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Novel ranking: Rank 416/in 2,382 titles (Total 6.00/Deviation 50.84) Rank 415 <= => Rank 417
Novel ranking of 1908: Rank 1/in 4 titles => Rank 2

Yume juya (Ten Nights' Dreams)(Novel)

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Unknown Binding:Yokyoshu, Yume juya (Soseki sakuhinron shusei) 1991 ()	Unknown Binding:Soseki--"Yume juya" igo (Izumi sensho) 2001 ()	Unknown Binding:Natsume Soseki "Yume juya" sakuhinron shusei (Kindai bungaku sakuhinron sosho) 1996 ()	Unknown Binding:Yume juya sankyu 1993 ()

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Souseki Natsume
Iwanami Shoten, Publishers
Shinchosha

Released:1908/07/25 in Japan End:1908/08/05 in Japan

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	Average	NovelRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Very good(1.50)	416	50.84	6.00

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Inside Japan	1,551	4	4
Outside Japan	126	0	0

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2008/04/25 Very good [Original Japanese review]
by Sennuki Provider: 38066 Host:38222 Browser: 4203
being visionary -- a tale -- inside -- a moment -- being sure -- a reality -- raw -- charm -- craving -- appearing -- てい -- a thing -- to the last -- indifferent -- having carried out -- but -- somewhere -- delicate -- fading -- てい -- every day -- scenery -- apparently -- a fable ---like -- a fairy tale ---like -- the talk -- と -- considering -- きや -- the last -- には -- being faint -- 諦 -- a view -- nothingness -- feeling -- a thing .
I think that a night and ten nights are contrastive with it being individual.
Voice of the No.
1 bird which illuminates the end of faint nothingness through existence (it is just by dying) of a woman mystical somewhere.
It is a bird, i.e., dawn, most.
Despair (*1) of a certain kind called night finishes, and a morning comes.
A one woman's 死是, i.e., sadness, drawn in this talk and this think that they are the simile of night.
And it is the dawn and dawn, i.e., a morning, to which it comes with the cry of a bird most.
Does this mean that sadness called the woman's of one person's of the name's of night death became small, and cleared up through long years also as for と?
the sadness which a time solves -- also curing -- did it make it tell the sadness itself that it is, and maintain the balance of self soul?
And was the beautiful woman also resembled with sadness for Sokeki?
such a thing -- aestheticism -- does it lead to love?
Since dawn was shown at the end here, didn't Sokeki wish "I want to live" within subconscious?
They are ten nights on the other hand.
A one woman indicates a man on a cliff "Jump down from here." But a man resists it.
Although refused then, somewhere or a pig pounces on itself.
A man sets up and defeats a pig.
But a pig appears in somewhere again and is attacked.
a man sets up a pig again -- a pig is still come but Moreover, a pig is set up.
A man is 力尽きてたおれる while having repeated.
the group of a pig (*1) -- world -- or the others -- or are they the projection of non-reason or ego (worldly desires -- でもい -- it may obtain) with themselves, and a simile?
[ itself ] [ ugly ] even if it pays and pays, it gets off, as long as those who condemn themselves severely are alive, and intension is carried out to the society and the individual who are not, and と the time -- paying -- it cannot cut -- also continues condemning itself severely for every 事ある -- irrational [ repetition repetition ] [ like ] Such himself who wishes it as anti-い生きたい irrational.
It is a man's act that it sets up a pig, or, but, at hand [ one's ], you are tempting it also as a cliff cliff jumping down from here always, and becoming easy having come out.
[ such ] Are Sokeki's raw craving and craving to death mixture?
If the act which continues setting up a pig does not make it means to make a cliff dance the body but death is chosen itself, it can also be caught with positive [ which are referred to as doing one's best, struggling and continuing living to the last last / the temper, the nature, or positive ].
but, a bird should pour most the thing for which it is waiting previously -- it is not る夜明け It does not 良しと making the body dance from a cliff, but anti-う also only has 力尽き failure る and one man awkwardly.
In how depending on which it escapes the temptation to death, anti-when attachment, and the place which continued being enduringly useful is man a kind of despair that world, the others, and themselves's ego cannot but 力尽き押し潰, after all?
it comes out so and is -- if it becomes, pour the dawn of depiction of the last of a night -- that depiction as which the hope to a somewhere student called る the bird of No.
1 was felt, and depiction of the last of ten nights -- being even contrastive -- it is A night is raw and hope which are drawn by the woman.
Ten nights are the death and despair which are drawn by the woman.
Or such anti-う had not projected itself on 力尽き failure てしまう人間, either, Mr.
[ Sokeki / itself ] is a 3rd person onlooker-position [ somewhere ], and does the 諦 view of such human being somewhere, or has 情 of pity.
a pig -- setting up -- 力尽きたおれる男 -- Mr.
[ Sokeki / itself ] -- or is it which he looks at all human beings' simile?
Or isn't there any meaning etc.
there?
(Although the composition of the woman who made the man invite to a cliff cliff and made the pig attack to 力尽きる could be taken also with a man's natural consequences of its own deed and cause and effect when the man was showy in the opposite-sex relation, as for the man drawn in this talk, just the view should be worn in the woman to the last, and there must have been no carrying out some directly たり) Does suffering on account of [ which has sharp sensitivity in "truth" non-reason ] intelligent set the image in which the somewhere nothingness a "cliff cliff" is impressed close, when it is assumed that it is Sokeki temporarily?
It is a dream whether they are a dream and た after all.
If [ such ] it is a "dream" at all after all, man does not express [ truly ] it to the others objective to a mean.
being also alike -- it was not concerned, but only by ぶっち, beyond the minimum level sublimated, even after being based some affectation and exaggeration -- being certain -- と, and it collected, and made for a text like this -- right い was attached very much and punishment will not be incurred [* supplement] Whenever I may be what time, I do not necessarily think that it is a minus image in a pig and "night" equal sign, and a usual state.
However, it is also only told like a flow of the talk that the image of death can be found out somewhere to the night and pig in the part taken up by these comment to the last.
It supplements once.

