[Japan movie]GODZILLA:THE KING OF MONSTERS
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| Information about this title Toho Ishiro Honda TOMOYUKITANAKA Akira Ifukube Tsuburaya Eiji HARUO NAKAJIMA | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Japan Released:1954/11/03(Wed) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 2009/06/30 Very Good [Edit/Delete/Suggest to delete/Show only this review or post sympathy comment/(Everyone can)] by L(&"_"&) (Send message) Review history[Good:31(84%) Normal:2(5%) Bad:4(11%)] / Provider: 22411 Host:22644 Browser: 3414 I think the key phrase "THE KING OF MONSTERS" represents Godzilla well. We cannot miss this to know "Kaiju" world in Japanese SF.
by SWAN (Send message) Review history / Provider: 19596 Host:19752 Browser: 10706 There is also no antechiize to a hydrogen bomb like this. The appearance to which Godzilla walks with ｃｃ and devastates Tokyo is regret called the reward over pain by which only the feeling of despair which comrades which runs about trying to escape and is reflected in people's frightened eye does not have, either instead of dynamism like the Heisei series or force is gloomy, and is completely confined in the gas chamber, a powerless feeling, and the thing which man did for it but.. It serves as darkness which comrades does not have, either, and all covers. This man is (ing) [ also declining only that firmly so that Dr. Serizawa may not let it use a okishijien destroyer by any means ] the mound for science truly for man. Only for the reason, it has inquired. The touch to say has been transmitted in vivid performance. 2009/10/30 Worst [Original Japanese review] by (Send message) Review history / Provider: 4788 Host:4858 Browser: 8573 [Bad point] Godzilla. it is pakuri of King Kong -- Godzilla hardly appears in the second half, but it is disclosed and disclosed that people enter into the panic movie which each time people make noise and shout, and it lacks in ww force that Godzilla always appears [ which w is hard to see ] [Comprehensive evaluation] It is 2 2 育育. 2009/10/28 Best [Original Japanese review] by (Send message) Review history / Provider: 30854 Host:30599 Browser: 4467 It is made the first work of the memorable Godzilla series, and is the originator-work of a Japanese special-effects work. Although it is the work of the oldest category as a monster film of Japan, the completeness has extracted the group. They are the story by which introduction development turn and conclusion became brave, the special-effects image which that it is black and white also helps and is powerful, and that music famous also to remainder. The simple Honda production is the same as that of a next work, and people with whom Godzilla trifles are drawn comparatively indifferently. Depiction of the disaster (contamination) person who became a taboo in the middle of 羂吾 after this is also there, and it claims that this work is an anti-war antinuclear movie. Probably, two persons, beam Shimura and Akihiko Hirata, are already large about a cast. If this enthusiastic performance of two persons does not exist, I will think that it probably did not become a masterpiece like this. On the other hand, though special effects also impress trial and error, the completeness which cannot think a first challenge is shown. Only at the miniature work, there is nothing and the crowd scene which used composition abundantly is also greatly directing the force and the feeling of strain of this movie. The depiction which is not too seen easily with a next work, such as a scene where radioactivity is directly vomited almost by especially the crowd, and a scene which the leg of Godzilla passes through the back and goes immediately after people who escape being last-minute from the course of Godzilla, and running into the alley of screen this side, is the features of this work. That is, the existence of Godzilla is drawn as direct human being's threat as the nuclear bombs itself as an animal. Although it thinks that pursuit of a reality is mentioned as a feature of initial Tsuburaya special effects, it directs the wonder of Godzilla, and fear in this work. About music, it is the theme of that famous opening and common-name Godzilla too. Although this music is not necessarily liked individually in fact, it will be exciting too. although that will probably be right and this will be because [ having shaken the footstep and the sign of at the score of this music ] the Ifuku part was greatly concerned also with making a sound effect in this work, the marks of trial should also visit such a place -- 障 Music is deeply concerned also with the tale and makes Dr. Serizawa who shakes to suffering determine use of a okishijien destroyer in the end in this work. And the moment of death of the use to Godzilla (is there other "any sound effect" which sounds in the heart this much?) A breast is pressed for it whenever the flow to Dr. Yamane's murmur sees. Although consented to a Toho special-effects fan's prejudice, this movie thinks that it is a masterpiece with high completeness. 