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Comics ranking: Rank 1,611/in 4,168 titles (Total 3.00/Deviation 49.14) Rank 1,610 <= => Rank 1,612
Comics ranking of 1987: Rank 17/in 41 titles Rank 16 <= => Rank 18

MOURYOUSENKIMADARA(Comics)

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Otsuka Eiji KOGADO STUDIO Shouu Tajima

Released:1987 in Japan

Statics of evaluation(The statics is updated once a day)

	Average	ComicsRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Very good(1.50)	1,611	49.14	3.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	1,379	2	2
Outside Japan	80	0	0

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Summary

50%

50.0%

Views for recent 8 days
Total 20 19 18 17 16 15 14 13
5 1 1 2 0 0 0 1 0

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The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2008/01/28 Best! [Original Japanese review]
by 古典派の男 Provider: 46421 Host:46619 Browser: 8090
[Good point] A view of the world peculiar to MADARA series is attractive.
A peculiar atmosphere is taken out with touch which the ajian taste united with the fantasy.
Especially, I think that the character name and work name of the Chinese character notation are quite smart.
A character has rich individuality very much.
The smartness occasionally shown as the brightness as a mood maker is exquisite balance, and although especially 聖神邪 was the most popular from series that time, it is conviction (聖神邪 and 影王 should have bisected popularity surely).
A setup of a view of the world or a character often kneaded, and is crowded.
Since the mystery of a tale is cleared so that it goes in the second half, a setup with fine scene where become structure which is not bored to the last and sushi and 影王 tell the secret of birth of 摩陀羅 now, scene where the true character of a kirin is revealed, etc.
is valid.
It is the story which can sympathize with 摩陀羅 and a kirin.
The scene where two persons who got separate resume through the days and months for three years by the corridor of a flame is very moving, it can also take growth of 摩陀羅 that it is the existence which can depend for 摩陀羅, so that a position will be reversed three years after, although the position was a top, and the direction of a kirin regards it as making the scene moving further sushi and before.
[Bad point] Change of the pattern of the Tajima 昭宇 is very sharp.
Change of a pattern is as sharp as the character is another person in the opening part and the final stage, and since it is a soft pattern also completely different from the style of painting of the present Tajima 昭宇, I think that the individuality of a picture is half-closed eyes a little.
However, those who cannot follow the design of the latest Tajima 昭宇 will think that the picture of 本作 is more legible.
Since it is how to finish a sequel premise, the last may be disappointed a little.
the transmigration which hits the last program of a series although the world of MADARA spreads rapidly for the sequels (2, red, blue, transmigration editing etc.) and it is interesting -- editing -- the talk -- not completing -- substance -- incomplete one is regrettable Although いちおう and the work "I do not step on an angel's shuttlecock" are positioning called the MADARA last program of a series, I have a feeling that that way of finishing is not what most MADARA fans probably desire.
[Comprehensive evaluation] At the starting point of the MADARA series called alias "MADARA1", I think that it is the series highest masterpiece.
Although the pattern of the opening part is imaichi, a style of painting changes from the appearance neighborhood of 聖神邪, a picture becomes smart, and the talk also rises rapidly.
I think that it is not an overstatement even if it calls it "the masterpiece which remains in the history of comics", if it is even 1 single articles, or 1 - red.
However, when it sees in the whole series, while it is a work used as the cause for the Otsuka x Tajima pair to take a break, it is also the work which symbolizes the evaluation "those opens the Eiji Otsuka = Japanese wrapping cloth too much, and it becomes impossible to be able to finish packing it." transmigration -- in having not yet completed editing, it is really regrettable that Eiji Otsuka itself is motivation zero

2008/01/28 Normal [Original Japanese review]
by DDO Provider: 6475 Host:6348 Browser: 4982
Each early work itself had interesting touch called the Japanese fantastic world a little, and that Mr.
Tajima 昭宇's 画力 is improved rapidly was also able to see and enjoy it.
however, it was also hot for a difficult setup to be rapidly added by post-installation, for the story after "MADARA red" to extend the talk too much anyhow, and to come out, and for collection not to attach it at all, but for it to have become impossible to understand and to have followed the talk 魍魎 "records-of-war MADARA [ "MADARA" and ] 2" "-- since it was interesting, per [ MADARA red" ] considers [ that "it is good" is sufficient and ] the evaluation to there

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