2008/01/23 Normal [Original Japanese review]
by Jirue Provider: 25880 Host:26091 Browser: 8090
Since this book was read taking advantage of a certain thing, I will evaluate.
It will be saved that the contents are editorial tones, if you understand, since what I have read and noticed has only been pulled collectively.
For the time being, although there is nothing to a schedule now, supposing it carries out or, it may submit as a subject report of a university.
Chapter 1 From - Third Night to - Probably, it Turns Out First that "Blind Blue Priest's Child" Currently Drawn Here is Important when Considering Third Night.
Are really you who as this child?
Mr.
rough Masato's "Sokeki's dark portion" is mentioned for one famous about this.
In it, that an eye cannot be seen should have the meaning of having grown older when saying in psychoanalysis, and having become impossible sexually.
And about a child, it is said that it points out that it is old and the body has been shrunk.
That is, it is said that it is imaginable with the father who grew old with "an eye cannot be seen by the child." If it does so, about this child having said, "It killed 100 years ago", the father is said whether for ""patricide [ in / Sokeki / just / I am killed, and it is transposed to having called it shelf", and ]" to have come out.
However, my idea differs from this a little.
I think that a child here will be Sokeki himself.
as the consciousness to Sokeki's father the consciousness of Sokeki who is holding to the father -- that both treat themselves as rubbish and should just give him there, when what is necessary was just to also have given real fathers here, it carried out hanger-on treatment also of --, i.e., Yabu, -- such -- feeling -- (Takaaki Yoshimoto, Yasumasa Sato "the Sokeki-theme" Shunju-Sha) Having held hatred not a little to a father will be imagined as there are some which are said.
Sokeki whose I am this child although it is the general interpretation which is caught as having seen having actually killed just because there was this hatred in the dream -- a father -- receiving -- "-- I thought that it saw just because my heart was broken also well and it had the thought shelf" That is, this dream was not seen from a guilty feeling, but it is possible that it is from the hate which rooted into the heart which does not yet disappear.
Possibly that it is blindness showed the heart by which Sokeki of the time was shut.
Therefore, the thing that probably a thing called this third night probably expresses the hate to Sokeki's father is my interpretation.
Chapter 2 How to Catch - Dream 10 Night - Next, although it is about the dream 10 whole night, I think that this work has mixed and done the tale which is easy to understand, and the tale which is hard to understand.
First, although it is the first night, it is easy to regard especially this as a dream.
The beautiful woman who comes out here will be the dead sister-in-law by whom Sokeki was bringing near good will, and it will be because Sokeki himself may say that the flower liked that the woman becomes a lily.
From the above thing, somewhat, as a tale, it is very easy to accept it noting that it looks at a dream, although there is probably dramatization.
Then, in the second night, it could be said that experience at this time became a dream and appeared, as "having said for practicing meditation in Zen Buddhism to the Zen temple in Kamakura, and having self-trained, when Sokeki was actually 20 years old" (an extract being made from Takaaki Yoshimoto "Soseki Natsume's being read") shows.
However, it could not be said that it was seen since this dream had only the experience.
It is because there is expression of "killing Kazuhisa." Kazuhisa here is Sokeki's father.
Can't a samurai think like Sokeki himself?
It can catch having thought as it killed if Sokeki said to the father as "the untidy fellow" and the "fellow whom the method of comrades does not have, either" was able to look down on the father, when done so, and it is possible that it is the dream of hate like the third above-mentioned night.
Probably, the thing [ having said that he could not but die and having finished, since spiritual enlightenment did not have 啓け after all ] here expresses conflict of enemy trap かった Sokeki's heart to the father.
That is, probably, as for this dream, it turns out that practice in Sokeki's Zen temple and the hate to a father are mixed.
This is also an intelligible dream.
Next, I want to also mention the dream which is hard to understand.
Blindness in one eye is the fourth night.
Mr.
爺 takes out a towel before children, and although this dream says that it becomes a snake soon, it does not become easily.
Among those, Mr.
爺 will go to the direction of the river which says that it becomes when or a snake and is flowing rapidly.
Although the person in character with the child who is an observer has been looking and could cook, Mr.
爺 did not have an appearance lever after all.
Although it is such a talk when it says simply, what did you want, as for this talk, to really say?
Although I think that this Mr.
爺 has died after all, how does it think of dying rapidly, although it is not drawn at all as there is dying will, and going to it himself, and, probably, it will be amusing earnestly.
If it is said whether it is alive, the old person will not necessarily be alive for having not come out to the deep place of a river spontaneously.
Supposing it is not the tale of suicide, the place which it has and this dream means is not known at all.
It is like a kind of ghost story.
Another is the eighth night.
This was not understood truly.
Although the woman who does an erect knee over a mirror and is counting the ball of 10 yen is seen having a haircut got, even if it counts and counts, in 10 yen, balls do not decrease in number.
When noticing, the woman had stopped there being.
Is this 幻視 or something?
what does the woman who will be alike intently even if it is 幻視, and is counting the ball of 10 yen show?
As it passes in the editorial sentence at the Inoue ophthalmology of "Ochanomizu, the woman who met in the waiting room is caught by illusion that it is the man of the partner whom he marries and there is the thing " (an extract is made from Takaaki Yoshimoto "Soseki Natsume's being read"), it seems to be meaningless in seeing a woman by 幻視 counting the ball of 10 yen better.
If it still mentions as a portion which was not found in this eighth night, they will be having taken out the talk of a goldfish store, while the salesclerk got a haircut, and the portion of the goldfish store taking out the stall to the last and having squatted down before it.
Although it turns out that something will probably link these two, it does not know at all why any previous announcement cannot be found and the goldfish store came out abruptly.
Since this will be considered not to be auditory hallucination, either if it is not 幻視, either, it is like [ with which interest seethes conversely ].
About other dreams, although I read personally, since it is what read and understood the editorial sentence, without the ability performing contents understanding, it omits [ be / allowed to た / I ].
Chapter 3 Dream 10 Night as - Dream - although I said repeatedly until now, "it was "intelligible" and unclear", before describing the ease of carrying out of an understanding, it must put on mind -- this work -- "dream 10 night" That is, I hear that it is "the tale of a dream" and it is.
Since Mr.
爺 of the fourth night having not come out from the river, the woman of the eighth night, etc.
are all dreams when it sees recognizing that it is a dream is said, and it can keep.
Since it is what cannot be understood to be a dream as everyone knows.
However, it is not tidied up just because all are dreams.
A brain combines a dream suitably from the occurrence which happened in the past, or experience, and it is made.
I want to see each dream based on this.
First, although it is the fifth night, it is said that itself who did 戦 and was caught by an enemy's general wants to meet a woman before dying.
This is not the occurrence which suited in the past, even if it tests by comparison and considers a time background etc.
Next, in the dream in which Unkei of the sixth night is carving two Deva kings, Sokeki has not met Unkei and it is exorbitant.
It will be hard to think of seeing these in a dream a little.
However, I think that these two have improved very much as a tale.
Transiency of the world that the beauty that there were those who want to meet just before dying from the fifth night was not able to be met by the misfortune or the intrigue.
Overconfidence whether he can also carve two Deva kings in the sixth night, and a firm punch line.
If it becomes as a tale, it will be able to read very ordinarily.
As to [ it / say / what ] it たs, these are whether to be the talk which not a dream but Sokeki completed dreamlike.
If it sees so, it is possible that the dream of Sokeki who actually regarded as dream 10 night, and the tale of the short story which Sokeki completed are mixed.
That is, it could be called "a dream and an actual tale." Conclusion In a main subject, the inside of the heart of Sokeki who saw from the third night, the state of dream 10 night, etc.
have been clarified.
Although I expressed dream 10 night as "the dream and the actual tale", since he has not necessarily yet understood completely, this is incomplete.
Many hours are spent more, and a new view may be born if the others' editorial sentence is also read and advanced.
My present interpretation still will not wave as having stated until now.
I think that dream 10 night used to be made from "the hate and Sokeki's dream to Sokeki's father, and the tale which Sokeki completed" from the above thing.
As mentioned above, although it was an awkward editorial, since he wanted to have read and to describe what was felt, I was allowed to indicate.
to the last -- me -- since it is an individual idea, I would like you to regard as one of 数ある editorials, and consider Although I will consider as a general comment, since there were what is understood, a thing which is not understood, and a certain thing and the dream it has been thought that are almost a fabrication, calling it dream 10 night, suppose "It is common." However, there is no mistake in being the work with which Sokeki's wonderful thinking is felt too.