2009/08/15 Best [Original Japanese review] by Makuteianan (Send message) Review history / Provider: 50532 Host:50613 Browser: 6034 "Monster king Godzilla which Japan induced" When about ten years had passed since the end of the war and "It is not the postwar period any longer" was said, Godzilla appeared to Japan. "Large monster Godzilla of fear which lived 1 million years ago. The H-bomb test cut the anger of a large monster which sleeps to the Pacific Ocean at last. Godzilla landed at Tokyo, having sprinkled radioactivity and vomiting a scorching flame (preliminary announcement section)." Those who do not know by Japanese people are the large monsters "Godzilla" which probably are not. The first memorable work is this work. The monster film liked me from before and the "Heisei gamera series", the "Showa gamera" before he is born, the "Heisei Godzilla series" of several works, etc. were seen. However, one was not looking at "Godzilla" of the time of Showa. And all the Godzilla 篏 are seen put on a local video rental shop at a certain time, and it came to admire this-work (moreover wholly VHS) article (the first work was lost although he wanted to see "fighting without humanity and justice" in fact.). Probably, a tape will become useless. A VHS group is hard... Although it would be called those for children, and it would be called the B film, "monster king Godzilla" was the top star of a Japanese movie. me -- that unfavorable criticism -- I regard the high "Godzilla pair space gojira" as it being a masterpiece Godzilla only comes out and I feel that a screen becomes tight. If it is called the parenthesis merit of Godzilla which appeared by the "Godzilla pair biorante" from the volcano crater, it is nondescribable to language. Even if it eliminated light and was returned, it did not lose in Godzilla. Is that the existence was a threat most the first work? An sign of having received the damage is not shown like next Godzilla, either. Although the monster in which this work grew large with the nuclear test like an "octopus" and "the monster of a hydrogen bomb and deep sea" regarded me as it being the movie around which it riots and turns, was Godzilla itself the victim in practice? In the large monster which Pacific submarine environment was destroyed, lived and lost , victim Godzilla "landed at Tokyo at last" sprinkles radioactivity from the body. Radioactivity is detected also from the children of the marks along which the large monster passed. The existence itself is just an atomic bomb. however, the further threat "a okishijien destroyer" -- Godzilla -- the seabed -- it is deeply buried with Dr. Serizawa who has invented the "arms" of this wonder also follows it. The lifeline pulled from onboard was severed by his own hand. "Godzilla --- Hiroshi Serizawa" -- are no less than these two persons one of the victims by nuclear bombs? Professor Shimura 羲 Yamane's words "that Godzilla does not seem to be the last one animal at all. Supposing an H-bomb test is conducted continuously, it may appear in somewhere in worlds again as this Godzilla." A contamination country and Japan only in the world. It is exposed to the anger and sadness at the back, and destructive God Godzilla is also continuing sleeping to the large Pacific Ocean today. 2009/02/27 Very Good [Original Japanese review] by Da (Send message) Review history / Provider: 8858 Host:8682 Browser: 7710 It is just the first great work. the contents which cannot but feel a portion with the too somewhat coarse story itself -- be I feel that it has finished, while thinking . Although he likes Godzilla of Tokyo landing individually, it is uncanny to have manufactured this but in the 1950s! 2009/02/26 Good [Original Japanese review] by 羹篌鎁純 (Send message) Review history / Provider: 13152 Host:13154 Browser: 7359 The first work of what ten years and the continuing Godzilla series. It is the story of serious structure rather than entertainment like the Showa Godzilla series. Since arms like a complicated setup like the Heisei Godzilla series or a supermarket X3 which carried out the reality detached building do not appear, either, he likes this one. Evaluation is "good." 2009/01/05 Very Good [Original Japanese review] by や撮膠潟 (Send message) Review history / Provider: 32265 Host:32131 Browser: 7087 Probably it is the monster film which shines with a in history with , and there are also few people who do not know the name of Godzilla. it is not an overstatement even if it calls it what changed the history of an image -- carry out and the strength of the influence should hear even at future generations -- 障 Now, this work turns into a work of 55 years ago this and that. In 1954 (Showa 29), ten years do not pass yet after the war, but the time when memory of the Pacific War is probably valid in people will come. And there was an incident in which Japan which is also the only contamination country was contaminated by this time, and the fifth 胼霱筝 was contaminated with the hydrogen bomb. Godzilla of this work is the existence of end 茖 of the huge reptiles of the Jurassic period - the Cretaceous contaminated to the hydrogen bomb as called the "hydrogen bomb large monster." It will be exhausted at the point of since it is an anti thesis in the society of those days that "Godzilla" gave a shock big those days. Following 綛 to which this work was opened, and "it was not the postwar