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Novel ranking: Rank 598/in 2,368 titles (Total 3.99/Deviation 49.60) Rank 597 <= => Rank 599
Novel ranking of 1994: Rank 9/in 40 titles Rank 8 <= => Rank 10

Uneasy fairy tale(Fuan na douwa)(Novel)


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Riku Onda
Shodensha
Shinchosha

Released:1994/11 in Japan
Statics of evaluation(The statics is updated once a day)
 AverageNovelRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanGood(1.33)59849.603.99 

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Inside Japan51233
Outside Japan12300

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Percentage0.0%33.3%66.7%0.0%0.0%0.0%0.0%
Added percentage0%33.3%100%100%100%100%100%
Summary100%0%0%
                                                                                                   

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2007/01/08 Good [Original Japanese review]
by 夙夜健 Provider: 18384 Host:18446 Browser: 6287
Although the hero still felt somehow as るっこしい 34 pages which breaks down from a painter's their-posthumous-work exhibition killed 25 years ago in the library 336 page, it was interesting after that.
However, the outline of the cover reverse side does not get.
a hero is attacked by it at deja vu -- しか -- it is because the special capability not to write but for what is not visible to be visible to other 1 was not touched It is from 93 pages to have described that concretely, and this has achieved the important duty in 本作.
Thereby, although 本作 is considered whether SF portion also belongs to a genre called a certain mystery, in order that a painter's son may become soon and may fulfill a painter's will, the place where the hero is involved in the past incident is not impossible.
Although the portion which withers for a while is also in the truth of a murder case itself, I think that it was collected comparatively well.
Charm was felt individual very much for the curious place of the professor of the university where the hero is acting as the secretary.

2006/04/30 Good [Original Japanese review]
by SOUTA Provider: 5961 Host:6200 Browser: 6342
Furuhashi 10,000 Yoshiko informed to be "a mother's incarnation" from son and second of Tomoko the painter and Takatsuki who passed away 25 years ago.
The talk ...
for which she presses the truth of Tomoko's death with a second.
" which reads memory of 10,000 Yoshiko's "people, and the fragment of an image although read to a genre called a mystery at first, regarding as dubious that "regeneration" and the SF-word "memory of a before world" are used; it was made to groan at the ability of Mr.
Onda who presented the answer satisfactory as a result here involuntarily, after making capability into a precondition.
The appearance which the hint has spread to details, it converges in the last chapter, and story deployment 転 three times 2 転s is brilliant.
...
Level to which it can fully submit although there was also a connector of the hint it was thought "was forcing" a little.
Depiction of "uneasy " is also as a title 巧い.
These, such as "uneasy " to which a disagreeable premonition is urged that some may be overlooked, also poke up a reader's "uneasy " as well as "uneasy " which 10,000 Yoshiko feels and which looks at what cannot be seen in fact.
Becoming the form drawn in the work, in order to wipe it away, riidabiri tea was expensive.
Character molding is also polite as usual.
Individuality, such as Mr.
Taisan with brains sharp contrary to a quiet manner and 10,000 佐子 which watch 10,000 Yoshiko as an elder sister instead of a mother though it works as a career woman every day, had shone.
Is that was more intense than [ ..., however ] it Tomoko Takatsuki's character?
Although just sympathy was not completed, from her complicated and refracted character, I feel that a glimpse of "uneasy " peculiar to a woman was caught.
although the end was heavy, since having memorized somewhere relief had a feeling of freedom of having wiped away all "uneasy " -- かも知れませ .
...
Epilogue is slightly meaningful.

2006/02/28 Very good [Original Japanese review]
by 遠野 Provider: 7995 Host:8070 Browser: 4184
It was the work which should say as the title or was excellent in uneasy depiction.
It is not written in directly but uneasiness [ like thin ink ] whose と is also is oozing from some parts of a text.
However, it is delicate, graceful and very beautiful.
The episode portion which coils round memory or it has projected especially.
"An uneasy fairy tale" is a work with a gentle impression with a sufficient settlement compared with an author's other works.
Although the tale was extended greatly or Riku Onda had the tendency to show the deployment which goes the slant top of anticipation, towards the final stage, there was no it in 本作.
It may be that 本作 belongs the above-mentioned spread to a rather unsatisfactory category supposing it is Riku Onda's real thrill.
However, the method of a conclusion is very beautiful and the uneasiness which falls as left behind has also attached lonely coloring to the work with the 艶っぽい shadow.
With comparatively refreshed composition, it is readable.
Since the reverberation which remains was beautiful, a feeling of after reading was not bad and was carried out.
The thing with a skillful portrait does not change.
Interest is aroused by the inside story of each characters.
Four persons do not stop at a fragmentary role when [ the Ito 澪子 which was able to be regarded as whether it is the piece of a free puzzle at first, Yahagi English 之進, the Towada 景子, and Masaaki Tezuka ] telling "Tomoko Takatsuki", respectively, but each poison and individuality are developing exertion and the story splendidly.
Mr.
Taisan's molding is also pretty very much very much.
It will be 容-easy as drawing and will be able to imagine.
the tale which tends to become cloudy with Shuntaro Imaizumi [ the same with him, and eccentric person ], and a two-person set heavily -- a certain kind of ability -- weather brightness was added and merihari was given to the whole It compares with the above-mentioned persons.
-- The character of a hero probably because it is a narrator, and 10,000 Yoshiko is an impression [ thin / a little ].
Although it is ..., the degree of the special talent which she has, and a tangle of a tale is good.
There are a wonder and warmth which were published by in after years and which only a few makes reminded of the Tsuneno tale.
Should you suspect or should believe?
It has been deceived by the truth shown after being made to swing.
However, the most impressive one among 本作 is a character too called Tomoko Takatsuki.
It is why or 愉しみ has been felt for reading the existence of her.
Very attractive, when moreover drawn as a symbolic person of the past memory of a novel, although it is a type not to become involved just for a moment when it is actually.
passion, nervous temperament, and danger -- her -- the very thing seems to be an uneasy crystal object If it says so, she is also in the place near a title, and it is sushi.
The good hand of a description of a scene is living also at 本作.
Mother and child who connect a hand and walk along the cloudy sea, the petal of the yellow rose of a beach, and sands.
Ending was a little unexpected.
Although there was a hint very well when considering, it has been deceived everywhere.
if it reads over -- oh, that is right indeed -- よなあ It is the feeling which has been bewildered softly.
It is [ like the tale which each chapter title followed ] beautiful although it is a digression.
Tomoko Takatsuki's picture expressed in a sentence is also interesting.
another media -- it seems to be interesting if published in a form like a picture-book -- strange expectation will be considered as -- (?) mystery color honest for Riku Onda's writing is a strong impression.
There is no breakdown and the hint stretched carefully is brilliant.
However, the depth where fantasy-SF-element is also taken in skillfully, and it holds it in a work, and it does not have a place is given.
The beautiful text world where it excelled in power of absorption and traction.
It is a right work.

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