2008/01/23 Best! [Original Japanese review]
by TCC Provider: 49097 Host:49116 Browser: 4184
If that man that was the face of a thousand-yen bill till recently just was man, although it was a short novel dealing with the dream which everyone will look at .........
[A good point] - "Dream" of wonderful many which invites a reader ..
The first night Although it was the dream in which the woman "he already dies immediately" does Samsara transmigration to a flower abruptly, love and natural beauty taste just and were deep.
..
The second night It was able to say were made to recognize a thing called the difficulty of realizing spiritual enlightenment anew.
..
The third night Although he has seen words which say with a certain work, "An edge with the man does not necessarily go out, and they continue rather throughout life even if people kill others", his son is a punch line called a man's incarnation which cut in fact and was killed, and is [ say just and ] he strange?
It was appealing to a thing called the depth of work which is not escaped.
..
The sixth night Although it was the dream in which Unkei was alive in addition also in Japan of the Meiji era, it may be that a thing called divineness of a certain kind was dwelling in actual him to be sure.
otherwise, the work which leaves a name to that history [ like ] -- probably it was not able to leave .
..
The seventh night For having thought that suicide would be committed, is it told that the hope become somehow or other may be found if alive even if a destination is not known apparently that it was simplistic?
and such a decision must have been made -- although it became が間際 and became fearful, I think that it can never perform very much that we also laugh at this hero by reality ある deployment The theme man's "weakness" was Hideyasu.
..
The tenth night As for boiling one after another, surely having imagined is also strange even if it thrusts down a pig to the bottom of a valley.
(Bitter smile) When it was being licked by the pig [ abhor ], jumping into the bottom of a valley himself, and itself, it did not waver but possibly the former was chosen........
Although it is the episode which mainly remained in the impression above, there are never no all in "the experiences of the man who looked at the free strange dream", and the theme which lets such experience pass, and 流石 are reading involuntarily, saying, "Oh, it is よな right [ that ]", and are made to be the large-boned thing which should call it the large great writer or became brave, and to sympathize.
[A bad point] There is nothing especially.
[Comprehensive evaluation] I think that the famous work of other Sokeki, such as "I am a cat" and "your son", was a short novel work with which partisans and 2 tastes are also different.
Sokeki is made to recognize it as Ryunosuke Akutagawa and Dazaiosamu being the genius of thinking from whom 毛色 is different again anew.
now, he also looks at what dream tonight ..........
though evaluation is short, what it was appealing against will be taken as the "highest" by the excellent work which surely existed

