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Japan movie ranking: Rank 142/in 924 titles (Total 7.02/Deviation 52.80) Rank 141 <= => Rank 143
Japan movie ranking of 2006: Rank 15/in 94 titles Rank 14 <= => Rank 16

Busi no itibu(Japan movie)

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Information about this title

Youji Yamada
SHUHEI FUJISAWA
Emiko Hiramatsu
Tomitaisao
Shochiku Asahi Broadcasting Corporation(ABC-TV) TV Asahi
Takuya Kimura
REI DAN
Takashi Sasano
Nenji Kobayashi
Kouen Kondo

[Detail]

Nobuto Okamoto
Hidaritokie
Sasuo Daichi
Ken Ogata
Kaori Momoi
Mitsugoro Bando

Released:2006/12/01 in Japan

Official sites
1. http://www.ichibun.jp/ (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	Japan movieRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(1.17)	142	52.80	7.02

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	4,631	6	6
Outside Japan	140	0	0

How others evaluated in Japan

Best

Very Good

Good

Normal

Bad

Very Bad

Worst

People

Percentage

16.7%

33.3%

0.0%

Added percentage

16.7%

33.4%

66.7%

100%

Summary

66.7%

33.3%

Views for recent 8 days
Total 12 11 10 9 8 7 6 5
5 0 1 1 0 2 1 0 0

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/06/12 Best! [Original Japanese review]
by かい2005 Provider: 4580 Host:4635 Browser: 5234
Although it was the work which saw and worried about like since the leading role of a samurai movie called it Mr.
Takuya Kimura, when DVD was borrowed and it passed over 10 minutes with saw at the time, it was nailing to the last [ from ].
Director Yamada's work is really interesting too.
A story is also perfectly good, and Mr.
Takashi Sasano's performance was not emphasizing Mr.
Takuya Kimura's performance rather than anything until it wrote!
It is impressive that was really wonderful.
Mr.
Nenji Kobayashi's performance 少 - Carried out, and although Mr.
檀れい began to be beautiful and performance was also regarded as skillful い, the image differed from that kusa かった's was regrettable for a while.
Since it is the warm work seen in comfort "highest!
I will make it ".

2008/05/28 Very good [Original Japanese review]
by 目〜日津字 Provider: 7948 Host:7886 Browser: 8090
It was interesting although it saw since it was doing on television.
Although a guess is possible also from the title of "1 minute of a samurai", it is a movie simple on the whole.
But it is an attractive work from the beginning to the last.
Though a natural atmosphere which cut off the scenery of a life of a junior samurai is brewed, it is collected as a movie and there is neither also 飽きing bored nor a place which thinks is useless.
the Yoji Yamada 監督って -- is it uncanny?
The last is also by no means showy.
It still comes with Jean.
Moreover, Mr.
Takuya Kimura of starring is taking out the Takuya Kimura aura with a usual thing.
However, the aura does not break a work with a usual thing, and charm is given rather.
Touch which is not performing as a player and exists as characters.
Such feeling is felt whenever it sees Mr.
Kimura's performance work.
Since television was recorded on videotape, the broadcast day was put in and it improved 4 times in two days.
It is as interesting as it.

2008/03/25 Normal [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 4184
The 3rd cartridge of a formal historical play of a Shuhei Fujisawa original.
Also often and bad, it is Takuya Kimura.
the junior samurai of 30 stones -- a han -- although he is performing Mimura new 之丞 of the main roles of tasting -- the intonation of a dialect -- it is -- the strength of the bitter taste as kimutaku is not felt for theatrical elocution が and its presence -- infallible -- Takuya Kimura -- it is the man and there is presence required for such snug works It is regrettable that it and a symmetrical target do not have impact though performance is in 檀れい well.
a tale is simple -- it is clear and is the safe deployment which is not pleasantly or idly As a supervisor's expert workmanship, light joke, warm humanity, straight passion, and the breaking justice that is not things are assembled with sufficient balance.
There are no comparatively big lenience and severity which are using time in plenty, and it has become the work which can be regarded as a small painting rather than the great work.

