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Drama ranking: Rank 53/in 942 titles (Total 26.00/Deviation 57.96) Rank 52 <= => Rank 54
Drama average points ranking: Rank 99/in 174 titles (Average 0.30(Good)/Deviation 49.65) Rank 98 <= => Rank 100 (more than 10 evaluatoin)
Drama ranking of 1969: Rank 1/in 5 titles => Rank 2

Mito Koumon(Drama)

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Game:Mito koumon

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Information about this title

TBS TOEI
Akiko Hamura Yasu Kato Ichiro Miyakawa Igami Masaru Yasuhiro Sakurai Nobuyuki Onishi Satoru Okamoto Kunio fujii
Tetsuya Yamanouchi Taishi Arai Kokichi Uchide Kiyomi Yada Yasuharu Inoue Yuji Takakura Kon Ichikawa
Chuji Kinoshita
Michio Yamagami Kazuo Funaki Yukio Hashi Teruhiko Saigo
Eijiro Touno
Ko Nishimura
Asao Sano
Kouji Ishizaka
Kotaro satomi

[Detail]

Ryotaro Sugi
Teruhiko Aoi
Yuji Kishimoto
Ryuji Harada
Tadashi Yokouchi
Sinya Oowada
Goro Ibuki
Jundai Yamada
Masashi Goda
Ichiro Nakatani Takashi Naito
Yumi Iwai GENTAROH TAKAHASHI
Izumi Yamaguchi Jyunko Miyazono Hiromi Murachi
Kaoru Yumi Mitsuo Senda
Masaki Nomura Croke
Shoei Akira Saito Kaneko Iwasaki Toyokazu Minami
Kei Sato Shun Oide Tosei Ishida
Yasushi Nagata
Ryutaro Otomo Hideo Takamatsu Tetsuro Tanba
Isao Yamagata Jun Hashizume Hideaki Nagai
Toru Takeuchi Shingo Kiyokawa Shinjiro Ehara
Kenkichi Hamahata Tetsuo Hasegawa Tsutsumidaijiro
Mariko Kaga Asuka Shimizu Yurika Kodama Aya Ogami
Makiya Yamaguchi Erika Mabuchi
Tuyuguthi Sigeru Keiko Yumi
Kantaro Suga
Mikio Narita Seiya Nakano
EIJI GOH Fukae Shoki
Bin Amatsu HIROHISA NAKATA
Tadao Nakamaru Jukei Fujioka Kusuo Kita Rei Maki Mizuho Suzuki
Akio Tanaka YOSHIROU AOKI Yukio NINAGAWA Ryunosuke Kaneda
Kouichi Miura Noriko Shirasaka Taki Ninda KishidaShin
Shoji Oki Sinya Ono Sotaro Ibuki Uchida Katsumasa Noboru Nakaya
Miru Hitotsuyanagi Masashi Ishihara Gorou Mutsumi Isao Tamagawa Akira Hamada Koichi Uenoyama Masaharu Ichimura Mie KIN OHMAE
Kawai Nobuo Reiko Nakamura
Shouhei Yamamoto Masaru Shiga Kyoichi Sato JUN-ICHI TAKAGI Jiro Miyaguchi Ashikawa Yoshimi
Ryuji Sawa Seiichiro Kameishi
Tatsuo Endo Fumina Hara Wataru Shihodo
KEI TAGUCHI Tsutomu Isobe Ryo Nishida Ozawa Zou Koji Moritsugu
Akutagawatakayuki
Shintaro Sugiyama
Shibata Hidekatsu
Shiro Suzuki

Released:1969/08/04 in Japan

Official sites
1. http://www.tbs.co.jp/mito/ (Translation)
2. http://komonsan.on.arena.ne.jp/ (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	DramaRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(0.30)	53	57.96	26.00	1
Outside Japan	Good(0.00)	10	27.67	0.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	19,135	70	50
Outside Japan	1,730	1	1

How others evaluated in Japan

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Very Good

Good

Normal

Bad

Very Bad

Worst

People

Percentage

2.0%

6.0%

40.0%

36.0%

10.0%

0.0%

6.0%

Added percentage

48%

84%

94%

100%

Summary

48%

36.0%

16%

Views for recent 8 days
Total 8 7 6 5 4 3 2 1
7 1 2 1 0 1 0 0 2

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2005/05/28 Normal [Edit/Delete//Only this reviewer/Only this review/post sympathy comment/]
by TAKARAYA Review history[Good:78(58%) Normal:57(42%) Bad:0(0%)] / Provider: 34674 Host:34625 Browser: 3646
This seems to be the historical drama which is the most popular in Japan.
This historical drama is very famous.
And, this historical drama is tedious.
However, such a drama might suit a general Japanese.
I think that this historical drama continues for a long time.

