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Japan movie ranking: Rank 399/in 883 titles (Total 1.00/Deviation 48.64) Rank 398 <= => Rank 400
Japan movie ranking of 1948: Rank 1/in 1 titles

Yoidore Tenshi(Japan movie)

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Rank:174965 Drunken Angel (Yoidore Tenshi) [ NON-USA FORMAT, PAL, Reg.4 Import - Australia ]	VHS Tape:Yoidore tenshi Eval.:***** 1.a fine early Kurosawa film

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Akira Kurosawa

Released:1948/04/27 in Japan

Statics of evaluation(The statics is updated once a day)

	Average	Japan movieRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(1.00)	399	48.64	1.00

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	Total Views	Comment	Evaluation
Inside Japan	490	1	1
Outside Japan	52	0	0

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3 0 1 1 1 0 0 0 0

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/06/27 Good [Original Japanese review]
by 青いエビータ Provider: 8110 Host:7881 Browser: 9070
This most impressive movie is such a dirty dobu pond that methane blows with gobott and comes out.
They are just a negative inheritance with the confused postwar period, and the symbol of social wrong.
However, even peculiar vigor is given simultaneous with it.
A "drunkard angel" is the tale of such a confused time.
The stage is a black market in Tokyo used as the burned field.
Although Dr.
Sanada who runs business near it is a drunkard and he is [ it is sharp-tongued and ] violent, a sense of justice is strong harder than others.
Worthless Matsunaga of a certain day and a black market comes the extraction operation of the bullet of a pistol to a receptacle.
Sanada suspects his tuberculosis, and although he advances undergoing medical treatment, he will not listen at all.
However, Sanada who memorized sympathy into the portion into which it is not [ in Matsunaga ] dirty presses for quiet persistently...
Although it thought that this black market was a location when it saw at first, it knew that it was a set and was stunned.
The market which is full of vigor in the dobu pond where methane boils, and beyond [ its ], it is running to the train...
Already, the presence is full of the reality, so that it has an illusion, an actual thing.
Make the deep drama of this work still deeper.
A highlight is performance which glared like young Toshirou Mifune's wild beast too.
This presence is overwhelming although it is hard to say that it is nice.
せ is asked for peacefulness by somewhere in hearts without desperation as if it symbolized the postwar confusion term...
Such yakuza is performed well.
Having remained in the impression in this is the scene of the dream of the coffin of the beach.
"It can never escape from illness" is indicated.
Moreover, as for ぶわっ and the scene into which it enters, light has suggested "death, i.e., death," from the door opened in death by thing deviation on the confrontation scene of a climax.
Becoming white paint まみれ, and dying and dying looks like having not gone out impurity and the hand of this world after all.
Such facing each other worthless is Dr.
Sanada, alias the Shimura 喬演じる "a drunkard angel." although it emphasized "the medicine required for man is reason" and wrong is hated strongly, just because it calls it a tippler -- being also alike -- man -- it is stinking existence The scene which cannot slip out of the way of life as worthless, but can touch ruined Matsunaga's ashes, and stops utterly the same thing said although started sick to the last contrary to the girl who protected seriously and got better is impressive.
Regret which was not able to be saved after all though he understood his thing most.
The thought to do and which is not せ blows and, probably, was just going to come out, when touching ashes in that place.
Appearing there is two contrastive women.
One person is the woman who had fallen in love with Matsunaga, tends to be shocked by that he died and is going to go away from a town.
The other is the girl who was able to cure illness.
Here, a loser and the latter are drawn for the former as a winner.
And the conversation of the last scene denies a way of life which is symbolized worthless, and serves as a motif which admires the new way of life of following an ideal.
Moreover, how of this work to use music is also wonderful.
the "cuckoo waltz" of はず with "jungle bugi" just cheerful on the scene which is expressing the situation [ being confused / like ] of a jungle well and on which it carries out and Matsunaga wanders about the inside of a black market about which a Shizu Kasagi child sings sonorous -- Matsunaga's heartbreak -- much more -- the time -- standing -- てい .
However, what was able to be regarded as the most wonderful is the tone of the guitar currently used at the key point of a drama.
The tone which can be heard if night comes near Dr.
Sanada's house.
That melody that has become shabby not at all symbolizes the heart of people of a confusion term after the war.
That it is a paragon also in it is the scene where the camera arrested the guitarist who was only merely able to be heard from outside for the first time until now.
The shadow which steals up on the hooligan who never becomes nice.
The man deprives a hooligan of a guitar and plays the melody even with the completely opposite it.
They are the good-for-nothing of prison return, and Okada's appearance scene.
While change of the tone of this guitar symbolizes that the tale of Sanada and Matsunaga begins to move greatly, it is expressing the dreadfulness of Okada of a villain's part by from 1.
Literal "drama x image x music" serves as the Trinity.
this tale -- whole-volume going 詰る -- as if -- atmosphere -- たたえている Confrontation of a person is drawn and it begins to spin the further tale.
It just expresses "the postwar period is confused."

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