period any longer" were written to the economic white paper. However, it is thought that it is claimed "it has not finished yet after the war" from this work. The background that Godzilla of having ended with the hydrogen bomb and having lost appeared, Godzilla which made Tokyo the burned field, and Dr. Serizawa who have developed the okishijien destroyer with the fear on a par with a hydrogen bomb .... These are also the opposite elements of the figure of Japan which everybody "a negative inheritance" produces and goes to revival. First, you have to consider Godzilla. It is contaminated, and although polluted, the Japanese who knows hiroshima Naga Saki and the fifth 胼霱筝 keenly realizes the tragic state. It seems that Godzilla is the existence which will be scarcity value for a nature from the first, and it is "a hydrogen bomb being taken even in the balance of a nature" since [ that the damage of a hydrogen bomb solved the seal ] it considers as the legendary thing although it existed, and whether to claim simultaneously on the Oto island. And it was also "anger of God" simultaneously. Was it visible as if it was predicting the natural disaster under the influence of the global warming of these days? thus, this work is not only destroyed through Godzilla as the word "retribution", but how it is what is drawn from the ekorojikaru position should hear -- 障 . The words of the last in Dr. Yamane's appearance in the work think that it was proved most (although the reason of a sequel also hears depending on how to be heard). Next, is the most impressive person Dr. Serizawa with this work? Although Dr. Serizawa had 泣(ed) a fearful thing called a okishijien destroyer, this feared "being abused." As for this, history proves it. Although research of Nobel or Einstein did not become arms essentially, since the technology was used for the time of war as arms also at the misfortune and the miserable result has been caused .... Probably, Dr. Serizawa feared such a result. However, use of a okishijien destroyer is decided by the tragic state of Godzilla, and Ogata's persuasion. In order to protect the life lost in the present progressive form, after erasing proof, the power was used at the sacrifice of its life. Even by having made one's life exchange, Dr. Serizawa who risked his life for back thought that he was a strong brave and volitional person. Finally it is about a composition element. Although it is about Mr. Eiji Tsuburaya's special effects first, it is so elaborate that it does not seem to be a thing of 50 years ago. although the scene where the building collapses is called miniature, or it has broken the actual thing -- like . Moreover, it is said that the scene where a steel tower is melted by the radioactivity flame is melted by the hot wind, and expressed the scene using the steel tower which used wheat-gluten figures. Was it surprised when this gimmick was known at first? Had a device and care shone? Mr. Ifuku 's music also remains in an ear. Was it good? devising the sound to which contrabass creaked to the cry of Godzilla, although the interview is carried by DVD -- etc. -- "the direction which made the image of Godzilla" is too realized from an anecdote etc. -- a seed Although it is a general comment, I do to "Being very good." the "antinuclear" message nature which increased dignity just because it was a defeated nation, and the social trend at the time of televising -- a color -- if the field of the special-effects technology which meant and was excellent which fights against a feeling of fear that Godzilla violates after copying deeply, and a disaster is seen objective, it will just be able to be called a "masterpiece" However, message nature cannot be felt deep, unless the occurrence of the time is felt with the skin, even if it can know the occurrence in 1954 only by reference. Therefore, it becomes this evaluation. Supposing I am seeing this movie at the time in 1954 "highest! Was " attached? However, if it is the fan of a monster film, it is worthy of seeing this work. [ a Japanese monster cannot tell this nothing ]. 2009/01/02 Very Good [Original Japanese review] by 吾ｃ潟若Q (Send message) Review history / Provider: 25881 Host:26185 Browser: 8455 This was seen at the audiovisual room of a library. honesty "founder gojira ｃ -- what -- it was fearful (Sweat) It was surprised with ". [A good point] Crime of the human beings whom the H-bomb test bore "Godzilla" ..... The opinion of those who deny "Godzilla of justice" in the second half of Showa looked at this, and has understood at last. It is already a disaster victim (victim.). It was 鎘 et al. who survived in war. actually -- this fear -- monochrome movie ｃ篋 -- a spur -- starting -- . [A bad point] Although it pushed down and the conclusion was thought once, is it revival in "a counterattack of Godzilla" (sweat)? [Comprehensive evaluation] Are the MAD doctors who say like this alike, and does Mr. Hirata suit from Dr. Iwamoto? Mr. K of a "lei bow man" -- he also likes something monster film ｃ -- a core -- I think that a critical meaning is strong Since there was also a theme just, it is "very good." 2009/01/01 Favorite comment [Original Japanese review] by 634 (Send message) Review history / Provider: 