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Japan movie ranking: Rank 532/in 883 titles (Total 0.00/Deviation 47.96) Rank 531 <= => Rank 533
Japan movie ranking of 1982: Rank 5/in 6 titles Rank 4 <= => Rank 6

Dotonbori River(Japan movie)


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Information about this title

Kinji Fukasaku Teru MIYAMOTO Nogamitatsuo Wakakusakei
Keiko Matsuzaka Hiroyuki Sanada Tsutomu Yamazaki Mariko Kaga Kouichi Sato Akira Emoto Akira Nagoya Hideji Ootaki Tsunehiko Watase
Ryuji Katagiri Rei Okamoto Hamamurajyun Abetoru

Released:1982/06/12 in Japan
Statics of evaluation(The statics is updated once a day)
 AverageJapan movieRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanGood(0.00)53247.960.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan19711
Outside Japan2800

How others evaluated in Japan

BestVery GoodGoodNormalBadVery BadWorst
People0001000
Percentage0.0%0.0%0.0%100.0%0.0%0.0%0.0%
Added percentage0%0%0%100%100%100%100%
Summary0%100.0%0%
                                                                                                    

Views for recent 8 days
Total2120191817161514
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/07/03 Normal [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 4184
Cinematization of the Teru Miyamoto original novel.
A tale waits for 道頓 Horikawa of Osaka on the stage, and is drawn focusing on the love tale of a child (Keiko Matsuzaka) and Kunihiko (Hiroyuki Sanada) focusing on suffering of each men, such as discord of Takeuchi (Tsutomu Yamazaki) and its son Masao (Kouichi Satou).
There is almost no original atmosphere and the air and dramatization peculiar to Director Fukasaku to do and which are not せ have shone.
The tale is collected and is making the good feeling of strain as entertainment maintain in many scenes, such as billiards confrontation of the Takeuchi parent and child, on the whole.
And although it is a climax used as the pros and cons, if it is never felt that deployment elapses abruptly and that the necessity that Kunihiko is involved in trouble is not felt as he only wanted to only make it sadness 漂わせる ending forcibly, but they carry out from an appreciation person on a point too, being taken at 呆気 is stronger.
Although it continues waiting for Kunihiko, it waits for him and a child's picture has sadness very much, the effect is surely reduced by half.

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