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Game:Mito koumon

The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/04/26 Normal [Original Japanese review]
by 石鯉 Provider: 31011 Host:31168 Browser: 8090
They are comment with honest although old Mito Komon liked it saying that the latest it is not pleased.
Although it was one-track to be sure, it was thrilling, and since the portion of a sword fight is also very powerful and was seen and enjoyed, the place which finally punishes a bad man did not become mind so much about one-track.
An appearance of the person who was otherwise able to enjoy very much the human drama (it sometimes exists also at 人死) developed by appearance in the work, and knows fake Komon appearance and Mito Komon (fighting might end, before taking out a pillbox by appearance of the person), The device it is made not to turn completely into mannerism, such as a talk that fighting does not exist, was also seen, and I can think that the level as a work was by no means low in it being as that the talk about the intrigue by the human being of a government may call it several-stories 続くたり.
But, these are comment which it has had to Mito Komon of saw ancient times by re-broadcast etc.
until it got tired, and the impression over the latest it is not good as above-mentioned.
although it is not regarding as questionable especially since it is having been from ancient times about change of a player, some characters change to another person -- てい (although it is the cause by which it became like this that the image of the direction which was being performed was too strong) -- it was not accepted in me -- it carried out, and as the force of a sword fight had also fallen compared with ancient times, I was able to consider Although it had become a beautiful and skillful thing from old it also about change of the quality of an image, since I myself thought that the atmosphere of an old time was felt and the direction of the image which whose ancient times are old and has darkness was suitable for the historical play, it could not but be change which is not pleased most.
In order to call it a bad impression to present Mito Komon to old Mito Komon as above-mentioned although it is a good impression when it collects [ make / have you / it ] at the end, plus-or-minus evaluation is a "normal."

2008/04/26 Normal [Original Japanese review]
by 怪刀迅 Provider: 46914 Host:46869 Browser: 4653
Since this has the the same pattern each time, does it last long conversely?
When free, is it the drama of the touch to see?
As [ get / if all are seen / ...
/ tired ]

2007/11/09 Normal [Original Japanese review]
by Fuai Provider: 15333 Host:15376 Browser: 4526
They are ancient times and the work which now changes evaluation.
Present Mito Komon seems to have lost か迫力 called what.
Mr.
[ Komon / itself ] stopped also fighting -- carrying out -- the power of a pillbox -- holding down -- passing -- it is .
The merit [ a sword fight ] of a motion is compared and れ is quite obvious.
If now and ancient times are added, it will become common exactly.

2007/11/08 Normal [Original Japanese review]
by Kuromuueru Provider: 12661 Host:12539 Browser: 3035(Mobile)
A drama one-track so far is also new.
まぁ -- although that will be a popular reason

2007/10/14 Worst [Original Japanese review]
by Sharu Provider: 1407 Host:1252 Browser: 5598
Although seen on what talk or television, there is an impression to which every talk is too one-track and deployment can seldom enjoy it.
Although fighting with an enemy is powerful as it is, subsequent deployment was decided generally and lacks in 面白み.
し [ it is looking somehow and there is also a formal impression ] ...
Moreover, although it can see, since the efforts which are going to change the model of a work do not change mostly basic elements, such as story composition and a view of the world, with before, renewal of people of the cast etc.
can seldom feel freshness, but they are sorry about it.
Therefore, does formal touch receive a continuing impression as usual?
し [ it can also see a tsukkomi place very well ] ...
Evaluation is made into the "worst" in order to think that the pattern of the talk is the work which seldom almost feels 面白み even if it is alike and is looking.

