how to raise voice with a feeling of の飛翔 nor a music tone is bad as introduction to the work world.

[General comment]
Place which may be connected also with banal or sermon stink if the lower part is carried out by the reason for showing a universal sense of values and a universal ideal from the front, although sonority is good, if it is called the royal road.
The enjoyableness and impressiveness beyond it are felt.
The ease of accepting is gained by making a person image tell by action.
Although it is not the work which asks for impact and pleasure without reason, the orthodox tale is converted into a video signal in the form which is not perfectly mostly.
Although the last was also 酷薄 very much, it was that in which the reverberation as which deep 情 is felt remains.
---- It seems that the thought of this work or an original has appeared directly in a setup of a hero balsa and chagumu.
build bodyguard faking たり to a woman and make a boy build child-parent relationship temporary to 孕ませたり and others for a "child" -- sufficient -- etc.
-- seemingly, the mutual understanding between the man and woman by false experience and between parents and children is calculated somehow Not only this but people, a sovereign and politics, science and nature, man and this world, and a different community (next world.) etc.
-- the soul of such mutual understanding is felt also about a confrontation relation (for example, tanda is made to bear an intermediary with a different community) The scene where every person is acting under the suitable situation and judges someone does not exist (it is (1) although a person therefore looks a little going too well).
Posture of the compromise from nature and conflict by them at a base It fights against fate towards - future, and the figure in which everybody play their role is beginning to be spun.

[Sword fight]
It is a sword fight that the merit of this work can be taken in directly.
Impressiveness is felt very much for the scene which mixes the point of a sword.
An oath of non-殺 of the bodyguard balsa which may also become a beautiful thing sometimes (2).
The body looked at by that she and pursuers fight manages, and the posture in which there is no compromise which is going to make it realize the ideal can understand with the skin out of motion each of swords.
The real thrill of the animation told with an image.
It is a tiger's episode to have symbolized it.
It is shown there that her posture is not a mere thinking level.
The episode of temporary parent jiguro of a balsa had drawn what is stabbing and moving the her.
This work is treating the life very carefully.

[A balsa and chagumu]
In the end, the depiction whose balsa thrusts chagumu off will also be the place felt as oyatt, if it carries out from a present-day style.
However, the view tested by comparison in the person image and personal history which are called that world, a situation, a balsa, and chagumu will also be required.
Although it is how to take very awkward communication, and it is realized only after there is a confidential relation built by then, into language, I can regard it also as the earnest which cannot be rendered being inside-out.
chagumu of court breeding -- then, it also becomes the feeling which had the breeding itself [ one's ] denied -- dividing -- coming out -- a character -- how -- it also becomes り刃向 or う事 The episode of jiguro which a balsa tells becomes subsequent follow, and is changing the consciousness of chagumu.
When the request which protects chagumu was taken over at any rate, it decided for a balsa to turn completely into "parents" like jiguro.
(1) That is, hasty.
But probably, there is also a place which is not a way as how to place weight, since there is also convenience of 尺.
You have to put emphasis on a balsa and chagumu anyhow.
Because the result is good by halves, little 粗 floats and it is visible.
(2) If it is non-殺主義 and arms without murder capability are used.
など and hine た思考 were plotted.
but valid sure enough in that world -- do thing or not?
(It is close to accepting defeat from the start) .
It may be that there is an answer only in the place whose part is performed perfectly to thirst for blood.
If it thinks so, the episode of a blacksmith will also shine further.

