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Drama ranking: Rank 641/in 972 titles (Total 0.99/Deviation 48.51) Rank 640 <= => Rank 642
Drama ranking of 2006: Rank 39/in 76 titles Rank 38 <= => Rank 40

Escaper Orin (Nogaremono Orin)(Drama)

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Information about this title

TV TOKYO Corporation Kunio fujii KEN ICHI ONISHI Yasuharu Inoue
Masane Tsukayama
Noriko Aoyama
Shin Takuma
Takaaki Enoki
Ken Tanaka
Teruhiko Aoi
Takashi Kobayashi
Tonpei Hidari
Tetsuo Kurata

[Detail]

Meiko Kaji
Shun Oide
Ken Izawa
SHOJI YASUI
Masami Imamura
Nagiko Tohno
Nenji Kobayashi Jyunko Miyazono Toshio Nagasawa Kuriduka Asahi Katsuyuki Murai Akane Oda Hiroyuki Nagato Kumi Mizuno Narimi Arimori Kenichi Endo Wazaki Shunya Tokuma Nishioka

Released:2006/10/20 in Japan End:2006/03/23 in Japan

Statics of evaluation(The statics is updated once a day)

	Average	DramaRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(0.33)	641	48.51	0.99

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	2,602	5	3
Outside Japan	131	0	0

How others evaluated in Japan

Best

Very Good

Good

Normal

Bad

Very Bad

Worst

People

Percentage

0.0%

33.3%

66.7%

0.0%

Added percentage

33.3%

100%

100%

Summary

33.3%

66.7%

Views for recent 8 days
Total 7 6 5 4 3 2 1 31
5 0 3 0 2 0 0 0 0

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Japanese Good
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This reputation board

Language	Sorted by date	Sorted by recommendation
English	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	None
Japanese	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	None

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2007/06/17 Good [Original Japanese review]
by Katoru Provider: 4749 Host:4768 Browser: 5234
It was the more mashi one in the talk considering a tele east.
Although a sword fight is delicate -- The good actor is appointed.

2007/03/31 Normal [Original Japanese review]
by 捲追911 Provider: 33212 Host:33041 Browser: 5234
Although attention was secretly carried out by a historical play being broadcast by the golden frame of the TV Tokyo series after a long time, even so, the historical play in front of a downfall something is broadcast by the frame of gooruden now.
Although it thinks that individual comment are usually the works of a level although the enthusiasm by the side of a maker can be bought at such a point, since there were many works with which even the level which can be seen ordinarily has not reached, the latest historical plays will be common but the direction where having seen to the last ordinarily also worked hard, if compared with those works.
Individually, although there was also no 面白味 so much, and there was that Mr.
Aoyama also has the first starring of a historical play and performance of a sword fight became very good in the second half, the portion of the drama nature of 母娘 for achieving reunion with "咲" which is its daughter who exists by one of the outlines of a story is also in a compliment well, but there is.
[ no ] [ by whom "it did not get down" was considered to be stillbirth ] Although there was a scene where "咲" was carried out to "It does not get down" to a hostage in an assassin's confrontation scene at an assassin when mentioning dissatisfaction in respect of "咲" relation, saying "it not getting down" with it, "咲" truly withered on the candid and unnatural production which is taken by the hostage and which seems to be good.
there must be the way of showing which passed with the birthmark over anything how much, came out and devised more -- it is what If it says so, in 本作, it is with a birthmark, and I will want for production to be considerably conspicuous, and to come to say whether to have gone to buy 失笑 rather than it invites such candid way じゃ crying.
the place of 母娘 which was story deployment of an outline -- so much -- also coming out -- although there was nothing, since he was enjoyed very well, the neighborhood was pleased individually in the whereabouts of the secret letter which shakes the intrigue and the Tokugawa family of 道悦 developed in the form of being parallel to trip where the daughter of "not getting down" is looked for conversely, and the direction of that big-scale talk kyara stood and it was good, and the composition Mr.
Teruhiko Aoi of whose who was playing assistant さん役 by former Mito Komon was the villain could also be seen in the image which changed just for a moment, and especially for the first time in [ of 道悦 / the villain ] was interesting.
Though production, the highlight of a sword fight, etc.
are regrettable, it is common, and while he wants to evaluate individually the volition which tried that the latest historical play performed structure which gave such story nature and had in most the new historical play in which the strong work will are being continued by making the trend only for terrible slow poetic justice monochrome to be accepted, and an easy remake only from habit is not impressed, if it does its best more in this neighborhood, an impression will also become good all the time.
It and 本作 are reaching-level which can be somehow seen by favor in which supporting player's lineup was substantial kana.
Evaluation is "common."