11146 Host:11228 Browser: 6342 It is natural that it may see by Class B monster film for some men. because, even if the setup of ridosaurusu of the original "primitive monster present " of this itself was used not only for Godzilla but for the Hollywood version, the nuclear trace was erased when exported, and it moreover made it this work, in the preparation draft, it may have become large dako instead of evolution of a dinosaur -- therefore . Even if 泣 is infallible and it makes it reason Ifuku , a composer, by free and war experience persons, there is experience contaminated by nuclear development of Japan during the war, and since memory of 泣 war by such war experience persons is a fresh movie That that by which the deep-seated grudge was constructed and made natural God, such as a storm against which war and Japan rage, by the existence of the experience since it was born is a monster of one animal called Godzilla Since it was born to such curses and natural faith of a natural disaster by thing called war, it is also very natural that it is reduced to a mere huge living thing, and lay eggs in large quantities, and jira accompanied by a feeling of dislike is 腟篏, and "Tuna 蕋ｃ is useless" is said even if there is an image called a nuclear victim. That the image which changes with work views also comes out, and the image of the ally of the justice which fights with a bad monster being held since it is Godzilla, or being used for mere subject may also be a character called Godzilla, therefore the fate (it is not the problem restricted to Godzilla) which is not avoided between such a generations. Because it is carrying out that Godzilla is produced by war or the core also in Hollywood for extracting. 2009/01/01 Normal [Original Japanese review] by Okyan (Send message) Review history / Provider: 14047 Host:13885 Browser: 6391 The memorable monochrome movie of the 1st work which produced a large number of the global top stars "Godzilla." It was made in the golden age of a Japanese movie, and large-hit. [ and ... ] -- Godzilla is liked It also has many the models and figure skatings which were seen, so that LD which also read various related books also wore out. A child's time "height of Godzilla. Immediately after " is heard, it is answered as "54m." Because, it is since it was born for 19 (54) years. "When and 2000 come, it is 100m kana. It thought in " or the true sword. The height of Godzilla becomes high rapidly by such touch (it has united with the high-rise building thing of those days in practice). Although it was the ultra monster heyday as a child, existence of Godzilla was special too. There is also sofubi of those days. [ ... ] -- if it evaluates calmly as a movie and an image work purely, "Godzilla" will be only one of the mediocre amusement fear movies Although it is the super-first class as entertainment, it is Class B 紲ｆ absurd as a movie. "The large offensive and defensive battle of hydrogen bomb large monster Godzilla Godzilla, science arms, wonder, and a shiver! 翫 of the large monster which vomits radioactivity is ! which drove the Japanese whole country in the boss bottom of fear. " This is the catchphrase of the poster of a movie of those days. the pattern of a poster -- Dr. Serizawa -- horror 帥 -- how -- 帥 is also a fear movie It is not a thing to the extent that it extols with the template of Class B fear movie which suited the contents and deployment by then. Although treated by media, such as a newspaper of those days, as "getemono", it is not wrong even if it considers now. Even if it actually asks saw people a situation of those days for this movie at a theater "Godzilla. It is kimono. There are few people who recommend specially the movie [ say /, "there were many movies good for others" ] this "Godzilla." This time actually had many Japanese movies wonderful otherwise. a movie of those days -- the golden age, TV which was just able to be done -- it should also reach -- there was nothing and the movie was the king of public amusement Now, it is the time when as many movies as become [ a comparison / it ] were made. If it is not the contents which an adult can also see, since it will not succeed as a movie, naturally this "Godzilla" is making the drama which the adult's also used as the target. Mr. Tomoyuki producer and Tanaka of Toho which is the real parent of Godzilla told about movie work. "it is more nearly direct to think that a spectator is interesting. it is not reason Never mind and "Godzilla" are the entertaining movie works without reason with which, as for evaluation, 障 with language called " was successful also in [ those days ] performance in "getemono." [, i.e., ..., -- ] -- it large-hit those days because timely and sensational subject was incorporated ... a basis [ incident / fifth 胼霱筝 ] -- the Kagura court dance and music of the Oto island -- the atomic tuna from the primitive monster of - tradition and the paleontology of the Jurassic period, and the recruit of a mystery who also endures a hydrogen bomb further -- a vessel okishijien destroyer and this -- -- it is touch that anything was stuffed as an amusement element to the extent that it said It can come and is entertainment! . These elements are reflecting