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Novel ranking: Rank 664/in 2,388 titles (Total 3.00/Deviation 49.07) Rank 663 <= => Rank 665

Natunonagare(Novel)


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Bungeishunju Ltd. Risa Wataya

Statics of evaluation(The statics is updated once a day)
 AverageNovelRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanBest(3.00)66449.073.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan51111
Outside Japan6700

How others evaluated in Japan

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People1000000
Percentage100.0%0.0%0.0%0.0%0.0%0.0%0.0%
Added percentage100%100%100%100%100%100%100%
Summary100%0%0%
                                                                                                    

Views for recent 8 days
Total432131302928
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.
2007/10/27 Best! [Original Japanese review]
by Rogi Provider: 52905 Host:52866 Browser: 4184
If this work is said at a word, it will be the work "which drew " non-日常 " in every day into every day to the last." If a tale considers as 萌芽 born daily, this work has stopped it in every day.
The prison in which a tale is the talk of the warder who works for a prison, and a convict lives is a place of non-日常 for the general public.
However, it is the place of the life to a convict and is a mere place of work for a warder.
.
Other novels will be criticized if it is not a tale to draw exaggeratedly especially by impressing that.
The composition of non-日常 made buried into every day was drawn by the same intention also in the scene of execution of a convict.
The scene of execution in the end of a tale drew the figure in which a convict struggles by precise depiction, tidied it up as an everyday occurrence, is the style which suppressed heat and was advancing things very indifferently.
It was a very impressive scene.
Furthermore, a young warder is not that "human being does a convict's execution." When it hates, it is "being [ nothing ]-anything さ if it gets used".
A convict's death and execution are made into the everyday occurrence at a word.
Kenji Maruyama chooses a reader.
this work -- mere " -- " which lacks in climax comes out of a word, and it tends to be tidied up However, the moment the thing describing an occurrence without precise depiction and an everyday meaning which exists previously appeared, worth of this novel spreads.
It is the "highest."
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