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Japan movie ranking: Rank 783/in 924 titles (Total -2.00/Deviation 46.65) Rank 782 <= => Rank 784
Japan movie ranking of 2006: Rank 74/in 94 titles Rank 73 <= => Rank 75

Umi to Yuhi to Kanojo no Namida Strawberry Fields(Japan movie)


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Information about this title

MIZUKI TANIMURA Yuria Haga
Kazuki Namioka Yuko Ito Hiroyuki Konishi Mika Mifune

Released:2006/09/16 in Japan
Official sites
1. http://sbf.goo.ne.jp/ (Translation)
Statics of evaluation(The statics is updated once a day)
 AverageJapan movieRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanVery bad(-2.00)78346.65-2.00 

Statics of activity

Total ViewsCommentEvaluation
Inside Japan24011
Outside Japan6700

How others evaluated in Japan

BestVery GoodGoodNormalBadVery BadWorst
People0000010
Percentage0.0%0.0%0.0%0.0%0.0%100.0%0.0%
Added percentage0%0%0%0%0%100%100%
Summary0%0%100%
                                                                                                    

Views for recent 8 days
Total12111098765
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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/07/18 Very bad [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 4184
The message color which is going to teach the wonderfulness of the real friend who can free himself from loneliness is a strong work.
It is the cold result from the awkwardness of が, production, and performance violently.
Although Maki (Mizuki Tanimura), 理沙 (Haga 〓oぐ〓, and Mika (東亜優) who are not a friend, either are killed in a traffic accident, and the voice which summer beauty (Satsu Yoshimi Kawa) which is not a friend too, either calls them is heard, it comes out as a ghost and it is ちゃう, a meaning is not understood at the time.
And although they are going to achieve each regret, hardly showing signs that it was shocked as he having died, a feeling of fatigue will be memorized to appreciate to the smallness and dullness of the scale.
presumption -- the words of Maki in a climax -- " -- the adult did not understand -- I " want to see -- a thing like the grumble which shifted from the growth tale of their old heart jumps out It cannot allow that the production and performance cannot say too much severely that it is satisfactory with a motive to the extent that it seems to risk and prevent its body that not all they disappear one person [ one ] at all rather than anything.
It is like [ which can be forcibly convinced that it will become neta conversely if severe so far, and the shallowness is / this work / interesting ].

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