well the social trend of Japan of those days, a popular interest, and voice. The fifth 胼霱筝 incident is also harnessed in the movie to sensational timing. The movie existed as amusement offered in the form which desires what the public of those days desires. If it does not come out, a performance called this movie cannot be made successful. The atomic bomb etc. had in the world the uneasiness to the contamination news of the fishing boat by the Bikini Atoll H-bomb test, and coexistence society with the core which should come also to 絆 in the scar and it which recollections preparations do not have, either at the time of the revival which 緇 does not have, either. The social trend supporting this Godzilla movie of those days and popular sentiment are victim consciousness. The old virtue of the Japanese of the postwar period and former and morality were entirely denied by European and American rational capitalism and postwar democracy. However, man does not change so simply. Naturally a rapid change also has reaction (dissatisfied). Japan also thinks that people's consciousness that everyone is a victim was common after the war. At this movie, for Japanese people, although it is the victim of the calamity of Godzilla, if it says, Godzilla will also be a damage (contamination) person. However, no responsibility of an assailant is investigated on this movie. Those days, U.S. criticism etc. cannot be performed. [ -- there ... ] -- by entrusting the voice and social trend of a time to this immortal monster "Godzilla", and drawing on the subject of a movie, the movie this "Godzilla" is formed as amusement and entertainment by separating from reality well The person who saw this movie thinks that he was seeing "Godzilla" for surrounding at a distance as uneasiness or one spokesman of dissatisfaction and anger. Spectators regard antinuclear, science, rationalism, revival, creation, such human being's convenience, etc. as having felt strain and a feeling of opening of a certain kind, and catharsis so that "Godzilla" might devastate and burn all towns regardless. This is the charm of Godzilla. All the persons that went to the movie theater were enjoying these Godzilla movies. It was industrially [ in culture or ] healthy. Destruction of human society is drawn. it is -- isn't it imprudent? Probably, there is also direction considered so. However, a movie is an artificial product. It is a fiction. A reality is taken out with piling up a persuasive lie. A new vision image called a fiction called such a movie, and Godzilla and a monster and special effects was congenial. Isn't this which goes a fancy and reality back and forth dreamlike in darkness called a movie theater the essence of a movie? Though regrettable, neither in LD nor DVD, expression of the darkness and black which is seen in a movie theater can be performed. Black also shines with seeing a monochrome movie on the screen of a theater more. The true figure of this movie can be experienced too only in a movie theater. Godzilla which riots in the darkness of a movie theater just covers and covers a city in a variant figure like a ghost rather than a living thing. ｃ in which the conventional arms of the Self-Defense Forces do not have effect, and such a thing cannot be real living things. It is already a fantasy. However, this invulnerableness is connected with the fear as which the bottom of Godzilla does not become known. On the movie, the ecology of Godzilla needed to be drawn as a mystery. Godzilla must not be the existence which can be understood. There is no basis theoretically scientifically, and since it is existence "without reason" in inconsistency, uneasy and fear are produced. [ irrational ] Expression of the monster "Godzilla" as an object of this point and fear thinks that it was conjointly very good with special-effects technology. The clear death by the okishijien destroyer of "Godzilla" was drawn for spectators wiping away uneasiness, feeling easy and returning actually. The scene which disappears with Dr. Serizawa to whom Godzilla invented devilish arms lastly is the moment which Dr. Yamane finishes as the words "that Godzilla cannot think the last one animal" the dream of a movie awakes. Is that these words overlap with the contents of the will of "The victims of nuclear bombs being me and wanting them to make it the last" in Mr. A-bomb victim and Kuboyama of the fifth 胼霱筝 past [ an idea ]? . Supposing it met, to the man of which did the place which the words of this last mean get across? . Probably it has weathered with the time. Now, it may be taken by the completely different meaning. On the future Godzilla movies, the more nearly first "Godzilla" was not able to draw death with clear Godzilla. It is because the motive to draw the death of Godzilla does not exist in the social trend (tendency) of the present time. [, however ... ] -- Godzilla is excessively evaluated as Japanese humanity and Japanese history, or popular culture including various intensity Isn't this movie "Godzilla" admired openly as old good nostalgia? . Godzilla will be the top star whom Japanese people are proud of in the world. However, essence will be missed if pride and authority come out on the whole surface. How