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Anime ranking: Rank 821/in 2,689 titles (Total 15.99/Deviation 49.20) Rank 820 <= => Rank 822
Anime average points ranking: Rank 503/in 1,399 titles (Average 1.23(Good)/Deviation 55.21) Rank 502 <= => Rank 504 (more than 10 evaluatoin)
Anime ranking of 2006: Rank 38/in 193 titles Rank 37 <= => Rank 39

Paprika(Anime)

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Latest DVD: 2008/10/14 ():

The Substitute $98

DVD(40hit) Sales/Latest						VHS(11hit) Sales/Latest	Books(68hit) Sales/Latest	Toys(4hit) Sales/Latest	Music(11hit) Sales/Latest
Rank:1399 Ghost in the Shell Tag:$97 1998/03/31 () Eval.:***** 1.Awesome anime.	Rank:3342 Blu-ray:Appleseed Ex Machina [Blu-ray] Tag:$99 2008/03/11 () Eval.:***** 1.John Woo Needs To Be Stopped	Rank:4848 Tekkon Kinkreet Tag:$94 2007/09/25 () Eval.:***** 1.Amazing images, so-so plot	Rank:5577 Paprika Tag:$94 2007/11/27 () Eval.:***** 1.Remember when Homer said "WEIRD"???	Rank:6180 Blu-ray:Oldboy [Blu-ray] Tag:$95 2007/11/06 () Eval.:***** 1.Laugh and the world laughs with you. Weep and you weep alone.	Rank:6194 Perfect Blue Tag:$97 2000/05/02 () Eval.:***** 1.Unexpected	Rank:15198 VHS Tape:The Idiots Tag:$00 2000/10/24 () Eval.:***** 1.Masterpiece? He wishes.	Rank:414989 Unknown Binding:Cooking with love and paprika 1966 ()	Rank:669922 Kitchen:LongoLines RCH-30 Hand Painted Paprika 3.5" High Remote Control Holder	Rank:30942 Audio CD:Paprika Tag:$98 2007/05/22 () Eval.:***** 1.Paprika

Information about this title

Yasutaka Tsutsui
Satoshi Kon Seishi Minakami
Sanmamasafumi
Masao Maruyama
MADHOUSE
Sony Pictures Entertainment(Japan)lnc.
Hayashibara Megumi Toru Furuya Tohru Emori Akio Ohtsuka Katsunosuke Hori Koichi Yamadera Hideyuki Tanaka Satomi Korogi

Released:2006/11/25 in Japan

Official sites
1. Paprika (Translation)
2. http://blogs.yahoo.co.jp/paprika_movie (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	AnimeRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(1.23)	821	49.20	15.99

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	5,950	13	13
Outside Japan	203	0	0

How others evaluated in Japan

Best

Very Good

Good

Normal

Bad

Very Bad

Worst

People

Percentage

7.7%

23.1%

53.8%

15.4%

0.0%

Added percentage

7.7%

30.8%

84.6%

100%

Summary

84.6%

15.4%

Views for recent 8 days
Total 7 6 5 4 3 2 1 31
4 2 0 1 1 0 0 0 0

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/08/28 Very good [Original Japanese review]
by 海月さん Provider: 30269 Host:30458 Browser: 7505
It is a taste for slightly hotter adults.
It was very likable by the contents which are simply full of the skillful く纏まっていて and play heart in it being difficult somewhat.
Did an image and the contents fly and been over?
as one animation -- the work of 匠 -- there is a material impression, however it could be said whether it should see at a theater, and that the wonderful animation movie of this kind of image is for theaters, considering the contents of this work If it does so, it will not say any longer.

2008/05/02 Good [Original Japanese review]
by taki611 Provider: 4646 Host:4501 Browser: 6768
He likes a 今敏監督 work fundamentally.
Without excelling in color sense, however remaining in the work of mere image beauty, the story was also considered well and paprika's was interesting.
If allowed to merely say difficulty, this-work article has a very high quality, although it is what very much very well in it, somewhere bitter taste will be strong, and it will not go to "it is favorite" (that may be the merit of this-work article).
Music is Mr.
Susumu Hirasawa and I think that this has no matching and saying to a work and the extreme.
Anyway, it does not make a mistake for it to be the representation rank of japanimeeshon of a world level.

