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Drama ranking: Rank 359/in 972 titles (Total 3.00/Deviation 49.28) Rank 358 <= => Rank 360
Drama ranking of 2004: Rank 12/in 43 titles Rank 11 <= => Rank 13

Rikon bengosi(Drama)

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Information about this title

Kumiko Tabuchi
Akira Inoue
Fuji Television
Yuki Amami Tetsuji Tamayama Mimura Kuranosuke Sasaki

Released:2004/04/15 in Japan End:2004/06/24 in Japan

Official sites
1. http://wwwz.fujitv.co.jp/sd/index.html (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	DramaRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Very good(1.50)	359	49.28	3.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	1,864	2	2
Outside Japan	166	0	0

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100%

Views for recent 8 days
Total 7 6 5 4 3 2 1 31
2 0 0 1 0 0 0 1 0

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Language	Sorted by date	Sorted by recommendation
English	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	None
Japanese	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	None

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2006/03/16 Good [Original Japanese review]
by Patapata Provider: 3491 Host:3393 Browser: 5237
I think that it is the rather interesting drama.
Yuuki Amami fairly likes it.
Wasn't the character of 惹かれますし and a divorce lawyer interesting to that performance, either?
Is the specific gravity of a humanity drama large as a genre of a story?
Since a title is a divorce lawyer anyway.
And comical production is also carried out to some places, and I also regard it as rather interesting.
Although the client who appears is driven into a corner how much and it was hard-pressed, had character failed in the selfish straight line and was it set as the character of not wanting to become acquainted even if it makes a mistake, too much, each time?
Although exaggeration was probably carried out since it was a drama, of course, it obtained and carried out and only atmosphere of making it thinking whether it is afflicted by an actual lawyer, that is, such clients had come out well.
Is merely it regrettable that slightly unnatural production was conspicuous?
It is quite obvious that the humanity drama portion is also aiming at "the tear receive." Conversely, although it may be that it will be said that it is so intelligible, and future deployment can be read, and it can view and listen in comfort if it says, is there any 興ざ meal ちゃう所 that it is too obvious just for a moment?
It is [ whether the staff of a lawyer's office is also able and incompetent, and ] also in reflect たり so that stupid imitation which fastens its head personally may be carried out by the opportunism of a story in short by the depiction which is not known well.
a comical portion is also so so -- although it is interesting, there is depiction which is said that a sense is slightly bad -- a seed You ran to too much candid laughter too much, and did performance also become exaggerated and had only the portion become a conte clearly?
A conte portion makes it perfect now [ 浮いちゃって ] from other drama portions, and it is a seed.
For laughter, it exaggerated-passed also over using CG purposely, and it carried out bad laver too much.
Was it a という impression?
It has pulled on the contrary just for a moment.
About taking laughter depending on wit joke, human relations, behavior and the reaction of conversation, how taking between, etc., still more, Japan looked at this drama and has the impression of being less than the United States.
If a "full house", "furenzu", etc.
have got it used to seeing a U.S.
comedy, a drama of Japan will truly have childish depiction of へん about there, and it will be reflected puerilely.
in order for laughter to make a program which is incorporated automatically in the flow of the story of a drama, without only the portion never floating, time is still slightly required for Japan -- it is

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