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Japan movie ranking: Rank 248/in 893 titles (Total 3.00/Deviation 50.05) Rank 247 <= => Rank 249
Japan movie ranking of 2002: Rank 7/in 36 titles Rank 6 <= => Rank 8

Amidadou Dayori(Japan movie)


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Information about this title

Toho ASMIK ACE
Takashi Koizumi
Takashi Kako
Akira Terao Kanako Higuchi Takahiro Tamura Kyoko Kagawa
Hisashi Igawa Hidetaka Yoshioka Manami Konishi
Kitabayashitanie

Released:2002/10/05 in Japan
Statics of evaluation(The statics is updated once a day)
 AverageJapan movieRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanVery good(1.50)24850.053.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan1,08522
Outside Japan21600

How others evaluated in Japan

BestVery GoodGoodNormalBadVery BadWorst
People0110000
Percentage0.0%50.0%50.0%0.0%0.0%0.0%0.0%
Added percentage0%50%100%100%100%100%100%
Summary100%0%0%
                                                                                                    

Views for recent 8 days
Total2928272625242322
1
1
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2007/02/06 Good [Original Japanese review]
by Takapii Provider: 4540 Host:4496 Browser: 5234
Ryosaku who had drawn without dramatization and exaggerated-ization living a quiet deep life of people of a place between mountains.
The ordinary life of the ordinary people which love as an important thing day as what has one valuable day per, and are carefully useful.
Although it was an old expression, himself who lives in a concrete jungle looked at and considered the mirror intently in fortunate one.
There is no showy VFX processing, and the mighty enemy who shakes the world does not exist in this movie.
I think that it is what the scene which can be called a certain meaning and climax does not have, either.
However, the mountain projected into the screen of a movie theater, woods, clouds, a river, empty, and its people that are embraced automatically and live lived, and the heart was moved like.
Gradually just like a tear, the spectacle sinks in into the heart.
When a movie finishes.
The female doctor charged with the panic syndrome regained her way, and the girl who cannot utter voice floated the smiling face, and the teacher of terminal cancer fulfilled raw [ the ].
And in addition, a mountain is still continuing watching people.

2005/08/28 Very good [Original Japanese review]
by Tao Provider: 56180 Host:56168 Browser: 5832
It was good although it was a simple work.
A change of the four seasons, performance which veteran actors did gently.
The way made a living forcibly firmly was appearing well, having been concerned and suiting nature and a man.
North Hayashidani glory buried, and how for Mr.
婆 to wave with the severity of the old man who has lived the moon honestly in what year, and have the heart [ like ] which is not was expressed, and was wonderful performance.
Rather than performance, just she buried and the impression of Mr.
[ 婆 / itself ] was received.
Mr.
Kota of Takahiro Tamura 演じる movie original is one right course's which is well-informed also about the heart and Bushido soul of zen, and the Japanese boy who broke.
The indicator was shown to the hero whose severity shown occasionally wavers into performance in character with Tamura which carried out that it was faltering.
the Terao 聰、 which plays a hero -- needless to say, Kanako Higuchi and others who plays the wife was nice Terao was playing nonchalantly the hero (writer) who is gently anxious about a wife's thing while melting into the life of a village which it lived たんたん.
Holding the illness of the heart, it was faced and Higuchi was playing calmly the manly and beautiful wife (doctor) who presupposes that it follows steadily step by step.
(A long time looked at Kanako Higuchi on the movie.) It was glad.
it is Amitabha hall -- it is a familiar passage that they are two persons by whom the character of original author Yoshiji Namiki who two caused heroes are doctors and is a writer was divided and projected on two In Yoshiji Namiki's writing, the work which I read for the first time is "rather than it is Amitabha hall", and the most favorite novel in his work is also rather than [ this / "rather than it is Amitabha hall" ].
I am the movie which has such meaning as for intensity, and feel that it is also my latest starting point for an original novel.
Director Koizumi takes in well the outlook on nature which Japanese people have, and he thinks that he collected very finely.
There is "雪月風花" in this movie.
(Unnecessary addition) About the encounter with me and a "rather than [ it is Amitabha hall ]" original While patrolling the paperback corner in the bookstore (the bookstore is surely patrolled once per week even if there is no guide, since it is a bookstore lover), when passing the Fumiharu library front, a thing like a look was felt some, that one was turned to, and this book and an "eye" suited.
It was touch that the eye just suited.
(Also by chance, it was 2 or 3 weeks before movie public presentation.) It had taken in its hand, since it seemed to be interesting, it purchased (Mr.
Yoshiji Namiki's name was not known carrying out in 恥ず at this time), and it read at a stretch.
It was good.
About people's life and death, there was a writer who is gazing straightly by the eye gentle to severely.
Henceforth, their eyes will be now turned to なが pure literature at the same time the writing which is devoted to the Namiki work and can be purchased comes to hand.

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