2008/03/21 Very good [Original Japanese review]
by 馬王 Provider: 18453 Host:18387 Browser: 6386
The wonderful movie with which what is called technology of an animation movie of Japan was got blocked.
Although not restricted to this movie, the wonderfulness of the technology of the animation movie of these days is a highlight thing.
When it comes so far, there is even a thing without the point which reaches regarded as so to speak having reached to the height.
If it becomes so, that focus which it can be [ focus / how ] of congenial temper in self and a movie, or can make people groan at the composition of a scenario how only as for which will be started.
I regard this movie as former kana at the time of saw.
It was very interesting.
If it says that what was good, it will be existence of paprika too.
It is very attractive one.
Comfort which cannot say healing which flies about a dream freely and relieves a partner's heart although dream point guide -- is completely different not at all.
The difference of a gap with reality is pulling out skillful く〓o〓-- The dream and the actual boundary line were the movies which felt the merit of the comfortableness which cannot be said very much not at all by charm for 90 minutes.
The owner of the poverty 乾 [ reality and 乾 which the boundary line of a dream does not understand anymore ] very heart who continues wanting to see a dream.
If surely a dream may become actual, although its avarice is just considered and it can become keeping, reason does not pass [ eating away, while the heart has not bent so intensely that a partner is eaten away and no partners have done primarily, etc.
and ].
First of all, thirst of the heart of 乾 is childish also to remainder.
Furthermore, surfeited [ enough ], if pandemonium みたいな夢 can be shown for a long time.
Although the detail to the point which things reach is brilliant one, it is disappointment too much at the desire of the men shown from there.
Because, it is a thing with too much childish depiction of the men who come out on this movie.
The passage of the 〓〓above.
Tokita is a child (there is a reverse charm) who does not get used to the thinness of a sense of responsibility, and an adult from the puerility though it is genius.
Osanai is self-abandonment because of one woman.
the lowness of the vessel is exposed -- carrying out -- そりゃ -- Tokita cannot be won although it says that it is severe Although I understand when here [ so-called ] is loaded with the omaaju-thing to a movie like the previous work (1000-year actress) and it saw, although Detective 粉山 was also the existence isolated one person conversely, it considered and, in fact, had become the thought by the friend who did not get used to the film director of him himself and who has both been engaged, and the present detective from structure of him himself, or the thought by the けてきた movie -- The last friend's words are very impressive.
Very much, by Hideyasu, since others floated also in remainder too much, the plot here can catch.
at any rate -- なら -- I had what is called a noble-minded man's rule avarice shown, and it swarmed The woman who calls it paprika (Chiba) on the other hand impresses a grown-up charm very much, and is very stylish dream people.
The purpose should carry out for having been.
honest -- this movie -- in me, if the contents are as about -20 points, the character called paprika is 120-point perfect (smile)

2008/01/30 Normal [Original Japanese review]
by 王様はロバ Provider: 3773 Host:4014 Browser: 8540
They are the comment seen after reading the paprika of a novel.
[Good point] Point describing the world which carries out with the image of - do force, and becomes among psychiatric patients.
[a bad point] -- in short time called - movie, tell a tale called paprika and run out -- the point which is the tale which what does not understand somehow by ず(ing) and omitting too much [Comprehensive evaluation] Although it can say that - image is wonderful, it is the work with which the contents are not following.

2007/11/06 Good [Original Japanese review]
by あり団子 Provider: 3898 Host:4088 Browser: 6306
Even if seen without giving no information, was 今敏作品-likeness how which the beginning starts showing?
Although it did not dare tell since it carried out terrible by evaluation of an actress about that image composition for 1000 years, this supervisor thought that he was a film director thoroughly.
although an illusion representative also thinks surely that Mr.
今敏 was a supervisor -- that -- it was the worst For that quality, at 尺 of まぁ television animation, that it cannot take out is けど which will be the big cause...
Although the contents thought that there was nothing with the どうっ lever, the image was wonderful too.
Merely, just by seeing that image beauty in a movie theater, it is worthy, and I can regard evaluation as different with it being large by seeing in seeing in television size at the house of general sound environment, and a movie theater.
This time, I was not impressed so much probably for first in puresshon it was thought by the actress that viewed and listened in the television size of a house for 1000 years.
There is a place 作 "did not have in the power which draws image composition so much although image beauty was wonderful" and which seems like now.
And probably because more regrettable one than it was attached to image beauty too much, I was just able to regard as coarse whether the end of solution is unsatisfying from the elucidation of a mystery.
It has no mistake that the real thrill of a movie still is not removed but it is Ryosaku.
Evaluation is "good."