2007/08/10 Worst [Original Japanese review]
by 捲追911 Provider: 12532 Host:12383 Browser: 5715
A result [ although are taken in, viewed and listened to the 2nd generation advertisement of 弥 7 of a windmill, and it had not been having a not much good impression in the Satomi version for some time individually, it sees the contents of 37 parts and must have been disappointed anew ].
It considers [ be / allowed to た / I ] as 1 rank 落 from former "it being very bad" at the "worst." If attached to the end of this work being called mannerism, there is also no 今さら言うつもり, and a clear-cut solution is given to the thing with the thing with which most is hardened on the promise in the historical play etc.
However, by neta of episode turning extremely narrow up, although structure in which breadth is in a story and neta until it results in an end at the time of a previous work, and a feeling of mannerism is not impressed with it being wonderful was completed even if it was with the work the end is in sight, if it puts on the Satomi version, since there are no contents of the talk pleasantly, even when it is disagreeable, it will be felt tedious.
Although I feel that the idea which carries out structure from which the direction of the work side for such a notable work should say that some are model, or should serve as a model of the man in Japan completely although it is such a high work that it can say that Mito Komon's notability is already national is traveling unawares, though this style well-mannered poor is regrettable, it is the petty thing of 味気 which is not.
It is especially unattractive in the kyara knowledge of the Masahito Mr.
child of only the appearances of the Satomi 黄門.
If allowed to say by comparison with the person who played all the past Mr.
Komon even if it tells it a Masahito Mr.
child's kyara knowledge, in respect of the width or dignity of the bosom which are held in an inside, the Satomi 黄門 will not attain to the Nishimura 黄門 at all in respect of charm in respect of the humanity which was full of Higashino Komon at the expression of joy, anger, humor and pathos.
Moreover, Mr.
Komon whom all the past men have played can also regard that it looks [ which lacked in dignity to having had noble dignity in somewhere when it was the case of the Satomi 黄門 ] truly only to retirement of a mere end as how it is, though considered as mere retirement about the figure which can be put on a usual journey to be sure.
Or [ the thing with which a lack / that dignity / does not become somehow since it is a vice-general under the sun even for a time, although it can take also with kyara which is very easy to be familiar if a view is changed ].
If allowed to say to one more foreword, the scene of the present series which takes out the pillbox which is an important highlight will also be unimpressive.
Although the purpose of a trip was shown in it and former series in the clear form where it goes to save the han which granted the wish of the messenger who came in quest of help at the beginning from other hans, and has lapsed into the crisis, since there is no clear purpose which comes from the beginning to a trip, it does not rise from the beginning in story in the present series.
It is unavoidable to think that it is made from omission or inertia, if such structure can be shown truly, although it does not know from when a scenario really come to be advanced in the present form.
Although shiriasu was fully able to be enjoyed also by the minimum only by fighting with the assassin who obstructs the Komon party's whereabouts at the time of the journey of going even if 本作 was called stereotyped lump, such deployment cannot be desired from the present series じゃ beginning, either, and 面白味 is missing.
But is the first fault exhausted to the dullness of a scenario and production in each episode?
Although it does not know whether a strange prejudice of "the thing which Mr.
爺 and Mr.
婆 see" in when to a historical play was established in the world, is that calling it the structure which considers an old person although the reason primarily said in public although it goes by carrying out is not known in the least, either lowers the quality of a work reason made in the direction few [ of a stimulus ] somehow in consideration of an old person?
.
the straitness of the width of neta stated to the place without such ups and downs which is with a birthmark suitably and can do only exclusive support for a human-nature story in the first direction can be grasped -- carrying out -- a previous work -- as an amusement work, it is disqualification clearly because can completely do with the Satomi version and there is no portion of the broad entertainer who had done at the time of series さ and a lack [ a device ] are looking at running fire of the production on which the Satomi version is conspicuous anyhow in omission and a birthmark on the whole, it is historical play made it and structure does not cut and which permeated puerilely, and are uneasy.
however, the place where the fearful place of the Satomi version passes it automatically also in the scene which seems to be clearly unnatural and amusing -- 摩訶 of the Satomi version -- is it a wonderful place?
It will be rightly struck, if it is other works.
Although it was 弥 7 of the 2nd generation windmill when calling it the signboard of it and 37 parts, I carry out [ mind so that there may be no treatment within a play not much well ] somehow.
It is ねぇ although it is revival of signboard kyara of 折角.
Under [ it treats 所詮 from 娟 of blast of wind ] (bitter smile).
If it collects at the end and any masterpieces will apologize for time to quit after all, I will think showing [ this work ]-by the present progressive form-encountering miserable eye kana.
if surely it sees synthetically also including the series of a previous work, although it may not reach the worst -- still -- individual -- a previous work -- the image of the minus to the Satomi version is so strong that an added part of series is unsuppliable -- although it carried out and thought to it that the series minimum was "mayfly 忍法帳" of a supplementary biography with it being individual, it was so ugly that it could consider below the supplementary biography when seeing this Satomi version Furthermore, if it says, even if it will say by comparison not only with old series but other historical play works, I think that the present Satomi version is only a work with the bad result.
Evaluation is the "worst" merciless.