2008/09/28 Very good [Original Japanese review]
by アマンドの木 Provider: 28160 Host:28224 Browser: 8090
truly -- と -- say or be fastidious -- the work of touch called ぞ NHK Are such heavy, thick, long and large works made just because they are public broadcasting?
The fantasy world where the paddy field serves as the keynote of scenery (it is not the Chinese style, not but natural, either.) [ of the West ] If it says by force, it will be the Southeast Asia wind.
Although it is the tale made into the stage, the stage is drawn just first.
It is prudent from the mountains which feel depth, the clouds which overlap several times over, the light which changes every moment according to time or the weather, and such big scenery to small scenery, such as mud of a way, weeds of a ridge, and life [ minutely ] tools, and is drawn in the form which is not conspicuous too much.
It does not depend on signs, such as a "Western wind" and a "Chinese wind", but the stage is just drawn with the picture.
Furthermore, the business of the world which breathes on the stage is also drawn carefully.
Appearance of the cultural customs connected with the state of the trade in a town, a life in a farm village, and it from the peculiar world structure of sagu and nayubu, original vegetation, or an animal.
They are closely concerned [ tale ] with progress of the talk.
It turns out gradually that a legend, a festival, and such things are connected with the structure in the world itself.
This 謎解き does not make all solve at a stretch, either, but is pulled to the last last, and has become deployment without the feeling which slows and yet.
After that such a detailed stage describes, the tale progresses.
The tale of growth of the boy whom a hero and her protect is drawn.
A hero's female bodyguard and this are sexy.
It is sexy also as a woman also as man.
But the sex appeal is not the thing equipped standardly from the beginning, either, and is conspicuous gradually through relation by the boy.
The woman who was a strong free bodyguard is the woman who has to a mother's strength and beauty in the last round at first.
The love which gazes at a boy, the look filled to reliance, and its sex appeal are wonderful.
Voice was also good.
And growth of a boy.
It is very orthodox, when it recalls later and only the story line is followed.
The orthodoxy was drawn wonderfully.
The boy of touch who odoodo(ed) by ひ弱 is a boy strong-minded unawares.
A feeling of "during when" and this are more wonderful than anything.
[ of it ] an event clearance, simultaneously a breath -- not growing up -- every [ 1 talk 1 talk a few ] -- it grows up steadily such serious 成 length -- giving an account -- a thing -- I think that it is a small number very Although there is probably also direction which tilts its head to voice, it is the delivery of the egg of a spirit of a departed person.
It can be convinced if performance of the fidelity of a scene is listened to.
Other characters stand just.
tanda is purehearted -- fatty tuna -- a guy -- a teacher's finding it hard to make a living, the sincerity of a sugar, and 狩 people's 矜持 The deployment for which these various characters gather so that it may be attracted by the important part of a tale, though it passes little by little is strange.
し a picture also moves just -- (scene of a sword fight) as animation -- it can also do -- it is good "-- very much -- " -- a natural work Although such works should just come out constantly the every term.

2008/09/18 Very good [Original Japanese review]
by OP屋さん Provider: 22700 Host:22657 Browser: 8901
The number of OP animations is 7/10.
The number of OP music is 8/10.
A comprehensive score is very good at 15/20.

