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Japan movie ranking: Rank 390/in 924 titles (Total 2.00/Deviation 49.38) Rank 389 <= => Rank 391
Japan movie ranking of 1959: Rank 3/in 4 titles Rank 2 <= => Rank 4

Submarine i -57 does not surrender(Japan movie)


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Information about this title

Toho
Tsuburaya Eiji Sadamasa Arikawa
Tatsuya Mihashi
Akihiko Hirata
Yoshio Tsuchiya
Akira Kubo

Released:1959/07/05 in Japan
Statics of evaluation(The statics is updated once a day)
 AverageJapan movieRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanVery good(2.00)39049.382.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan65711
Outside Japan8900

How others evaluated in Japan

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People0100000
Percentage0.0%100.0%0.0%0.0%0.0%0.0%0.0%
Added percentage0%100%100%100%100%100%100%
Summary100%0%0%
                                                                                                    

Views for recent 8 days
Total12111098765
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2006/05/13 Very good [Original Japanese review]
by 634 Provider: 20686 Host:20652 Browser: 5234
"Lorelei" was the talk talked based on the true story -- although kicked -- here -- an all the members honorable death -- the thing ...
It is more impressive than Lorelei which avoided the depiction from which people die as much as possible that whose this one was fresher in the meaning, and a change does not have this one in it being hard to 遥 in the meaning.
But in Lorelei of the laver of an animation movie, and 本作, it is certain that were made before the degree of the reality in the meaning was too different and 本作 passed for 20 years after the war, and the direction of 本作 had exceeded to 遥 at such points.
It could be said that this 伊号 57 is the submarine which does not exist really, the neighborhood which progresses the Potsdam Declaration to not knowing, and its portion which is using a subject matter called atomic bomb dropping are interesting, and the point used also for neta of the submarine movie other "submarine warships" is also an observing point.
The last honorable death also regards from nothing [ impossible ] that there were the realism and the pathetic feeling of that time which environment does not make only environment do so as it being ぬ事.
Japan and Germany have wonderful relation in a warship called a submarine, and probably a U-boat comes to Japan, it has big influence also in that it is as that technology of Germany is brought about from the U-boat たり [ and ], and 本作 will be one of the final editions of the submarine movie on a par with a "U-boat".
[ being made a 伊号 submarine ] It is afraid of the submarine at the time of the Second World War a marine evil spirit, and if the fact of having had a close game in the environment with inferior crew within a warship like the evil spirit is known し it thinks that the present navy is indulged and himself something has an impression of the environment which will raise sound in half a day -- 光届 or ぬ -- せ which will be done if the spectacle of dying in cold water after agonizing is visualized, or himself thinks anew that such death etc.
cannot be performed し it has produced in the end to a thing called a human torpedo "回天" (it symbolizes Japan's fall that they are the Kuro-shima tortoise people who the designer was a leading player of the a Pearl Harbor attack, and were Isoroku Yamamoto's brain trusts in addition) etc.
-- insanitary -- a bad smell -- drifting -- the frightfulness of a hard struggle of submarine riding under the 鉄拳 sanction from a superior, and environment still the more worst [ amenity ] and inferior -- even if -- it is not -- although kicked, there is no 務ま and others in an imperfect feeling -- I The submarine crew who fought under such hard environment are admired anew, and when it thought of people scattered in it, the feeling of deep repose of souls appeared and many words "it shared the same fate" were used [ "whether it lives, whether it dies", and ] literally, and there is no せ to do and it becomes the feeling that unhappy people must not never be produced for such an unhappy time.
It is 悲歌 of people who the contents were useful in such the time, and were distracted although it is a submarine subject.

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