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2008/08/01 Good [Original Japanese review]
by どうか Kappa と発音してください。 Provider: 7683 Host:7691 Browser: 4184
Oneself makes a screen version of the Matsuo SUZUKI MOTOR original novel as a supervisor.
Gag living [ the Matsuo paragraph ] and slow is also incorporated everywhere this time.
Too, tastes will be asked and the impact of the gag itself is also weak.
Actually, the gag of Matsuo SUZUKI MOTOR may not enjoy the gag itself, but a nonsense interest may be in the gap of gag and surrounding air, and it may also be able to be called intellectual laughter in a certain meaning.
The depth is different when it turns out that が and this work are what is depended on escape activities of the men related to the mental disease building containing a kuワieto room backed by the serious mood of a portion in the second half.
It is the prepared dotage.
Asuka Sakura (Yuki Uchida) who is a hero looks like the man of a normal till the second half of a tale.
it is hame isolated on a mental disease building by chance -- しか -- I cannot consider It is exposed of が and the problem which becomes in the second half and she has one after another, and it turns out that it exists as a man of a normal very much about Tetsuo (宮藤 official 9 郎) who only an eccentric person catches sight of until now.
Although the former master (Shinya Tsukamoto) of the interesting place of this work is also so, among a tale, it fades with cold gag to the characters which exist as a man of a normal, a role is carried out, and it is just going to make the men of a dangerous mental condition do boss influence.
This is the same also in a ward, and also in the debt by Nishino (Shinobu Otake), Eguchi (りょう), and Miki (蒼井優), although Asuka was watching action and utterance of them in the place intently distant from her, it has failed quite mentally [ her ] in practice.
It is out of order って Nan.
It seems that Director っていう's cold tsukkomi can be heard.
About the conversation exchanged, the fundamental thing that those it is not [ whose ] if who is normal, out of order be [ if ] who is right, that it is also wrong, either live is seized on.
Balance is maintained how in relation by the others, and it is shown tacitly that it is required to maintain oneself at everyday life.
Although Kurita (Yuko Nakamura) who returns with Asuka left by the last scene passes, Asuka thinks with there being nothing that it is normal for the first time there, and I feel that oneself was accepted for it.
Throwing away the memorandum handed by Kurita, the desertion patient who 疾走 by the bicycle was witnessed, and the face at which it is laughing was felt somewhere refreshed, and had comfort very quiet as a landing point of a work.

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