2008/09/17 Bad [Original Japanese review]
by 怪盗乱馬 Provider: 32099 Host:31932 Browser: 2907(Mobile)
Although the kana which will attach the evaluation which may finish looking at the last talk was considered and being cooked, the bad point was surely conspicuous from the middle stage to the second half.
First, it is the time of the sword blacksmith of eight talks that was the best.
When said at a word, the whole body trembled.
I was able to think that this could cry, although he did not have animation, the movie, or having cried not much even if seen.
Although an image and music were wonderful, it did not depend on it, but it was carried out in the cry only by how for a picture to hardly run by exchange in a blacksmith, necessarily have not aimed at impression, and bring the talk, or the wonderful and indifferent scenario.
Regrettable [ it is the highest rightly, and ], although it or subsequent ones expected, if it is only this time.
Finally a balsa and chagumu are often walking by silence, and the music at that time and the touch which comes out of so much and which is told altogether also carried out the contents of the time of 12 talk summer-solstice festival.
The time in which tanda went into the world of a spirit of a departed person for the first time was overwhelmed by the view of the world and force.
The time which releases fire to a hiding place in order that tooya may tell a balsa in a bad place.
It was full of opportunism, and the contents cannot be thinly understood [ the くせ last tooya or ] by striking the ground exaggeratedly and crying, and it was not transmitted at all.
The thing of chagumu about which it was told that the elder brother died from the time which a sugar resumes with chagumu and a balsa tends to return is not considered, either, but forcing in toppling a sugar.
an after that trip -- on the way -- it is Ayumi personally to chagumu (therefore naturally a child takes out and an elder brother's thing also has him) which was tired of coming out -- the load -- it is too severe when who has A rapidly strange point comes out from this neighborhood, and the only disagreeable fellow has also caught sight of a balsa.
As unreasonable as being it what idea to turn an edged tool to a mother to chagumu which said that it was stylish and has gone etc., after beating me, if that it was presumption wants to return to there in the scene where a balsa and chagumu confront each other.
Then, empathy is impossible even if it puts in crying.
The sugar and others came to the village, and the villager taught briefly or bowed oneself off frankly, or the reason for having not made a successor, the reason which star reading has not noticed were simple, and how to advance a story variously was forcing, and it was convenient.
It also feels it good [ convenience ] to have not died whom [ last ] only.
The back, excessive explanation and excessive depiction were put in and have gone wrong.
The contents for making the life which will not be made if the reason it did not return a crime and chagumu to a king's palace that the human being of the position which can do it does not do why jiguro helped the balsa is in a king's palace experience were transmitted.
As a work of two periods of treatment, the image side was the presence and the cubic effect whose infallible work of others [ top class ] is like [ dasa く見えてしまう ].
The last was good and growth and having experienced [ of chagumu ] have been transmitted.
Music, and ED and the song of good naaji in the work were also impressive.

2008/09/09 Very good [Original Japanese review]
by Sorujaa Provider: 12705 Host:12760 Browser: 6400
this work thinks that the beauty of an image is a highlight anyhow.
Especially background fine arts have improved, so that it is not made to 飽き bored, even if it is looking only at it.
Illustrating is also stable through the whole and the force of the battle scene of three talks is wonderful.
Although it thought that a story was not so complicated and had become the animation for suitable families to broadcast of NHK, it was thought that climax was individually [ a little ] missing.
Is it because had many portions characters consider [ that fate and a position only trifle and ] and action stands previously more?
tanda which is acting only by the thought by the balsa in it thinks that it was important existence.
It is highly complete good animation.

2008/08/28 Normal [Original Japanese review]
by Taoru Provider: 26188 Host:26352 Browser: 5234
Since there was no stage setup in which a time setup and Asia are impressed not much in others, I thought that it was interesting.
The 13th talk remains in the impression.
The woman who fighting with the enemy who keeps a balsa on the watch finished and was present in near "せぇ in which it deals.
I am a tiger.
If it approaches, it will 食い殺.
It is the scene for which " is cried.
It said clearly and was a shock.
The insanity of a balsa was in sight.
Illustrating was stabilized on the high level and the battle scene felt the remarkable prejudice for sound.
Merely, the last became fighting with a ghost and was bimyoo individually.
I said that there was no reality or thought that the view of the world till then might be broken.
& lt;< general comment >> -- although it was interesting as a work, I think the kana which lacks in entertainment nature although it is alike and he wants [ good ] to carry out evaluation -- "-- usually -- "