2006/11/12 Normal [Original Japanese review]
by TCC Provider: 10534 Host:10743 Browser: 4184
It is a work after a long time as a historical play of tele east golden time.
although it does not get down, and the villager who is continuing the trip and who was attacked by the way Nakayama 賊 team is helped, it is battling, a gun attack is avoided and it cooks better, in order to meet its child -- involuntarily -- "-- a matrix .
-- " -- it is likely to thrust in -- becoming -- although it is being able to say also to the shelf W latest Zenigata Heiji series, I want it to stop excessive CG and to put in [ who does not see yet ] The talk itself is not bad although a sword fight scene is also common.
The party of the above-mentioned 山賊 team has strong bitter taste in a good meaning, and kyara stood very much, and since the veteran is stationed as it is, the members of an actor are not bad, either.
Although there are some historical play works severer than this well and evaluation of an I individual also has the caught point, since it is not like [ which is called a fatal defect ], either, it is the place of "being common."

2006/11/04 Comment(bad) [Original Japanese review]
by Fuainaru dankuuga Provider: 32756 Host:32764 Browser: 2749(Mobile)
I think that this work is the minimum level if it sees as a historical play.
It is whether it says clearly and is below that notorious "finishing [ あ ]." A poor actor is past [ 多 ].
It is especially a hero.
it is what -- that Japanese radish and a sword fight scene says clearly and is also useless -- past .
Do how [ be / useless / a sword fight ] in a historical play?
The Kamito 彩 of a sword fight is nicer.
absolute .
After putting in the veteran into such a Japanese radish, it has a level seen well.
And since the essence of special effects is put in amusingly, it is a sense-of-incongruity barricade barricade.
Since he does not remember most contents and they are not seen so much yet, they are only comments.

2006/11/04 Comment(good) [Original Japanese review]
by 阿部怪異 Provider: 5923 Host:5812 Browser: 4184
If I will write the serial drama for the first time in the TV Tokyo six years, and a strictly provisional comment -- Is the thing with the safe side good?
A historical play is carried out per Takaaki Emoto and Teruhiko Aoi with a thought, and atmosphere is made.
a hot stock -- an ordinary means -- it is -- kana さ -- depiction of 家重 with that right and future is expected The talk is comparatively serious as it looks at an outline.
the 人逢う people who meet although just depiction is not heavy -- everybody -- it becomes a misfortune -- it hits and it can be said that it is faithful to the promise of the historical play of this directivity However, formal " wind " which was conscious of the promise for the moment since the sweetness of the final stage [ in some places ] was worried; Are they a work and でしょう?
And starring.
although performance of expression is not very worried in since it is a setup called handcuffs people without feeling as a man, if simple -- a sword fight -- truly -- on the whole, it is unripe well し [ probably a battle leotard also only falls out and has between visible to the direction which is not expected in the direction of sex appeal ].
It is exhaustion, so that it blows off by ED theme the back.
-- They are disagreeableness and the work which can be enjoyed.
Shall I but say that there is delicate fun?
There is a possibility of enough of transforming oneself between the long time of two periods of treatment also about the final stage or starring.
Even when he is not transformed, that is conversely enjoyed as a tsukkomi historical play.
I think whether it sees as it tries to make it any, and there is any loss.

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