2007/08/05 Good [Original Japanese review]
by Kaname Provider: 16388 Host:16316 Browser: 4184
Although I hardly see, if it sees occasionally, I will think that it is a very interesting work.
Is it a mannerism work also often and bad?
Therefore, it sees in comfort.
about 8:45 -- surely -- Mitsukuni -- 公出 -- て -- carrying out (^^;) -- I think that it is not an overstatement even if it calls it the masterpiece of the historical play in Japan.
Therefore, I think that the popularity which does not change although the player changed until now is there.
Although !
to surely see every week is seldom thought, if it sees occasionally as said at first, I will feel [ that the charm of a work was different ] that it understands from a place.
Although it is said that a mannerism work is not interesting in recent years, is this work interesting and do I want it to continue?
Don't you become excessive evaluation and become precocious?
-- If it says from a conclusion, is it "drama which does not need to be seen every week although it is interesting" って touch?
Calling it --, evaluation is "good."

2007/08/04 Good [Original Japanese review]
by Rota Provider: 18003 Host:17790 Browser: 4660
Time loss was carried out!
a time -- たま何 -- seeing -- a program -- there is nothing -- the time -- somehow -- seeing -- てい -- even if -- "-- あ- this -- I have seldom thought " As [ stencil / so that the members of the villain may ワru - be and he can be enjoyed to performance / rather, / -- / once it began to see ] The scenery which has in Japan an imprinting effect like the sense of security and drug which do not change whenever it may see which Japan's strongest golden rule setup in the history of a television historical play has, and has natural "Mito Komon" was made.
Is it close to the air which already wraps whole Japan entirely?
There was a time to which the Yoshimoto entertainer besides Hanako Yamada is coming for the guest by recently ?.
although it thought for a moment "Yoshimoto's 魔手 is ?
to such a place" -- upper part beta of "花月", and Komon -- beta [ like ] has accomplished betabeta korabo splendidly and had become the pleasant humanity drama which invites [ why ] laughter also compared with when why Is the process of a scenario and production etc.
worried?
tsukkomi しっ loan あった also of zukkoke and the dotage was carried out.
Were they joint work?
Well -- Even if it will become 1 time of a time-tested product at one year, it is [ whether it is also ike る or ] ?
(brainwashed やすっ) unexpectedly.
It was 照英 to have cut [ which does not have sense of incongruity from the time of a first appearance with a newcomer member ].
(others -- there is also that a face is not memorized) it does [ have / た / you / I ] its best forever by action which stretched the body

2007/08/01 Good [Original Japanese review]
by 哭鳴 Provider: 48622 Host:48438 Browser: 8090
Although it is one-track, I think it charm that weariness does not come so much.
I think that it will have a kind of entertainment nature fundamentally different from Mitsukuni Tokugawa known for compilation of large Japanese history etc.
individual -- Mr.
the third generation and Sano 浅夫 -- per -- up to -- he liked It was good for Teruhiko Saigou Mr.
演じる助さん and Mr.
Goro Ibuki Mr.
演じる格 to be very dignified especially.
But it is although it is the body to which it viewed and listened by re-broadcast -- 弥 7 of a windmill is too smart.
It is past [ Ichiro Nakatani Mr.
shibu ].
Although Mr.
Naito is performing now -- Although it is very glad that 弥七 appeared again, an image called Mr.
弥 7= Nakatani does not get used too yet in the cause [ being strong ].
まぁ -- I think that it gets used soon

2007/07/21 Normal [Original Japanese review]
by 消しゴム Provider: 50084 Host:50076 Browser: 5234
While the destination is decided in relation to a guest and going and coming back to Edo and the destination, a bad man is seen, and if it says well, I will think it the reason which continued for a long time that they were the "royal road", the work side which will be called "formula" if it says bad, and the safe contents which hit and do not have a blank for a televiewer for which it is punished.
The Kouji Ishizaka version remained especially in the impression.
An old technique was not used for the Ishizaka era, but although it was the contents which were conscious of the historical fact, it has returned to the original technique in the middle of the place sake where a televiewer's reaction is bad.
It not only proved that the pattern made to finish with a pillbox called it "Mito Komon", but failure of the Ishizaka era punishes a bad man and inertia came to become invisible from time to time from the work after it.
Although it was common [ evaluation / near "being bad" / "common" ], the more the cast changed, the more it also worried that the dignity of a work was lost.