2007/09/22 Normal [Original Japanese review]
by HUNGRY SPIDER Review history[Good:2(40%) Normal:1(20%) Bad:2(40%)] / Provider: 14019 Host:14253 Browser: 7395
Original non-読.
It considers [ be / allowed to た / I ] as "common" evaluation while bearing in mind that it is a work very high-quality as animation.
Although repeated, when this work is considered as "animation", it is very high-quality.
Production technology that it is not odd and advanced and 本作 formed of the tale which can feel the thickness of a frame though it was difficult have realized clear impressiveness.
Following netabare cautions.
Although the thing "the scene which is not forgotten" is in every work mostly, I think that it will be that the parade of an inorganic substance as if it added and broke "the Heisei raccoon dog battle", and "1000 and 1000-fathom disappearance" goes up first in 本作.
Honesty and that scene are the highlights.
The skill whose physiological horror is made to evoke the coldness like an inorganic substance as it is is brilliant (surely it does not become a feast for the eyes).
The speech of a poem imitation to which it is supposed that it is dim a lively folk song is also accelerating mood badness further.
But, I would be able to think "mood is bad" why.
-- This is interesting if a parade considers that it is the product of the dream by the wirepuller.
A dream is a sanctuary, and science loses 驕り, therefore moderation and commits a sanctuary.
-- It is made to have a feeling that the parade of the neighborhood and an example which tells the words of such a purport frequently is never what investigated only mood badness (skillful く機能 of this is carried out also as a hint).
When the group which marches was often seen, it was surprised that each is "the past remains" in fact.
Only always what, and is a wooden chair or has all become minor now.
[ what ] [ that it is a Dharma type mailbox ] The thing of molding also with a doll nostalgic a long time ago is assembled.
It seemed that the shout in the development way by which the appearance has been thrown away into the bottom of the name of progress completely left a step (language being bad I am sorry) had become fruitful.
if you do not want to see the thrown-away past, it will display directly what continued averting its eyes -- てい -- since it is same drawing, mood badness can be felt It does not become impossible furthermore, to feel the sadness of a tool there further in a wirepuller's reckless run in the final stage, although even the convenience of modern science is added to the parade.
The figure which makes the same the image and sequence religion-related [ suitable ] at which it mocked seemed to be also the alarm by which it comes from a wirepuller's thought.
It also seems that it is ridiculing for it being the garbage with which the convenience which 跋扈 does not burn in the near future, either.
まぁ -- any -- an imitation -- I think that it can be said that the mood badness of the parade of an example is not what was 齎(ed) by only the adroitness of image expression It is the level from which まぁ and its power of expression do not become baka, either.
Especially, it is related with color expression and is already art.
If it relates to -- addicted to science, depiction of the genius of overweight called Tokita also has an impressive thing.
It is 如き depiction of whether to ridicule those who 妄信 scientific versatility surely to have been carried out in 誑, while telling hotly the dream of that the figure after his transformation was a robot and science.
It will feel, even if it being very severe and accepting as a satire probably even has resistance for some men.
This can tell the friend of Tokita governed by DC mini the same thing.
Generally, what "plants" was surrounding a wirepuller's circumference for is telling this satire.
If having a deep theme to science calls it the usual state of SF, it can be said that 本作 has played the role so faithfully that it is brilliant.
The thing that the action fighting scene of fantasy-paprika is also impressive just because it is in such severity.
It 暫, reality is left and it can carry out skilled [ of the gaiety of the fiction no one but caused at hand 齎(ed) by Hideyasu stage effects ].
since it is a that it is under [ of a dream ] saying setup, in order that [ in addition, ] paprika "may not feel itself" unnaturalness one by one -- her gloss -- carrying out -- it is -- a costume play imitation -- a feast for the eyes -- carrying out -- 愉しむ -- things are also made (smile) まぁ and this are up to men.
Even if it sees as one movie, there are many parts made to think skillful い.
The elevator scene of the opening part has tied to the core of a tale in casual places, such as words of the depiction which leads to Tokita's reckless run and the self-renewal of Chiba, and the person in question as whom the wirepuller of a tale is hinted, and although the high level of the composition power is 価(ed) to special mention, it is good.
It is the work which was able to improve external really also internally.
What is dissatisfied and what has dropped evaluation to "common"?
"Another theme" which it does not come to think that 本作 is secretly loaded with it is having not been what is simply accepted.
じゃあそれって何 -- と -- when it says, it is "thought of female predominance" (this is felt for what mind also by the Miyazaki animation including a now deer -- as -- it is) Probably, it will be unavoidable, even if it is considered "What [ じゃあ ] paddle and a man want to say a woman also by light in darkness!?", if paprika is referred to as "Being raw -- to light and death in darkness" etc.
at all before it although it fought because "it is a woman in" a man, when a stand is taken against a wirepuller.
And it is that it is "the moment the man did full defeat at the woman" that a man is drunk by the woman as a conclusion of an incident.
The female predominance in 本作 has a symbolic thing, considering kyara 立て.
While many males appear, by the time a woman is going too far, only one excellent able Chiba research worker (although paprika is also, since she is the other self of this member, she does not count) person is.
Although a male has all somewhere (it is fatal for some men) defects or it is primarily drawn on the wind that the vessel itself is small, Chiba is adopting the way of being drawn which took out superiority at hand.
Moreover, after all, although it also tells her that there is a defect, since female slack paprika pointed it out, she can say that it is special existence in the world of 本作, if it says by superiority.
In a situation called one woman, if such how to be drawn is adopted, the impression to which male powerlessness surely looks nice will be received.
If wild and clear activity of the paprika which is Chiba and the same person can be shown, it is still more so.
It does not say "Don't draw an excellent woman in composition of human relations like 本作." It cannot declare that it is a mistake in itself.
However, in 本作, the surplus is intolerable in any way.
It is too frank.
It is the result in which this surplus is given unwillingly, and it does not become impossible that I think the method of the conclusion beginning of more others whether there was nothing especially about "a conclusion of an incident" of point 述.
It is accepted if female predominance is another theme hidden in 本作.
as high-quality animation -- 愉しむ -- as the work which does not suit its difficult subjectivity accepting and having stated again and again, although things were made -- "-- it usually considers [ be / allowed to た / I ] as "

