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Japan movie ranking: Rank 150/in 881 titles (Total 6.00/Deviation 52.09) Rank 149 <= => Rank 151
Japan movie ranking of 1963: Rank 3/in 8 titles Rank 2 <= => Rank 4

ATRAGON: THE FLYING SUPER SUB(Japan movie)

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Toho Ishiro Honda Tsuburaya Eiji Komatsuzaki Shigeru Akira Ifukube
Shinichi Sekizawa Sadamasa Arikawa
Tadao Takashima Koizumi Hiroshi Ken Uehara Jun Tazaki
Yu Fujiki Kenji Sahara Akihiko Hirata Hideyo Amamoto

Released:1963/12/22 in Japan

Statics of evaluation(The statics is updated once a day)

	Average	Japan movieRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Very good(1.50)	150	52.09	6.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	1,801	4	4
Outside Japan	153	0	0

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1 0 1 0 0 0 0 0 0

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2007/11/27 Good [Original Japanese review]
by Katoru Provider: 4749 Host:4768 Browser: 5234
Is it a specially wonderful battleship tale?
The deployment drawn in the talk is 神懸ってます.

2006/05/10 Good [Original Japanese review]
by 十傑集 Provider: 11009 Host:11078 Browser: 5234
The battle which smashes a muu empire although the parenthesis of 轟天号 is good too is the unsatisfying kana -- Most, having remained in the heart is the last scene which is desperate in its country where the queen who made it the prisoner of war is ruined, and returns to it.
loving the homeland to her -- understanding -- involuntarily -- intimately .
The statesman of top priority of his self-preservation is in a world with ごまん.
(Is it manifestation of the person-experienced-feelings in war of Showa 1 figure of wanting to return to a homeland if this neighborhood will be a defeated nation?)

2006/03/05 Very good [Original Japanese review]
by スペ9 Provider: 3926 Host:3985 Browser: 5623
The work of which it is complaining to the nationalism which can be said also by 祖 of a fictitious record-of-war thing.
The point of 本作 is collected to two.
It is the galley galley of a situation and muu which tickles the nationalism of a 轟天 Kenbu party.
That defeated nation Japan saves the world where 轟天号 which was being made hard throws away the original mind and saves the world is the Japanese military man who is not a victorious nation besides the United States.
This is also still a prohibited move a long time ago.
Another is muu (smile).
No, the よ espionage which is いーん, the agent who appear all at once in the skirt of a mountain, and the air-strikes scene of a refuge ship.
it can laugh at what -- cutting -- a promotion movie suddenly -- the close-up of "MU" -- a theater burst of laughter -- it is desperate The servility of delicate muu is imagined in English notation って点.
furthermore, the race of a promise -- each one of clothes muu A sight of Mr.
Akihiko Hirata or Mr.
Hideyo Amamoto is caught.
Regrettable one is the special-effects scene of 轟天号.
Although the speediness and the huge feeling of a start scene, 〓a〓and a landing-on-the-water scene, or a flight scene are Hideyasu, calling it only 冷線砲 the highlight of armaments That muu destruction is gori 押 of 冷線砲 gives a demerit mark just for a moment.
anyway -- while there is neta as a "promise" -- missing one's foot -- it is not In the word of digression 1: "when meta-rudaa was completed with 轟天号 and iron people, Japan did not lose war!", a nod of assent is given obediently.
digression 2: -- although it is this and "propagation activities", 本作 is skilled enough at a video clip "the Godzilla tradition" -- it can do -- ちゃ -- well .

2005/09/15 Very good [Original Japanese review]
by 634 Provider: 13637 Host:13441 Browser: 5234
If it is called the super mechanism whom Toho is proud of, it will be this submarine warship "轟天号" too.
the design of the drill of the steel which rises high a 伊号 submarine over a base at a battleship Yamato warship type and 艦首 is shibire る too I think that it was not able to do when this work did not exist in that "space warfare warship Yamato." An attack means usual to them lurking in the muu empire where the story has lengthened the hand of the evil spirit of invasion in the ground world, and deep sea is not effective at all, and destroys the world completely in the earthquake which muu causes.
Ultimate weapon " to which, as for what can attack the muu, the old Sea of Japan army built even free in profound secrecy; although it is called ......
only with submarine warship 轟天号", and 轟天号 gets the post of a super mechanism called the hope of the human-beings last from this first work, it becomes the existence of the hope of the last left behind to the human-beings side also by next "planet large war" and "Godzilla final uoozu." Also later, since the mechanic who is the Toho special-effects mechanism and was made into "of choice; of the " last is only 轟天号 also at the point, he understands what it is the existence in which this mechanism is full of charm.
although he will have it a feeling that it is very chachi if a special-effects side sees only on an old movie now (rotation of the 冷線砲 portion at the tip of a drill was manuke, and the planet version of this portion was especially better in design -- carrying out -- a motion -- naturally -- とは -- it can say and the planet version is better), 轟天号 which gets and marches on the Ifuku part march is just a man's warship The muu empire which it is frankly invaded, makes a queen ちゃって and a prisoner of war at a hostage, and is completely destroyed without 呆気 is also manuke, and although the neighborhood about there has the portion which a situation cannot carry out easily, this work is still the thrilling thing which shines with the history of Japanese special effects.
It is not forgotten that was [ the figure which is going to die from its country side where the queen of muu which was the heel of the last scene burns vigorously ] also nobly sad as for the peach.
Although 轟天号 appeared in various forms also after that, this submarine warship version is first too.
Probably, there are many men that the 旧轟天号 of 轟天号 of "GFW" which fought with Godzilla at opening is also better.
Submarine warship 轟天号 is just an immortal mechanism's symbol, since the miniature in which the old work remained with this work was also applied.

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