was this "Godzilla" seen calmly overseas? When it thinks, it is free Class B monster entertaining movie too. Did the movie this "Godzilla" get across to the world as a message to sympathy, such as an anti thesis to the arrogance of human beings, such as universality as a movie, antinuclear, and natural destruction, and the human beings who can own jointly? . Or [ if "GODZILLA KING OF THE MONSTERS (monster king Godzilla) etc." etc. which the reorganization collection was carried out in Hollywood and was large-hit in the world is seen, / it will be reflected only with mere "panic movie by the attractive monster" (the important scene is cut) ] And it is recently that the movie "Godzilla" of an original state can touch now the eye in the direction of overseas very much. When saying, the man in the world had not seen the whole picture of the original version of this movie "Godzilla" just till recently. Although the movie "Godzilla" was seen across the sea those days, the message was not transmitted but only special effects have gone out of control [ a monster called Godzilla / character nature ]. Why has not sent to the world those days in the figure original as a message in which Japan turns this movie to the world and tells it? . Is it because it was recognition that Godzilla of those days was the show "kimono" and "getemono" also in Japan? . I think that there is much what should be considered. Wasn't what was lost although Godzilla became famous globally with the Hollywood version "GODZILLA KING OF THE MONSTERS (monster king Godzilla)" and the bosom got wet large? As a matter of fact, the movie "Godzilla" has fulfilled the mission (reflection of the voice of a time) as amusement in that time (1954). If it is now, when Dr. Yamane's words are parodied for the present, it is "a movie called this Godzilla cannot think the highest movie." If a movie is enjoyed as an image work and a work of art, there are many and Japanese movies better for others. Similarly, if it is an image work about nuclear bombs of those days, he should see a movie "the fifth 胼霱筝" first. Is the "fifth 胼霱筝" of which in saw people in saw people in "Godzilla"? . If it is now, the message, antinuclear, and the anti-war movie which human beings, such as "hiroshimanagasaki", should connect with future are in large numbers in others. You will send the this "Godzilla" movie to the world as anti-war and an antinuclear enlightenment movie now. Nobody considers a way etc.? There is nothing now [, such as what only the movie "Godzilla" has specially, ]. [ -- what was left behind -- Godzilla ... I say and consider the Godzilla (monster) movie with Class B amusement work also by ] It is not a movie but the entertainment and entertaining movie enjoyed freely which worships noble and is deified. as for foundations, the movie very first "Godzilla" has also followed the amusement fear movie -- not alike too much -- that must have been right That's right [ monster film / which is manufactured after this "Godzilla" ]. It is stale if every monster film work is seen now. Godzilla of the knowledge reflecting the time is surrounded by the actor reflecting the time, and regards the Godzilla movie with various new, new approaches and setup as good by 泣ｃ and it on the stage reflecting the time. Since the Godzilla movie is the entertainment which the time which reflected the social trend strongly desired. Godzilla carried out shiee, and the child of those days applauded and was glad earnestly. It was a generous time. Although it is lonely, aren't the producer or supervisor who can now do such bold production required, either? The amusement work which lost the freedom of a such expression and creativity is unhappy. Even forget having thought that he did not want once to become such an adult who forgets that it was a child and attaches kechi to the movie made for the child of the time, or a television work. Therefore, Japanese people only say that they differ from first Godzilla which is not consumed on a its mind no matter what movie [ Godzilla ] who may make. Does the work very first "Godzilla" yet carry out the spell of many Japanese like a ghost? . Or doesn't the time need Godzilla any longer? . If a reality is pursued, a superman will fall from empty and will become boroboro to a punk about there in response to brutal punishment. The present world (situation) has proved that a superman can live only by the time of the past nostalgia after all. Although Hollywood version Godzilla (1998) pursued the living thing-reality therefore, it had to die from the missile. Even if it says how far this Japanese's Godzilla which received and was left by the time, it is immortal and mysterious destructive God. Nobody can oppose God. Although "God" for a Japanese is in about there in large numbers (800 myriads of divinities) ... the [last ... ] -- making the cause or the Godzilla movie which was not used with a commercial base recently although it was pleasure very about what Godzilla movie next is made -- a rest It is a lonely limitation. Under those circumstances, comment & which regards "Godzilla (1954)" as a "normal" very much as a movie with it being pure; it is evaluation. 