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Japan movie ranking: Rank 453/in 921 titles (Total 1.00/Deviation 48.69) Rank 452 <= => Rank 454
Japan movie ranking of 2005: Rank 31/in 87 titles Rank 30 <= => Rank 32

Kagi ga nai(Japan movie)

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Information about this title

TSUGUMI
Nao Oomori Hassei Takano Miho Fujima Takeshi Kongochi Aki Kawamura Kenji Matsuda Ken Mitsuishi

Released:2005/10/08 in Japan

Official sites
1. http://www.kagiganai.com/ (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	Japan movieRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(1.00)	453	48.69	1.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	300	1	1
Outside Japan	55	0	0

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Language Sorted by date Sorted by recommendation
English Good
(Only Evaluation) Normal
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(Only Evaluation) All
(Only Evaluation) None
Japanese Good
(Only Evaluation) Normal
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Language	Sorted by date	Sorted by recommendation
English	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	None
Japanese	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	None

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2007/10/03 Good [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 5979
Night and rain.
It is the romantic tale to which fantastic episode shows a face as the image made into じめっ unexpectedly.
The past remembered as Misako (shutting) who notices having lost the key while it rains at night.
While these are mixed, a tale starts, and as to [ it / which ] it is it, it has a gloomy atmosphere.
が, and words and the image from which between escaped suddenly show up unexpectedly.
The suitable distance shifted which is not exquisite is very fresh.
It does not know what happened.
However, if it gets used to the tempo gradually, this tale will be carried out by accident and will come to suspect for comedy ?.
Although dull Ryosuke (Omori 南朋) is also so, since words and action which refuse the air of an image are given to that baka is not doing at くそ seriousness, strange air is done at all.
It came out and it has been noticed by the debt of Misako and the driver (光石研) of a bus that oh, this is a fantasy.
Fusion of a reality ある situation and a fantasy did not think that it made such the strange world like this.
Only the persons who changed however it might regard as my having wanted players to perform as an ordinary person but catch sight of Director Yamada.
Misako's speech and conduct, action.
Ryosuke's speech and conduct, action.
Everything is a lie smell.
When が and it are materialized as a fantasy, there is also it and I can think だ.
It is the work which faded slightly blue and slightly fortunate daily unevenness to くそ seriousness.
It comes out and the last scene is really exquisite.
Two persons' thought does not synchronize delicately.
From now on, it will be the end from which two persons' deployment becomes how.
However, since Misako has the place where even something went away from Ryosuke, it will not become that it can say in any way, if Ryosuke is guzuguzu(ing) with that.
The talk of "being lot Catherine in a slight lack" which Ryosuke tells to the daughter remains in an impression very much the back.
It is the tale which is full of happiness which is painful.
Episode impressive otherwise is Ryosaku who can see mostly.

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