2008/08/04 Best! [Original Japanese review]
by Tetsujin Provider: 35533 Host:35619 Browser: 9757
The frank comment of all-story 見て are desires of wanting to see a continuation.
The animation work was able to be purely enjoyed after a long time.
Although the genre was a fantasy route, and the sword in the world of the 洋 style and the element of a magic system were time-tested products, since it was a ajian taste this time, such feeling of mannerism was also canceled.
Moreover, though it was regrettable, the bottom of pleasure which cannot read the point from there on the contrary further increased by itself.
[ who does not know an original ] [ ignorant ] But 26 talks cannot be found undue importance...
I wanted to see to a slight degree.
He has been enjoyed to the extent that it makes it wish to still see more, although this was also extended considerably, and was made and he wants to see it.
Since the view of the world was solid, there were many elements to know better.
A feeling of a life can feel tightly all the persons that come out in this work.
It is wholly full of life very much.
words -- again -- fresh -- very much -- deep emotion -- it can be immersed deeply The stink of the society where the balsa and others is alive can be seen.
Moreover, the scene eaten also this time can also be enjoyed.
a belly decreases each time (smile) -- incidentally -- for me -- fatty tuna -- Mr.
guy 婆 was able to enjoy himself as a mood maker of this work It was able to be laughed at a series of conversation with tanda in the meal scene in the gorgeous court in the last talk.
here -- と -- the important person who appears, explodes ton demonstration power when saying, and supports everybody -- fatty tuna -- my 婆 of a guy 1000 and the 湯婆婆 saw which comes out to 1000 fathoms -- it is a character with いな power Since it is not a showy work fundamentally, it may be having seen such mischievous materials carefully.
Although the question, the mystery, etc.
remained in some places since it was still looking only at once, 育み of a balsa and chagumu, growth of chagumu, and reproduction (useful proof) of a balsa were able to be enjoyed very much.
The element that a character grows too is element 見たい very important as how to enjoy itself.
Moreover, existence of an attractive adult.
Although it is the adult who was able to do to the extent that a balsa and tanda were too smart a little, I think that it is the person image made to be considered just because it is the present time.
Although he wants to see, as for this work, it is glad that was not the mere work which carried out animation animation for fleshing out considerably from an original, considering as the defence people of the Kamiyama version spirit of a departed person, and being regarded as a certain semantic different thing.
Since it was not the type which makes such a thing, although Mr.
Koyama was having understood, he was also able to enjoy himself in comfort this time.
Although it was animation, the image which special remarkable collapse does not have, either and was stabilized to the last to the last talk was offered.
Moreover, background fine arts are also beautiful.
It is structure like the Kamiyama work.
Of course, some places of action scenes, such as a sword fight, were also good.
There was a scene which carried out ぶらせ incandescence of the camera.
To the extent that the impression that a balsa is too strong remains.
Although most things for which the scene by the technology which surely animeta projected, thanks to the layout system etc.
can be worshipped were lost, the pleasure saw stabilized on the whole is obtained that much.
I also regard the image of 3D as the kana which was not good this time.
The work here was good although it was difficult when it was the work of showy contents like rye deiin.
Although the place which was able to regret is a sense of values strictly individual here, the music of OP is not in a work.
me myself -- splendid -- since the importance of OP was high, it was fairly sorry about this Is this the power of tie-up music?
A back balsa did not have a special fault.
the person who comes out in this work -- although it can say also to everybody, there is no spare time which man is made, and passes and takes advantage of just for a moment Severe fate is followed.
although it boils putting in elements, such as a trauma, not much, and it is easy and has a possibility that it may be visible to a comedy -- a certain inferiority complex -- interesting [ possibly ], when it was so may not be ..., either (bitter smile) -- well, is it a difficult place?
There was also that the back.
That scene at which chagumu has charged as it is towards a balsa with a spear.
For the moment, the question that it will be what how remains.
Since it is the scene most important for two persons, individual desire of becoming so why has asked strongly.
It goes by that time to stab with that deployment.
although those hot words are told [ make / た / it ] to a balsa -- a sake -- forcibly -- doing -- having made -- admiration -- feeling .
How much is action with chagumu careless to there taken anything?
Is it sweet if it is boos?
Is it じゃちんけ which throws a stone?
Wasn't there any other method?
Is a balsa a parent utterance in ていう or here?
It remains [ that well, it is various and ] as shikori.
the scene which passes the egg of the after last spirit of a departed person to naaji is also that -- just for a moment .
It was a little regrettable to part with the egg which has prized only that in that form [ like ].
I wanted naaji to get down to the place of chagumu perfectly.
that scene of a series of of the animal which conceived the egg of a spirit of a departed person if it passed in that form [ like ] after 最 at least -- to a slight degree -- 尺 -- production -- power ON れて -- did it want?
If that animal looks at such a scene that it is damaged unsatisfying, and an egg jumps out and breaks simply while chagumu is protected to there by the power of a spirit of a departed person ...
Does the egg of a spirit of a departed person also have quality, strength, etc.?
Moreover, how a spirit's of a departed person being coped with to there and the scene taken out although pulled are also fairly unsatisfying, and it has finished.
There may be a place where he has not read many things yet there.
I will want to improve, if there is an opportunity once again.
And I want to also read an original.
Even so, growth of chagumu was pleasure ほん and each time.
It is also good to become valiant to there only by only a hairstyle changing.
And the feeling of this flow that a life style also changes from language usage, gets used, so that it seems whether to be the child of tanda and a balsa unawares, and becomes a youth is also good.
from the first -- chagumu -- a shikkari person -- courtesy -- it was large that there was a base of the right person about which he can feel easy Even so, he was able to be enjoyed with ほん.
I also want 攻殻 series to deal with defence people series carefully and to do my best as masterpiece series of IG now [ soon ].
They are at least the highest and very good thing middle.
now various -- the heart -- swinging -- ます honest -- at least the prescription of this about thinks that it is the best as a work, and is waiting