2007/06/26 Good [Original Japanese review]
by Y I Provider: 23083 Host:23327 Browser: 4184
The historical play currently probably done from grade 30 years or more before I am born.
Since ancient times' are doing by re-broadcast recently, it is looking occasionally.
Does one-track deployment continue [ the direction of others ] by typical poetic justice as 仰る?
For this, the works with which a feeling of mannerism drifts are a few exceptions, although there is no usually not much good impression.
Rather, I think that a feeling of mannerism is working to plus in the case of this work.
However, the direction of the picture it was ruined for a while from the clear picture regards a historical play of this sort as atmosphere having come out with it being individual.
Was [ have / a feeling of strain / the direction of the old series which the pro group of battles, such as a person of Yagyu's hand and a ninja of a southern barbarian, has attacked frequently how much although it is a formula in it and ] it interesting?
Evaluation presupposes "It is good." even so, this time -- replacing -- a vice merchant and a bad deputy official -- overflowing -- て ...
(Reality may also meet)

2007/06/25 Good [Original Japanese review]
by Meteo Provider: 40410 Host:40423 Browser: 3162
It is interesting to ?
mannerism past る's which will be why.
Finally, even if Mr.
Komon regards as a pillbox or ざす how many times in time etc., he does not 飽き bored.
He likes a theme song very.
Although it thought "ざ in a pillbox from the start at the time of a schoolchild", recently came and the merit of this mannerism was found.

2007/04/30 Comment(normal) [Original Japanese review]
by せんchan Provider: 25292 Host:25057 Browser: 5234
Now, new Mito Komon part IX (it is not the 37th part of Mito Komon positively) is seen.
the old player who gets a historical play although it is unavoidable by the flow at the time -- たち -- it will pass away and will not surely be as good as ancient times' Does it seem that the audience rating has fallen too?
it was the same as Doraemon in 2005, and was renewed from 2001 (it is not the 29th part but new Mito Komon part I!) -- it is -- since -- I want you to divide a thread henceforth it or before If 弥 7 of what and a windmill revives from the 11th time It is said that Takashi Naitou performs.

2007/04/17 Very good [Original Japanese review]
by ELT Provider: 18810 Host:18907 Browser: 6287
Is it famous for reality actually differing from a drama considerably -- It is sushi as not west said once in life from Kamakura -- Mr.
Komon Does he like the founder and Mr.
Komon of three generation!!
Since the number of my generations is the third, familiarity is in him!!
The founder could not be overemphasized!!
That is Mr.
Komon!!!
However, or [ that it is the 4th generation ] -- Beardless Mito Komon -- Has that kept away from Mito Komon since then which was not accepted honestly -- Although seen recently, is the talk complicated for a while unlike ancient times?
Touch that the trap of double and Mie is stretched -- Since it only punishes [ there are townspeople who are in trouble in ancient times etc., and ] the bad deputy official who is the cause and finishes -- Does 8 soldier 衛 like me carelessly with the main not three persons but silver, 飛猿, and 弥 7?
Silver is seen in what and is felt refreshed.
The scene of after and a bath is also interesting.
It is existence indispensable to this series any longer!!
飛猿 is looking and is smart.
弥 7 surprised by that 怪力 was charmed by that windmill!!
It was quite shocking when it passed away -- Is 8 soldier 衛 interesting rather than !!
which is looking and is softened somehow!!
Is still it??
it is the drama which can be enjoyed just because it is mannerism -- since ??
man is not killed indiscriminately, it can see fairly comfortably -- having

2007/04/17 Very good [Original Japanese review]
by Ringoman Provider: 14111 Host:14369 Browser: 5237
Whenever it may see, doing the same thing thinks it conversely good it.
(the same as anpanman) し [ ひっ and a らえる party are ordinarily smart in a bad fellow ].
I also regard not massacring an enemy as it being a good place.

