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Youteki(Novel)

Reviews' statics

Novel rank	Rank 687/in 2,387 titles (Total 3.00)	Rank 686 <= => Rank 688
Novel rank of 1993	Rank 6/in 26 titles	Rank 5 <= => Rank 7

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Released:1993/12/13 in Japan

Statics of evaluation(The statics is updated once a day)

	Average	NovelRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Best(3.00)	687	49.04	3.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	557	1	1
Outside Japan	116	0	0

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100%

Views for recent 8 days
Total 21 20 19 18 17 16 15 14
3 1 1 0 1 0 0 0 0

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2006/12/02 Best! [Original Japanese review]
by 遠野 Provider: 7995 Host:8080 Browser: 4184
It is a fantasy 色滴り満ちる collection of short stories containing four pieces carried by the bulletin "the Kanze school" of the Kanze school.
Work which loosens the work which obtained the material to ability, the work which has involvement in kabuki, and a historical still shadow -- A page is colored so that ten fascinating pieces may swing and color may also laugh merrily.
The world which a smell and kana boil and go up from a suggestive text and there.
Composition which trifles with a reader to history historical investigation which constitutes a clear form.
Whenever it finishes reading, one piece of one piece of breath of admiration has been attached.
All the contained works are quality unexceptional.
It is one 妖艶な volume which carried out intension of the mellowness to sharpness without inconsistency.
"妖笛" which is 表題作 is 編 which drew entering the Ako 浪士討ち from the viewpoint of Kira.
The son of the Kira Ueno 介義央, Kira Hidari [ Hyoe ] 義周 It is spun with the viewpoint of 山吉 Shinpachi who serves.
The work of the technique which pulls back time further before bloodshed among a Mister, and is pulled back from there to the first position from the atrophy which finished all for introduction.
It is the tale which is not a 遣り piece sadly [ it is severe and ] and severely.
They are the charm which does not come out so much, of course and drifts from between characters, and the work which was very excellent also in Shinpachi's longing and depiction of the weight of feelings.
It was made to greatly sympathize with Yoshichika's fate among 読.
However, Shinpachi's inside told in the end shakes it up.
It is also the wind which left the bitter taste which is hard to wipe also to a reader simultaneously, and has been led to the self-question by series although the pity to Yoshichika increases further.
The build lump which does not finish with the tragedy on a free historical fact and which is hidden in the depths and dies is Hideyasu's word.
Although it is consent repeatedly that are the tale told to a target on the other hand from one side, and creation of an author and the ornament are also much included, it is likely to become impossible to see the year-end Tadaomi warehouse obediently after this (bitter smile).
Is Meiji or a "cricket's" Taisho a stage?
It is a volume for good everybody most among an inclusion work.
Also on a square, a text is beautiful also to a rabbit.
In the atmosphere which makes "Satoshi Takano" of 泉鏡花 think of, it captures [ in the world on a page / gently ] conjointly and needs plump [ peculiar to an author ].
Feeling of the barley tea which bypasses a throat to the sweltering heat.
涼 and the umbrella of a shady nook which skillful 樹海 drops.
It will indulge in a sequence of expression which shakes the senses.
The sound of the insect which enters severe temperature and the gap of exhaustion easily, and the fantasy which starts secretly are attractive very.
The woman who appeared by carrying out to appear, the last which visited by carrying out to visit.
Oh, the method of a 齎す bundle is very impressive in arrow tension and a mysterious 諦 view.
a dream or a phantom -- 戯言 or -- or is it drawn?
A lack [ an answer ] was a work as if it was raising the completeness of 本作 on the contrary.
It is the work with which the past, the future and an elder sister, a younger brother and a youth (壮齢), and the boy were very excellent in "2 People 静" which overlaps and blurs, and "簪犬" with which it reads through to the last and satisfaction goes to a title the back.
the tale developed in space like a miniature garden of a "cruel stone" -- 惹かれて -- it does not see Sadness which hears the conversation which should exist, and which is not so that naturally [ as if ] and to which also mind feeling languid like a daydream rolls in that it is wonderful steadily with last thing.
It is made an unbearable feeling, so that there is nothing, if 儘 also makes it language.
Although each collection of short stories of Hiroko Minagawa who read till now was wonderful, 本作 does not leak to an example, either.
It was one volume which can be calmly immersed in a feeling of sufficiency after reading.

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