2008/07/03 Good [Original Japanese review]
by Anree Provider: 4964 Host:5022 Browser: 6493

[Good point]
An original is non-読.
although high image technology is astonishing -- individual -- "bulls" -- uniqueness was felt for the place the talk unfolded in a simple theme called a mother and a child -- inside 々 -- it is interesting A world setup is also solid and there is a feeling of fullness which the reality is involved in a good condition and does not have it in a free fantasy.
A battle scene is also powerful and interesting also as an action thing.

[Bad point]
It is frank comment to use CG too much.
It floats from a screen, it is unavoidable, and balance is bad in order to use too much beyond necessity.
Should it be called a fault with this above all?
Although a thing without the necessity of doing to there unlike a 攻殻 riot squad is a fact ..
Moreover, he had a feeling that a character called a balsa made a little and was crowded too much.
I carried out [ mind as the character has floated strangely ].

[Comprehensive evaluation]
Although how to put in a supervisor's power is felt, as animation for children, it is a hard work for a while.
I think that it was good as for a little more childlike result.

2008/06/17 Bad [Original Japanese review]
by raruku Provider: 5169 Host:5071 Browser: 4983
Touch called a 出ちゃっ shelf in the bad peculiarity of IG usual.
In short, illustrating is a usual IG work in which any 変哲 [ being hard ] which elapses, is tedious and is praised by the would-be animation critic does not have the contents although it is good.
However, the hero who has a feeling of dejabu to the extent that it says that only the drawer って element of the female image of Kamiyama is twisted is being [ it / how ] さ.
.
An elder sister go system is already good.
じゃん which will be - [ if ], and it will carry out that the last fights for such a monster to also move aside, and will be ちゃったん if there is man's battle to a slight degree at least and as which the technology of a spear cannot be regarded at all.
The last's fighting should consider service like confrontation as the teacher of the balsa which revived in the world by spirit-of-a-departed-person power at least.

2008/06/06 Bad [Original Japanese review]
by OD Provider: 38670 Host:38708 Browser: 4926

[Good point]
- picture is beautiful.
- A setup is precise.
- Production is polite.
- It is very highly complete.
- etc.

[Bad point]
There is no - flower.
- The contents of the talk feel it cheap as compared with a quality animation.