2008/11/30 Best [Original Japanese review] by (Send message) Review history / Provider: 3316 Host:3310 Browser: 5979 Evaluation is the highest without a complaint. I want for this to be with 臀 and to carry out a little different talk. It is called what or this work is quiet compared with other Godzilla works. Arms are also normals if a monster does not appear in others, either. According to quiet music, Godzilla crushes a nonresistant town. Moreover, there is admiration announcer had also realized some words of "you all over the country and good-bye" to be, and it is gazing at that Godzilla breaks without people being also aghast sad utori. The version in the 84 fiscal year is also no match for this. Those days, Japan withdraws from postwar confusion and is beginning to follow the first step of economic growth. Present spiritless society was also able to do simultaneously. Such society is infested with destruction or homicide in order to break such a feeling of fatigue. Possibly people wanted to already have become strangely and to destroy all like [ immediately after that conclusion of war ], when carrying out by accident. And possibly I wanted to redo from remaining as it is or 1. "People are waiting for Godzilla to break eagerly." 2008/11/29 Best [Original Japanese review] by 羔眼 (Send message) Review history / Provider: 19880 Host:19936 Browser: 5234 The act of the man who eats retaliation of an H-bomb test by the form called attack of Godzilla, and Dr. Serizawa. This thinks that it is the identity of this work. As for the contents, Godzilla which appeared with the hydrogen bomb says that the limitation of destruction and devastation is rendered for a town and it sinks to the seabed by Dr. Serizawa's hand starting with destruction of a vessel. Even if the barbed wire which passed current struck hands, such as surrounding Godzilla, it was not valid, and in order to to Godzilla which devastates a town merciless and to seal people who run about trying to escape, and the tool used for Godzilla, the alarm bell was sounded not only to nuclear bombs but to war through the figure of Dr. Serizawa who chose death. The identity was lost as the work was made. 2008/08/17 Best [Original Japanese review] by 綽潟若純 (Send message) Review history / Provider: 4782 Host:4831 Browser: 6342 [Good point] This work was begun with the laser disc of a library at the time of a schoolchild. Although I tried have wished to see at once in a movie theater, just, it was able to know having done the late-night show, it was able to begin in the movie theater in Ikebukuro in the meantime, and was able to see on the dekai screen. I think that it is the wonderful result which it is not ashamed of to the name of the first special-effects monster film in Japan. Although it was already manufactured and 50 years or more have passed, it completely fades and is just surprised that it is not visible. Although it was probably inferior to the special-effects technical target all the time from now those days, such a thing does not impress a piece, either. No, the impression more real [ Rumi's Godzilla ] to and more profound than the present computer graphics is brewed rather. If angle Godzilla is seen to the rabbit, so that it makes it forgotten that it is Rumi. It is like [ which lapsed even into the illusion whether for Godzilla to have appeared in Tokyo truly a long time ago, and to have made the town into mechakucha ]. When it begins and Godzilla attends a screen, it is surprised whenever it may see. Are the men of those days without the immunity to a monster that wits were very extracted on that scene, when shown on real time? Did the story also have message nature like the special-effects technology of Godzilla? That Godzilla has revived owing to a hydrogen bomb It is said [ the foolishness to war, and ] that that will produce unexpected retaliation, Dr. Yamane who is reluctant to kill Godzilla from the curiosity and the creditable avarice of a researcher, and a surrounding confrontation -- man's selfishness and ego -- and Probably, suffering of Dr. Serizawa who has made surprising slaughter arms and the okishijien destroyer from the strange thing is drawing pain of the maker of arms to using the research for people for war etc. for a world, respectively. Did Nobel who made the dynamite also hold the same pain as Dr. Serizawa? I think that you may see from the wonderfulness of special effects as a monster film and the story nature drawn from there, and whichever. [Bad point] Completely nothing! [Comprehensive evaluation] , of course, it is the highest. It cannot perform attaching the evaluation of those other than this etc. at all. 2008/08/05 Best [Original Japanese review] by (Send message) Review history / Provider: 14336 Host:14087 Browser: 7395 Godzilla which is telling the thought by war ... Godzilla which makes the hips hips and Tokyo the cruel countenance in the sea of fire ... I think that this is only this work. Since it is a monochrome work, a body which is made to feel strange eeriness and has anger to man is fearful to the highest. Now, I think that such a work is not made unless it repeats thinking for several years. Although it let it pass by Godzilla with quite cruel " - counterattack", "kinkon pair -", and a "mosura pair", in "the three major monsters", it contributes to pushing down king gidora despite opening part wrong... This level can still be allowed. However, a little "large war" was past [ going ]. ... It carries out so far. This work is the highest for the time being. It will be this if it is called the Godzilla series highest masterpiece. 