2007/10/15 Good [Original Japanese review]
by Jupitaachan Provider: 8594 Host:8389 Browser: 4184
the flow of the talk is very slow -- it felt, and it came out and nothing was cared Merely, having fought was not showy, and since there was not necessarily acceleration, it was felt very simple.
New 之丞 which is a hero will become blind in the poison of a grain shellfish, while having dissatisfaction in work of the role of tasting, though it is a samurai.
It decides to live by strong encouragement of 加世 to new 之丞 realized as there being no value of an eye disappearing and living.
Strength of 加世 the love to new 之丞 of 加世 and own was able to be seen.
Remembering that Shimada was told "Call on me", if there is a trouble, 加世 goes to go to his origin and to ask security of the body of new 之丞.
When Shimada was seen first, I thought that it was suspicious.
It is because it can be made a yes-man if Shimada can think that he liked the thing of 加世 and grasps a weak point once, as long as 加世 and conversation are being heard.
The pride of new 之丞 that 加世 does not want to carry out to an infidelity act and to receive 家禄 divorces from it and drives out 加世.
Although it thought that there were those who doubt why it carries out [ why ] severe treatment to having stretched the body in not believing the thing of 加世たり for the husband, I thought that this was 1 minute of a samurai.
Since it was the time of dying if a time background may be different and it may be ashamed as a samurai, now, it was appropriate.
Then, in order that Shimada may play with 加世, the fact of having only pretended to have asked that 家禄 can be got is known.
Then, new 之丞 decides to cut Shimada, visits Kibe who is a teacher, and strives for practice of a sword.
Then, an enemy is taught not coming, if it fights with a just means, and challenges the duel with Shimada.
Although it is surprised at new 之丞 which carries out above fifty-fifty fighting to the ability of an eye not to be seen, it goes up to a roof and it is going to cut from back, it is made reading-it profit being killed by it on whom it have been seeking revenge.
intense -- since it does not strike and 合い was not necessarily carried out, it was very simple fighting Although 加世 finally returned, when Tokuhira said, "The new cooking-rice woman was employed", it turns out that it is 加世.
I thought whether having come back by what circumstances would have having known that Shimada probably deceived or having died and having returned, although not drawn.
Mr.
Takuya Kimura who was playing the samurai who cannot see thinks that he was good.
Since it is not unnatural and is not unnatural.
Though it was simple the back, I thought that he could not forget existence of the virtue soldier supporting him, either.

2007/10/11 Good [Original Japanese review]
by TCC Provider: 27944 Host:28132 Browser: 4184
Although it became the center of attention because that kimutaku plays one person's so-called samurai .........
[A good point] - A hero's character Although how to talk is the role of tasting which remained in the impression a country valve (although not known well expedient of hometown and Yamagata of reason Shuhei Fujisawa) a life of himself who became blind although it is different in fact sake -- a Mister -- having asked like -- a lie -- the figure in which the superior official who made deep て妻 hand sesame was challenged to the duel with the blind body, and the purity with the intention of committing hara-kiri supposing it is disclosed were figures suitable for commenting it as "a true samurai" truly Though the point could be being read, a feeling of tension was felt for signs that a duel is fought with the body which carried the handicap on the back.
And since the last became notice darkness, although a himself will be recuperated again, with no reproof having, the last which the cooking-rice woman has noticed by the taste of a meal is 加世 was also tasted, and there was a deep thing.
On the other hand, this superior official was a superior official who is likely to be present even in a company of what in present-day Japan, and, to be sure, he who chiku る事 did not act as the partner at whom it slashed, either, but committed hara-kiri silently also had "1 minute of a samurai." - kimutaku is also it.
and how for the moon cost under care of health to be extended by kimutaku which will play such a hero and riaru っぽくて思わず laughter -- although it became right [ that ], as it is, performance thinks だった It was not thought especially that it was unsightly.
around, the Ogata fist who was the position sword-fight-etc.-taught to the hero is a good taste -- I think that it was carrying out [A bad point] There is nothing especially.
[Comprehensive evaluation] the thing whose "kimutaku is a hero before seeing a work -- what -- don't buy .....
as honest as " -- although expectation had seldom been carried out, it was interesting rather than it considered, when actually looking at Prejudice may be nonsense one too.
Although it thinks that the true value of a Shuhei Fujisawa work is "drawing history from a lower position" and thinks that the Ryotaro Shiba work is symmetrical, I think that the true value had come out well also by 本作.
Evaluation is "good."