[Comprehensive evaluation]
This work is uncanny.
A picture may be very beautiful, and each scene is sufficient as it, it moves, and a setup is also solid.
If he is asked whether he wants to see once again and it will see once, do only I already think that it is good?
I think that it is in work って of this sort and the tendency which is not felt so pleasantly to the thing which wants to enjoy animation to a normal although I say very or the manufacture persons concerned and a critic are pleased, and which is likely to carry out cotton.
this animation and time -- a half -- putting together -- the theater version -- と -- if it manufactures by carrying out, I will think enjoying [ the man of a normal ]-to a slight degree-oneself kana Probably, since it was fastidious too much, it is felt as halving [ the pleasure of animation original ] kana.
And the story itself is modest and there is no flower.
By saying, if I can only see and enjoy animation, since it is a man, this animation will worsen evaluation by the reason of having wanted you to make a little more pleasantly, if there is technology of only this which is not pleasant even if it sees.

2008/04/19 Very good [Original Japanese review]
by moon-moon Provider: 1657 Host:1741 Browser: 6395
A female bodyguard balsa protects chagumu which had given birth to the egg of "the spirit of a departed person of water" from various danger, and it is said that it speaks about it.
What is [ whether a balsa protects and escapes from chagumu, and ] "the spirit of a departed person of water"?
It is a fantasy.
The situation of the false child-parent relationship of a balsa and chagumu and the situation of growth of the heart of chagumu by it are drawn warmly very carefully.
Are they good for ほん?
A tear comes out by impression.
Recollection of a balsa and jikuro can also overlap with a balsa and the relation of chagumu, and is wonderful.
It is also likable that almost no bad character is the back.
A disagreeable character is not.
It is powerful [ an image ] by Production I.G, and beautiful.
This quality is wonderful by television animation.
Is it true?
Do I come to want you to be made more in such wonderful animation?

2008/03/18 Best! [Original Japanese review]
by 黒いシロクマ Provider: 12252 Host:12241 Browser: 4483

[a good point]
- the level of illustrating is quite high he is seeing the movie completely -- I want to see -- it was alike, and it was beautiful and it was thought that work was very polite Seeing this image also has some to which it can be convinced in it having been good.
- A setup called the expert of a spear at the woman in her 30's in a hero's balsa is individual.
She was very interesting in what activity is carried out.
- It is very likable in a chagumu Imperial prince.
The assassin who received the life of 帝 which is a father aiming, or being pulled away also with a mother たり -- It must have been very hot.
Even if it throws out a grudge to the circumference by saying, so that it is not wonderful.
But he says selfish 放題, or it is not ruined, and he thinks that he was trying hard strenuously with the fate he was made to carry on the back being faced firmly.
It was the person who wants to come to aid obediently.
- Wishing he does not want to kill, if it is being able to do by the 狩 people who run after a balsa respecting the thing of chagumu in fact has been transmitted.
Balsa and 狩 people also lived and fought to each other for their mission or the thing which should be protected.
- a balsa and not only chagumu but tanda, and fatty tuna -- a guy -- each role also having been given to the characters who harden the sides, such as a teacher, tooya, and a sugar, and having achieved the important duty in the tale there may be few characters compared with other animation -- although kicked -- the part -- a useless character was not
[Bad point]
It does not happen not to think especially.

[Comprehensive evaluation]
Fantasy animation which made the stage the fictitious world which is full of a ajian taste which memorizes somewhere nostalgia.
Subject matters, such as history [ たり / that it is the existence which nyunga ro imu considered to be 水妖 which brings about evil makes it rain in fact, helps crops, and brings 豊穣 ] distorted in order to justify rule by the Empire, were also individually felt interesting, and it was able to view and listen to them happily each time.
illustrating -- it is high quality and the scenario is also solid for -BGM It is the animation which feels easy about broad generations and is recommended.

2008/03/06 Very good [Original Japanese review]
by 河童と大人 Provider: 12553 Host:12302 Browser: 5234

[Good point]
Illustrating is wonderful.
Beautiful to a casual scene.
At least this has the value seen but.
A woman called a balsa lived and appearance was drawn proper.
A hero thinks that there were also difficulties by the woman of mature years.
Moreover, it is つたわってきた also about the size of the existence of jiguro that it is various on a few scene.
I want "illegal defence people" to surely animation-ize.
View of the world.
Such works are since [ account / of 12 country ].
The exchange of a balsa and chagumu.
Both of change has been transmitted.