2008/07/24 Best [Original Japanese review] by Baadakku (Send message) Review history / Provider: 6794 Host:6761 Browser: 8090 It is just the starting point of a monster film. This is Mr. Tsuburaya's highest masterpiece. It was made for the scene which takes out a face from the mountain of the Oto island to just be frightened. Although it should have been made to finish it as this one work originally .... This is the starting point of a Japanese painting image work! Since there is nothing only when it tells for a long time, evaluation is the highest! . 2008/07/02 Very Good [Original Japanese review] by 薇薇 (Send message) Review history / Provider: 5546 Host:5673 Browser: 6342 Are they all the origin-works of special effects in Japan which everyone knows, and a monster film (->TV)? To a strange war article left behind called atomic bomb radiation It is body present to the body about fear and warning. A threat is exerted on the human beings who produced it. A satire, horror (as that time), and monster -- it is the movie of the extravagant collaboration to say The Ifuku part's music is also wonderfully. It is profound and peculiar Orchestra and power exceptional as a special-effects movie are contained. That time LP gas (it is nostalgic) is possessed. It was heard, so that it 蕋純ed bored. The culture shock was received by midnight broadcasting for the first time at the time of saw. A real feeling comes out [ the screen of monochrome ] further. Subsequent work Although children of those days are flattered and there is no satirical (although it thinks that it is monochrome required for time at it) message, "Heisei version revival Godzilla" is. It is 閩俄 which revived the fearfulness of Godzilla. although it fell to 8 怨丈浦 monochrome and being carried out now [ ＜ ] after that -- "the Hollywood version" -- 障 -- is it severe? It is name on-hire ＜ｃ why, and is . It is disappointing to Godzilla which dies from the scenario and missile of a rehash of an "alien." evaluation -- "the highest" -- -- it is -- "it is very good" 2008/05/26 Best [Original Japanese review] by H&J (Send message) Review history / Provider: 540 Host:427 Browser: 8090 the monster film of ∞ -- "-- is it heavy that this work is carrying out [ which riots / which ｅ(ed) ] intension of various themes to having carried out and having finished [ which loved / which closed and came out ] it as "? The requiem which flows to Tokyo which turned into burnt ground with the existence which revived by nuclear radioactivity, that is, last thing is complaining of anti-war to a televiewer's heart more than an image. So that Dr. Yamane who had appealed against protection of Godzilla at first also accepts a mistake. That it is a monochrome film also looked like an old record image, it was increasing the reality, and it was overwhelmed by the looks of 吟 destructive God as which Godzilla is not regarded at all by the next work, either. moreover, the scar of war also into language, such as a "blackout", -- an impression -- the price -- -- better -- . Is the work which can be called "Godzilla" this 1st work? Since it has been no longer destructive God only by the signboard [ Godzilla after reverse goji ]. Evaluation: Highest 2008/05/05 Very Good [Original Japanese review] by Aton (Send message) Review history / Provider: 7838 Host:7787 Browser: 6395 monsters' also fighting is black and white at the time of a child -- ц -- -- even if -- although not felt interesting -- now -- then, fearfulness, drama nature, etc. as a monster film regard whether it is [ no one but / time / that ] as the result having been very good Although it does not seem to see it repeatedly since there is no part enjoyableness with well high theme nature, I think that the result was wonderful. 2007/11/09 Very Good [Original Japanese review] by Mansurii (Send message) Review history / Provider: 18003 Host:17896 Browser: 4767(Mobile) Monumental work of a monster film The scene on which fearful monster Godzilla which "nuclear" work produced steps on and crushes civilized society by overwhelming power is dynamic. I want to consider the message which this work hammers out once again just because a nuclear threat is the now which has drawn near actually still more. 2007/05/03 Best [Original Japanese review] by Negitama (Send message) Review history / Provider: 12661 Host:12737 Browser: 2989(Mobile) I feel that the work interesting to the highest and the work petty to the highest have clarified very much for a mask rider and Godzilla. It elapses and it thinks that it is because the thing [ that "the theme which was carrying out intension from the first" is heavy too ] made to be materialized is difficult. Recently, if the Heisei rider and millennium gojira are seen, a figure which is troubled by such fate will also become invisible from time to time, and I will think that it is pitiful. |
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