2007/09/08 Good [Original Japanese review]
by ロケット花火改 Provider: 5204 Host:4968 Browser: 3875
SF thing which makes the beginning the mechanism developed in order others' dream can be seen, and it enters into it further and to treat people's soul to indirect ?.
When it frankly keeps, it is the story composition which is not known well of "a dream and reality becoming goccha and returning it to the original state." the difficult theme was hung up -- comparatively good at the talk itself and production -- it is -- it will see, without 飽きing bored just Although there was nothing bad, that the level of a story has become low did not get as if it carried out the power down in the climax.

2007/07/23 Good [Original Japanese review]
by 新真那 Provider: 4926 Host:5055 Browser: 5292
Beginning that those who it intervened in people's dream, and the machine "DC mini" that it could treat caused abnormalities, and are caught by the dream will run wild.
It thinks whether the word "paprika" has a complicated meaning, and they are きや and a mere name of a person.
It is non-読 although seemingly an original is the novel of the magazine for women.
It is reproducing well that it is as becoming a robot たり [, and ] by animation.
[ that a face comes out out of suddenly people's belly in the world in a dream ] Moreover, a change of an image is quick and drawing what is seen is also acting effectively.
Reappearance of the dream which changes one after another, such as movie photography from circus and a scene of a mystery, etc.
is nice.
The last of a problem be too frank.
If it says bad, it will complete too much unsatisfying.
The place made vague too much from the hit where a dream permeates actually.
It was surprised that the voice actor was given himself [ supervisor ].
By the signboard of the last movie theater, it smiled at the title of "perfect blue", a "1000-year actress", and the "Tokyo godfather" having come out.

2007/06/22 Good [Original Japanese review]
by Matsu Provider: 31471 Host:31631 Browser: 3846
He had a feeling which collected all old now works.
Deployment of the final stage is almost the same as an illusion representative.
But it was interesting.
I think that especially the image was very high quality.

2007/05/29 Good [Original Japanese review]
by raruku Provider: 596 Host:570 Browser: 3875
it is the compilation of a certain meaning and 今敏作品 - although it will also be called a passage whenever it says bad ..
Touch that old 今敏作品, such as irony of contents, composition, production, music, the members of a voice actor, and society, are [ even this ] all contained from the punch line.
However, if it was this talk and ど-せ, I wanted to see in TV series.
It enters into the patient who is different every week, and because it seems to be very interesting in action 起こす etc., is.
this movie -- too -- the punch line of the final stage -- illusion -- isn't it ascertained because a representative?
An image is uncanny with usual.
Precise and bold use of color like a nightmare is astonishing to fine depiction called the waterdrop which light and a shadow put with last thing and flows condition and a window.
However, it is regrettable that the talk was settled too much small on the whole, and the occurrence of an important incident was able to elapse abruptly, the sense of impending crisis could seldom be felt, and it was not able to enter into the tale.
It is whether although there was worth enough seen also only by the ability of まぁ Megumi Hayashibara's tsundere performance to be seen (smile), OP music was the highest in a past work.
[it is good]

2007/05/24 Best! [Original Japanese review]
by 鴉 Provider: 12661 Host:12504 Browser: 2983(Mobile)
This supervisor looked at and was sure of this work that is genius.
It will be called an actress and a perfect bull for 1000 years, and there is power which draws a 視る thing in the world of animation.
There was worth seen even by having purchased DVD.
It is called the girl who applies a time and an animation movie is a good harvest recently.

2007/02/18 Very good [Original Japanese review]
by Ny-Jp Provider: 9406 Host:9419 Browser: 4184
Although contents were changed very much, in 尺 of 90 minutes, only that was regarded as having made intelligibly and improved that difficult setup obediently concern to the original novel.
It was very good with personality [ it and music within a play ] and individually.
The movie version was able to be enjoyed very much with the movie version.

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