[A bad point]
There was a portion which lacks in climax for a while.

[Comprehensive evaluation]
TV animation -- illustrating of only this -- the work of a level -- saw -- there are nothings It is the staff of 攻殻 truly.
I think that Director Koyama's production was also good.
If such animation comes to come out to a world, doesn't the popularity of animation increase, either?

2007/12/04 Very good [Original Japanese review]
by 王様はロバ Provider: 6880 Host:6652 Browser: 8540
It was a category favorite as itself at a view of the world which makes it bear a close resemblance to the account of 12 country.
It was thought that it was the work which people often move by the battle scene, and suits the wonderfulness of illustrating, waits, and is made especially carefully.
Every character is bearing the important role, and this work will not be realized even if it applies even anything.
Such wonderful works wish and do not bear coming out more mostly.

2007/10/27 Very good [Original Japanese review]
by Matsu Provider: 5764 Host:5817 Browser: 7875
All 話見 better た.
It was very interesting.
Beauty to the extent that a quality is high and illustrating and a background are also fascinated.
Food also seems to be very delicious each time.
The motion of a battle scene was also wonderful.
Since I was allowed to enjoy myself to the last, I will make it this evaluation.

2007/10/20 Very good [Original Japanese review]
by 青き衣 Provider: 30523 Host:30521 Browser: 6287
[Good point] The point battle scene on which growth of beauty and background motion past chagumu is drawn skillfully without sense of incongruity, so that it is and there cannot be no illustrating as a tag [ NHK and IG ] is also ど迫力.
the dreadfulness [a bad point] of the production of the like which in addition to it real-passes also over the movement toward depiction and stares at it small every day -- too -- magic, a robot, and が出てくる -- the point [comprehensive evaluation] of surely choose a televiewer not at typical animation [ like ] but at an astringent view of the world like old Japan since there are more human dramas than a fantasy -- I feel that it was a work highly complete individual very Since it seems that an honest historical play is moroanime-ized, if common, Director Koyama can say that the thing of this hand that is likely to become a simple, monotonous, and petty work had drawn splendidly.
The excellency of a supervisor and the work staff is transmitted.
Please also animation-ize a sequel by all means!
It is waiting.