2005/11/08 Good [Original Japanese review]
by 遠野 Provider: 7995 Host:8083 Browser: 4184
Dazzling and delicate depiction is beautiful.
It is Soseki Natsume's collection of short stories which consists of all 10 talks (night).
With a thing also with much the beginning about which it begins to talk abruptly, "Such a dream was seen" and the people who had seen Favorite one is the first night individually.
It was made to wipe away the image of Soseki Natsume who has so far thought that it is weak.
It is made a paperback and is a little more than 4 pages.
Also gently skillful color is filled and filled in it.
In the minuteness of depiction, it is a 只只 sigh.
how to draw female 眸 etc.
-- especially .
suitable for being immersed in indulgence -- it is painful (smile) and is transitory, and death is escaped and there is no が The outline of a certain thing of the story deployment of "granting a woman's will which carried out death" is vague, and it is a vague impression.
However, it seems to be good in any way, and can keep.
It was as a tale [ the "dream" ], and on the whole, the step was unstable and it was moved also by the wind which the grade shadow is putting in some places.
as [ forget / the principal axis / it is unreasonable and / on the convenience target, / at somewhere ] It will be the seventh night if it says so.
a "free -- it is visible with the ship which had been done very highly, and although the body leaves a ship and it excels, a leg does not arrive at water easily However, since there is nothing that is caught, it is 近附いて来る to water in order 々々.
The speed which falls to having jumped down from the 近附いて来る" ship however it might draw in its leg is awfully slow.
Although it is depiction of carrying out lengthy regret of having jumped down, it can come and there is a memory somehow.
It is a dream.
The 3rd night and the 8th night are also liking.
it is psychology or is philosophy -- it may be used for that text -- although that is right -- me -- that one -- in the least -- it is -- the mysterious tales who are strange very (smile) and are discontinuous He was able to be enjoyed vacantly.
If Sokeki also takes the one weaker in his hand at once, how is it?

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