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Japan movie ranking: Rank 700/in 921 titles (Total -1.00/Deviation 47.33) Rank 699 <= => Rank 701
Japan movie ranking of 2003: Rank 41/in 50 titles Rank 40 <= => Rank 42

Renai Shashin Collage of Our Life(Japan movie)


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Information about this title

Yukihiko Tsutsumi Mitakeakira Toru Takeuchi Tatsuro Yamashita
Ryoko Hirosue Ryuhei Matsuda
Eiko Koike Shigenori Yamazaki Issei Takahashi
Atsushi Harada Jiro Sato Rei Okamoto Ren Osugi

Released:2003/06/14 in Japan
Statics of evaluation(The statics is updated once a day)
 AverageJapan movieRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanBad(-1.00)70047.33-1.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan30211
Outside Japan5900

How others evaluated in Japan

BestVery GoodGoodNormalBadVery BadWorst
People0000100
Percentage0.0%0.0%0.0%0.0%100.0%0.0%0.0%
Added percentage0%0%0%0%100%100%100%
Summary0%0%100%
                                                                                                    

Views for recent 8 days
Total765432130
6
2
0
1
1
0
0
1
1

LanguageSorted by dateSorted by recommendation
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(Only Evaluation)		Normal
(Only Evaluation)		Bad
(Only Evaluation)		All
(Only Evaluation)		None
JapaneseGood
(Only Evaluation)		Normal
(Only Evaluation)		 Bad
(Only Evaluation)		All
(Only Evaluation)		None
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.
2008/07/04 Bad [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 4184
To Director Yukihiko Tsutsumi, it is new, and is the love tale of betabeta as which the piece of a comedy color is not felt, either.
Bad laver which resembled the "drowned fish" of が and a supervisor work can be felt.
While Masato Segawa (Ryuhei Matsuda) receives the letter of the village Nakashizu style (Ryouko Hirosue) which is the sweetheart who associated with his school days, both of rumor that she has died one year ago is brought at the beginning.
a mystery -- being drawn in deployment as it were is clear And separation is drawn from two persons' encounter of the past like a time-tested love tale, and it forces to be able to carry out empathy to them towards a climax.
The performance stink of the falter of Ryuhei Matsuda's words and Ryouko Hirosue will be worrisome also in が and how.
It comes out, and ending is greeted, while consistency 合わせ of opportunism is taken at 呆気 as it is as changing to the action film of しょぼしょぼ たり [ and ], although a mystery can be solved in an important climax.
[ being conspicuous ] Whenever it remembers this-work article as ....
which will be used as such a work why, it feels so.
Only the unnatural insanity face of noise (Eiko Koike) will be memorized vividly, and the special beautiful image has almost been scratched out.
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