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The Yakiniku Movie Purukogi(Japan movie)


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Reviews' statics
Japan movie rank Rank 718/in 943 titles (Total -1.00) Rank 717 <= => Rank 719
Japan movie rank of 2007 Rank 59/in 81 titles Rank 58 <= => Rank 60
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Information about this title

Masayoshi Yamazaki
Ryuhei Matsuda Yu Yamada Takahiro Tamura Tomorrow Taguchi Kaori Momoi Riki Takeuchi Ai Maeda Shin Yazawa
Masahiko Tsugawa Maki Sakai Zyozi Yamamoto Lily Franky Mitsuko Baisho

Released:2007/05/05 in Japan
Official sites
1. www.yakiniku-movie.com (Translation)
Statics of evaluation(The statics is updated once a day)
 AverageJapan movieRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanBad(-1.00)71847.34-1.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan41811
Outside Japan12300

How others evaluated in Japan

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People0000100
Percentage0.0%0.0%0.0%0.0%100.0%0.0%0.0%
Added percentage0%0%0%0%100%100%100%
Summary0%0%100%
                                                                                                    

Views for recent 8 days
Total2019181716151413
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JapaneseGood
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/10/21 Bad [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 4184
It is the movie which wants to merely come to eat roast meat.
Although a tale is roast meat confrontation of tatsuji (Ryuhei Matsuda) and torao (ARATA), and the confrontation is used as the axis, it does not rise so much.
If it is said [ which ] whether be, a humanity tale with the men in connection with roast meat is characteristic.
However, there is touch that each has spoken words in its own husks freely rather than wonderful air is in a work, and lives together to one space, probably because there are many too much individual characters.
Only tatsuji and Yori (Masaru Yamada) can feel relation 合い of each other heart.
Since the feeling especially over tatsuji of torao and the feeling over roast meat are hardly known, it does not rise at all in a climax.
In Ai Maeda's existence, the individual special feature of this work was surprised, although [ to which it broke and the character was also very much like ] it was the opposite of the old serious character.

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