2007/10/13 Best! [Original Japanese review]
by 暴走天使 Provider: 6006 Host:5935 Browser: 9140
Specification does not have next week at pleasure!
Although it was not necessarily --, it is the work made to regard it as the ability of this not to be overlooked.
First, exact illustrating.
Especially the first talk does not have the place which is not moved.
Therefore, a motion of clouds is also highly different.
Was it impression?
Although clouds were limitations one talk truly, the prejudice through which moves the place where the step of the soldiers of combing a hill is different by each, and it passes is uncanny.
Scenery, a climate, and culture also have the main Edo period of Japan.
Without losing Japanese likeness, the air in the different world is made and was admired.
It had by ん and has been charmed by the balsa of a Japanese-clothes figure.
Moreover, the battle scene has also been drawn with gugutt by the Ohasama power.
Since the sword fight in which an on-the-spot photo is also made to draw does not occur probably now (it is ねえ?
even if called the expert of a sword by へっぴり腰).
However, that was the best grows with a portrait.
-- It had just drawn especially chagumu's.
This is the service of the original which did not make chagumu common royal prince kyara (selfish, person who knows but little of the world, etc.).
It is understanding and is sensible.
However, it does not know presuming.
Although it may be required since it serves as 帝, pity will be invited if it sees from people.
The chagumu memorized psychological dependence, and the life of people was known, and it was loved, and since it was disagreeable, the courage which faces it by escaping at once was memorized.
If it finishes seeing the last talk and improves from the first talk, for the first time in [ growth ] is known anew.
Also progress of a voice actor's technology.
Although the design itself had age and sense of incongruity also in the balsa, since it has been visible to the face of year suitability in the end from the atmosphere considered as the maturity to release, it is wonderful.
Is also it also uncanny that one person's bad man is not in the characters which become main?
Each human being's mental state and dignity were transmitted (moreover, it is expressed with the between and expression other than words), and the breast hurt.
The expression in front of tanda which was enjoying the family life even if it was false-like, the teacher who is visible to 傲岸 and shows warm care, and the death of sagumu, the talk of a blacksmith, reaction of the 狩 people who heard it ...
Each of is remembered.
naaji of a climax is a 咥えていく scene about an egg.
Is that naaji the child whom chagumu and sagumu kept?
It has come with Jean.
The beauty of a background also became, and by the time the beauty of a life was glaringly vivid, it was minced by its breast.
Is it the battle with rarunga after a party to be regretted?
It has been puzzled, although it is originally a fantasy work, since the impression as a human drama was strong until now.
Moreover, since the motion of rarunga was late, the feeling of strain like the battle till then was seldom felt.
Also humorously, the figure which accepts the challenge from rarunga which crowds round is reflected.
-- Like an alien in rarunga, the direction of a high setup of 敏捷性 regarded the feeling of strain of the neighborhood as the kana which was able to take out.
Is chagumu eaten, before a balsa and others will come to help, if it is あ and it?
"balsa ...
chagumu -- calling -- these words of the" last talk It is psychological dependence [ chagumu ] of the last.
It will return to the world where psychological dependence is not allowed as the Royal Family again.
You have to seal the world thought that a feeling is good at once.
Nature and the tear were transmitted to the cheek at the sadness and the manly figure in which it had been stopped.
That separation after a happy end was able to be drawn firmly is the point pleased most for itself.
It sees [ continue ] and was good.
I was able to think so from the bottom of my heart.
NHK this year calls it a big river, calls it this, and is uncanny.
Although both of evaluation of the world are 1 now.
"Illegal defence people", animation-izing -- It carries out.

2007/10/12 Very good [Original Japanese review]
by あり団子 Provider: 46941 Host:46947 Browser: 6308
First, is what is felt first the height of the quality of illustrating and animation?
It was illustrating impressed even if it regards as the scenery of only merely walking along the footpath.
Though it is it, a balsa, and a woman, although there is strong absurd cool touch, it also had the warmth with it in which motherhood is impressed, and having been drawn very attractively remains to an impression strongly.
There is a place which merely regrets about the contents.
the place where balsa opposite 狩 people, it, and royal prince chagumu live as 平民, and a balsa becomes instead of a mother at and touches when moved by the highlight of this work -- fun -- feeling -- I have you -- fantasy deployment did not come it obstructive to feel The highest will be deserved if it says only by the result of animation as a general comment.
Merely, since deployment [ fantasy second half / that the corner arm called slump of the middle stage also had some good times and the second half ] was not interesting, the contents are stopped for "it to be very good."

2007/10/11 Best! [Original Japanese review]
by Anioyaji Provider: 29440 Host:29264 Browser: 4184
if Wikipedia is seen -- animation investment -- a fund -- it is with the investment work of the beginning of a thing Seemingly Mitsubishi is a center and can call it the work kneaded very strategically.
That is, it aims at having in the world, coming out and fighting and selling at a large sum more.
If time and gold are spent firmly, TV work of that this is made enough drawing a line in TV work with which it is the animation level of present Japan, and only few gold and early cycles are made is also natural.
In 本作, only the first volume of original series was extended to some extent, it makes thoroughly, is crowded, and succeeds in making a televiewer understand a view of the world without useless explanation, and growth of chagumu which is the hero of one more person who is this series further had been drawn.
Although the series whole volume will naturally be animation-ized from now on, I continue wanting to maintain the same quality.

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