2007/04/13 Good [Original Japanese review]
by 土筆 Provider: 51625 Host:51726 Browser: 6287
It is as one-track as there is a setup to come to thrust in involuntarily as there is historical knowledge just for a moment, so that it rots, and there is at an overstatement as the contents of the talk also replaced a place and characters.
[ no ] However, even if it sees the spectacle in which the bad deputy officials who were doing just as he likes [ terrible ] till then can display [ a pillbox ] and throw themselves at feet of the ground confusedly even if it is the deployment understood however, how many times, it is pleasant.
Man thinks that he is what feels the question for "honesty does not pay" not a little.
However, even if honesty has not paid in fact and it holds dissatisfaction in it, the present condition is also being unable to carry out what.
I think that what, it will be because the thing with much favorite one is saved in this work by the superman [ "honest person / who is looking at" 馬鹿 / last ] "Mr.
Komon" who bit though it says.
and -- in when the aim of this work makes it thought "if it makes a living honestly all the time also in us, it is surely rewarded" -- If it is especially elderly one, after life experience is also abundant, probably there is such [ naturally ] an irrational experience plentifully, therefore isn't it 惹かれる more strongly at this work?
Evaluation presupposes "It is good." Although it was anyhow good, it was very much surprised that there is the evaluation column of the game of this work.

2007/01/02 Comment(normal) [Original Japanese review]
by 宇宙刑事ジャンギャバン Provider: 33223 Host:33285 Browser: 7395
Somehow, seemingly, Mr.
照英 of 鬼若役 will leave the mound in the middle of the following series.
If it has appeared in Mito Komon, since it will be hard to appear on other works well.
Probably, it will not be wonderful even if he wants to try his possibility on the place which is different soon.
....
It becomes lonely.
Is the problem who the role of a ninja which will sit on his successor becomes?
Although it cannot think that there is a player who can show past 弥 7 and the presence more than 飛猿 ....
In a drama, it will be leaving the mound in what form.
I will want to pardon it, if dying って is made.

2006/12/18 Bad [Original Japanese review]
by Gunguniru Provider: 45196 Host:45303 Browser: 8936
It is not a level in mannerism etc.
even Mr.
" seems to be insanity, although the Mister who must be greater than a deputy official was doing the same opinion as Mr.
Komon in the front talk for a while better, if the tochi 狂った悪 deputy official was only merely beaten -- Tatsu and the start of boss putty which omit together, are, make a treason declaration cooly with !!", follow successfully, and are not minded -- る役人 and others ...
if it is for Mr.
Komon to already play an active part, whatever there may be, a bad deputy official will become great -- it is There is a limit also in a story and a history historical-investigation breakdown.
It is the year for which "the elder sister of a beauty form" is not in secret communication with Ms.
after Kaoru Yumi any longer...
It is although substitute actor 立てて is also soon regarded as not amusing.

2006/12/18 Normal [Original Japanese review]
by せんchan Provider: 25292 Host:25168 Browser: 5234
Mr.
森次 Akitsugu who has appeared by 藩士役 of .
which was the last round of new and Mito Komon part VIII (it is not the 36th part of Mito Komon positively!), or intermediary justice etc.
is the villain today...
(incidentally it was the one more famous for ultra seven about 40 years ago) Is the mind regarded as it increasing that the direction of such old roles of justice comes out by the villain abolished?
It will be because the players who do not get a historical play are increasing in number.

2006/07/06 Comment(bad) [Original Japanese review]
by 634 Provider: 20686 Host:20569 Browser: 5234
Truly, compared with an old work, mannerism-izing is serious, and when many people in Japan know Mitsukuni Tokugawa's true person image and such viewpoints are considered, there is already no intensity in 本作, and now, even if the drama is looking, it has been lost [ while fell and ] happily.
So much, probably the Japanese call is leaning on 本作 and, as if now, will feel still continuing as the birthmark "it tries to be this brand for the time being." It can be said that the background which 本作 follows is likely to be in sight about the portion that a thing called a historical play will be protected stubbornly.
However, it regarded that it is only as such talks as it being questionable, and, now, it is completed also in the series of that "must killing." The device [ historical play / of a new type style / other historical plays and ] ...
is not seen, either, but some could be said that only the fixed thing was regarded as there 創 being no bad peculiarity of the television station in Japan, and became strong / the impression to which it has begun from 本作 / now as usual.
this is not the problem restricted only to the Japanese call -- be alike and carry out -- the impression which has had influence with bad to the fan of many historical plays and people 本作 continuing at full length cannot be swept away, either, it thinks that the factor which advanced a thing called a historical play detached building is also in 本作, and producers are honesty and a question place about whether such situations are noticed Since the style and pattern nature without becoming better for the change of 本作 are [ be / it ] under continuation even if they result soon.
Supposing it thinks that it will not change to stepping toward one step with a new historical play of Japan if it is not the posture of the grade "脱 and Mito Komon" and 創れ becomes that only such types of historical play not found also as for producers, a historical play situation of Japan also has the image that there is likely to be no point.

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Game:Mito koumon

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