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Chou jigen yukaku Katenrou(Comics)


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Reviews' statics
Comics rank Rank 1,970/in 4,252 titles (Total 2.00) Rank 1,969 <= => Rank 1,971
Comics rank of 1999 Rank 28/in 61 titles Rank 27 <= => Rank 29
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Information about this title

Yuri Narushima

Released:1999/11/05 in Japan
Statics of evaluation(The statics is updated once a day)
 AverageComicsRankDeviation(Total)Evaluation points(Total)Best of the Best
Inside JapanVery good(2.00)1,97048.892.00 

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Outside Japan10100

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2005/12/31 Very good [Original Japanese review]
by 遠野 Provider: 7995 Host:8080 Browser: 4184
遊里 and 花天楼 "which wander about between a dream and 現 and sell a flower and comfort" -- the stage It is the sad and painful wonderful tale in which the floating licensed pleasure quarters, the women who live there, and those who can draw near there weave various places and various times exceeding a dimension.
Although being recorded on this book are only three talks, this is all also sounding-massively-the heart guarantee.
.
Is it said that the feeling of characters spreads the more the more it reads but?
At once, the 3rd times can enter twice rather than an eye, and it can enter into a work more from the 2nd times.
Although it is the comics which drew man deeply from a certain whole surface, it is drawn and crowded too much [ necessarily ].
It does not show too much and leaves a reverberation entirely.
The princess of two talks etc.
thinks that she was good.
The shadow and the sadness which are for a stage licensed pleasure quarter [ without substance ] place, or are in the shadow of brightness are felt.
However, people's warmth and the depth of the bosom can also be seen simultaneously.
It is the tale of not knowing and the youth who was able to draw near to 花天楼 of eye one talk.
Though knocked down by her the bad mother of 男癖, and unreasonable origin, in a its real intention, it cannot become disagreeable about their thing.
-- The way wish I want you to love rather was real.
He comes into contact with 合歓 (ぶ) which is a prostitute, and although the way are comforted is painful without せ to do, it is awfully easy.
I think that the language of the last of 合歓 was help above all.
The depth was impressed by some tales of the princess of the Age of Civil Wars (probably は) which wavered in eye two talks and 花天楼 though difficult.
Her refraction and severity are good.
The depth of a shadow which is visible occasionally, and the depth of work are good.
She who takes speech and conduct which turn all to an enemy the surroundings was the interesting character which stirs and develops a tale in a good meaning.
Why or it was very heavy although the last had become the structure with width which can be taken at any cost.
Although it was a digression, 合歓 which speaks to her was keenly smart.
Eye three talks is a tale which touches in the past of the mallow which is a hero and is also each talk common characters.
But it is the extra-short story which does not necessarily touch on her birth and recollects a scene at the time at which it just came to 花天楼.
However, concentration is very deep.
Though it is short, people's strength, weakness, warmth and lonesomeness, and little playfulness are choked up tightly.
private -- the existence of a prostitute's method of an elder sister itself -- 惹かれて -- it does not see It is not impressed though deep sadness and deep work are carried on their back, respectively.
Pliant brightness and pliant sexiness are good.
Therefore, I think that the tone of the thing which smells to the sight of its back of appearance in the work and them and which they carry on the back is conspicuous.
Although it is this book which purchases in any way and has been put on hot one corner (--/smile which will be regarded as probably having not taken in its hand if it is not striped Yuri which an author becomes), can't it enjoy itself and obtain to the direction which is interested in a licensed pleasure quarter, either?
It is one volume of recommendation.

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