2007/08/01 Normal [Original Japanese review]
by Nebusokunotaka Provider: 16572 Host:16324 Browser: 5234
the [ of the historical play trilogy of Director Yoji Yamada following "dusk 清兵衛" and "a hidden sword demon's nail" ] -- saying [ becoming simple compared with other works, although it is eye three ] -- the 1st impression no, although there was no production with other two works showy from the first, though it still progressed indifferently, when it could not look aside, there was a wonderful charm (I do not have the literary talent who expresses it to a text -- く -- carrying out -- it is) However, time until there is no it in 今作 and the infidelity of 加世 is revealed is awfully long, and has felt it tedious.
Although I was sorry since it was that out of which said to it as what or these comment also came compared with two works, after finishing seeing, it was not felt "I was and the potato had you show." It is regrettable.
For example, although notice was given to the last of a tale by a " demon's nail " by "a hidden sword demon's nail" when evil principles could not be allowed though the command of a head was followed as a samurai, the thing which feels a gap and to which can be convinced was felt from how to draw a hero until it results there, and it seemed to pull out the charm of a tale with the hero.
However, in 今作, I can regard it as there being nothing.
if a story is summarized -- han -- Mimura who is the main roles of tasting will become blind with the poison of a certain day and a shellfish although it lapses into despair by having become blind or the thing of a life of future, a wife's 加世 is self-sacrificing somehow -- supporting -- it was living However, the infidelity of a certain day and 加世 will be got to know.
if I will stand a life somehow -- a han -- in order to have 口ぞえ mainly carried out, it had its body in Shimada which is a han clerk When 30 stones did not need to be lost, was it in high spirits?
口ぞえ of the man to whom "himself was making the wife eye 手篭 in Mimura who knew it -- at most -- 加世 is driven out as " However, after that, 藩主 told Mimura's assistance with its intention, and Shimada had not carried out 口ぞえ etc.
For one's "1 minute of a samurai", Mimura who cannot allow Shimada which deceived 加世 and was being made eye 手篭 challenges Shimada to a duel, though it is the blind body -- It is the touch to say.
I have a feeling that the portion of facing evil principles human being as a samurai was seldom the deployment which feels charm since it was looking at the time of "a hidden sword demon's nail" even if it obtained, and it carried out and there were ~ ん, and the honesty and the difference [ "give / notice" ] of "challenging though a handicap is carried on the back" which does not necessarily have unexpected deployment, when too collected into the text It will be because it has thought that it is inferior in 今作 after all since the cause by which I have felt this work as "plainness" had the good result of the work which saw, comparing since other trilogies were the same works, and has come out previously.
Although possibly Director Yamada probably drew and extorted the subject matter " samurai ", from the angle which is different with three works and a difference is in the portion of character with the fine hero of all works despite a 結 office, since it thinks that the charm which is visible to the same person and is visible from there is in the same portion, in a big portion, a work will also be visible to the same thing.
Is it that weariness has come by the cause -- (Although it is all interesting 3 部作 supposing I recommend to people, I think that all become the form where only any one is recommended without recommending.) the cause which felt it as plainness and has 飽きed bored even if there is that [ no ] which it thinks too "is bad" through the whole movie, although the cooking-rice woman by whom Mimura came newly notices that it is 加世 and the happy end -- likes her only by finally eating a meal and simmered dishes -- it is -- "-- it will usually be restored to "

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